Verner Panton 1960s

oozey mess
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hello vonnie
Xuebing Du

Product Placement
wallacepolsom

@theartofmadeline
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styofa doing anything
occasionally subtle
DEAR READER
Keni

izzy's playlists!
he wasn't even looking at me and he found me

Kaledo Art

blake kathryn
Show & Tell
macklin celebrini has autism

JVL
2025 on Tumblr: Trends That Defined the Year
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@mewiya
Verner Panton 1960s
A New Spirit of Japan, Kiyoshi Awazu, 1984
Soon we will be strangers. No, we can never be that. Hurting someone is an act of reluctant intimacy. We will be dangerous acquaintances with a history.
— Hanif Kureishi, Intimacy and Midnight All Day: A Novel and Stories
““Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches… I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my ribcage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids… Is any of this getting through you, Buttercup, or do you want me to go on for a while?“ “Never stop.” “There has not been—” “If you’re teasing me, Westley, I’m just going to kill you.” “How can you even dream I might be teasing you?” “Well, you haven’t once said you love me.” “That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.” “You are teasing now; aren’t you?” “A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.””
— William Goldman, The Princess Bride (via antigonick)
V.E. Schwab, The Invisible Life of Addie LaRue
Stuart Franklin - Mount Ruapehu crater lake. Tongariro National Park, New Zealand, 2007
Charline von Heyl (German, 1960), Crash Course (Atalante), 2016. Acrylic on canvas, 68 x 82 in.
The Row Pre-Fall 2017 Lookbook Designers: Ashley Olsen, Mary-Kate Olsen Model: Erin O'Connor Photographer: Zoe Ghertner Hair Stylist: Tamas
By Johnny Dufort For Vogue Italia January 2021
Luz Pavon by An Le for Vogue Mexico Belleza - Winter 2018
An agate stone that looks like a window to the ocean.
Persian electrum bracelet featuring ram’s heads at terminals, c. mid-1st millennium BCE. From Bonhams.
Yarn - Вербна неділя (1993)
“How can me sometimes, maybe, watching you while you sleep be anything other than a small thing I do to keep me believing in a world beyond the grave.”
— Timothy DuWhite, “Mustard Seed,” from his chapbook First Draft: Musings Of A Boy Un-Edited (via bostonpoetryslam)
“Who will console me?”
— Adélia Prado, The Alphabet in the Park: Selected Poems, from “Successive Deaths“ tr by Ellen Watson (via fawnaura)
“Among my people, only the dead / have human faces.”
— — Valzhyna Mort, from “An Attempt at Genealogy,” Music for the Dead and Resurrected (via lifeinpoetry)