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Rooftops of Karoma Road by Tanaka Ryohei

etching

huariqueje

Lilies 2 , Lilies with Vase - Yoshijiro Urushibara

Japanese, 1880-1953

Colour Woodblock Print

wabisabimind

met-drawings-prints

Crippled Pine, Ernest Haskell, 1900–1925, Metropolitan Museum of Art: Drawings and Prints

Gift of Mrs. Ernest Haskell, 1954 Size: Sheet: 5 ½ × 7 1/8 in. (13.9 × 18.1 cm) Plate: 3 5/16 × 4 15/16 in. (8.4 × 12.6 cm) Medium: Etching

https://www.metmuseum.org/art/collection/search/679337

ymutate

Anne Packard (American, born 1933)

"Rowboat on the blue" (1976)

Oil on canvas (76.2 x 101.6 cm)

Private Collection.

cma-japanese-art

Woman Drying Her Hands (from the series Ten Aspects of the Physiognomy of Women), Kitagawa Utamaro, c. 1793, Cleveland Museum of Art: Japanese Art

The pose in which Utamaro presents this beauty is typical of Japanese painting and prints. The three-quarter face is rendered with the simple outline of the eyebrow and cheek, a single line for the nose, narrow eyes, and half-parted, petal-like lips. Not the likeness of a specific individual, the print instead portrays a particular mood or character. The pink mica background was created by covering the image of the woman with a stencil and then brushing mica mixed with pink color and an adhesive onto the background. The print comes from a series that represents women from different classes. Size: Sheet: 36.9 x 25.4 cm (14 ½ x 10 in.) Medium: color woodblock print

https://clevelandart.org/art/1930.218

edmund-dulac

The Tempest: Ariel and the Bee, Edmund Dulac

artist-johannes-vermeer

The Geographer, 1669, Johannes Vermeer

Medium: oil,canvas

bungalowclassic

tracingthearbitrary

Keep Calm and Open the Door

met-greekroman-art

Terracotta alabastron (perfume vase) by Persephone Painter, Metropolitan Museum of Art: Greek and Roman Art

Rogers Fund, 1908 Metropolitan Museum of Art, New York, NY Medium: Terracotta

http://www.metmuseum.org/art/collection/search/248099

mennyfox55

books0977

Fuensanta (1929). Julio Romero de Torres (Spanish, 1874-1930). Oil on canvas.

The sitter was María Teresa Lopez González. Born in Argentina, María Teresa moved with her family to Julio Romero de Torres’s native Córdoba after World War I. There she first sat for the painter aged just 14 years old, and became the artist’s favourite model. Showing María Teresa resting her arms on a copper cauldron, Fuensanta was widely praised, and championed as a quintessential rendition of Andalusian beauty.