Thomas Zhuang: Street Series, NYC #182, 2013
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@micaelabrody
Thomas Zhuang: Street Series, NYC #182, 2013
Kerry Guinan
Artists, 2019
Series of six blank canvases (70x70cm) signed by the factory workers that made them in Daler Rowney, Free Industrial Zone, La Romana, the Dominican Republic.
Images: Photograph of 3 canvases from the series in the solo exhibition 'Our Celestial Sphere' at Pallas Projects, Dublin, 2019.
Supported by the Arts Council of Ireland, Limerick Institute of Technology, and Fingal County Council. Images: Pallas Projects/Studios & Kerry Guinan.
(Original caption from artist’s website)
Series of six blank canvases (70x70cm) signed by the factory workers that made them in Daler Rowney, Free Industrial Zone, La Romana, the Do
And after contacting the Irish Museum of Modern Art and being referred to a curator (!), they provided me with the caption information that was used when displaying the work for the Staying With The Trouble exhibition in 2025 (thank you so much IMMA staff!!)
Artists is a series of blank, square canvases, each signed by a staff member in the manufacturing facility that produced the canvases in the La Romana Free Trade Zone, the Dominican Republic. The manufacturer, Daler Rowney, is a popular supplier of art materials in Ireland. The artist coordinated the project remotely by contacting the facility manager. The signatories volunteered to take part in the project upon invitation. They are Johan Rivera, Carlos Roa, Aneury Rondon, and Orlando Saldivar.
Anyways, I’d spent about the last 6 hours of my life trying to find out this information after some discussion on artist supply chains came up on the dashboard. Hope you enjoy the work as much as I do.
Fangirls Through the Ages by Lid Thom
Richard Nadler
"Surfaces All the Way Down," Joyce Lin
"Same Wavelength Chair," Luam Melake
"Argine," Libidarch Group
"Infinity Lounge Chair," Rogan Gregory
the chair, collected at r & company
Camilla Iliefski & Eva Zethraeus, Shimmering Real, HB381 Tribeca
"Bent Brass Palms," "Craters of the Moon Bend," "Copper Rock Round," "Double Notched Steel Column Hold," "Yosemite Wall Column Push"
letha wilson, stone's throw, grimm
"DIF 1 [for HDS]," "Innocents [for Wally]," "Squares [for Lucian & B.]"
eric white, vignettes & mutations, grimm
"mountains," jongsuk yoon, marian goodman gallery.
"Three: (D), DS, UF, RP, E, MR, TD, A, B," "Hose Hose Hose, Evaporate Evaporate," "Willst zu meinen Liedern deine Leier dreh’n?," "Gwendolen"
blackbird qua blackbird, jonathan allmaier at the james fuentes gallery
All this discourse over who does "painting with light"
Hiroshi Nagai's paintings need sunglasses to look at.
They look like how it feels to walk across a parking lot on a 98° summer day without a speck of shade in sight.
They look like heaven but also like you'd burn your bare feet on the ground.
Even when you can see shade you know it's not enough and the minute you step out you'll be burnt to a crisp like a vampire.
And it's BEAUTIFUL
I'll throw in the wonderful Eizin Suzuki into this ring too, a man whose work just breathes light without actually using dynamic lighting in the usual way. It's no surprise both Nagai and Suzuki are both considered prolific in art pertaining to the city pop genre because they're able to paint these kinds of scenes with a delicate touch.
This feels like I could trip on that radio and fall right into that water, feeling the crystal waves as I drop in.
And this, a nice stroll down a resort strip, where my sunscreened skin could literally feel cooked if I leaned too close to the tiling.
And then a nice stretch of summer street, wherein you could see your face in the flushed red of that car provided it didn't blind you from its sunny reflections.
I don't think I even need to say anything more, Suzuki's a massive influence in how he even places colours so warmly in such unorthodox manner. It's a naturally sunkissed talent~ 🌊
genuinely such a fucking serve
Olafur Eliasson 'Solar Compression' 2016
The Bird of A Thousand Voices, installation by Boris Acket at the Vilnius Light Festival in the St. Catherine Church, 𝟤𝟢𝟤𝟨
jennifer cantwell, 2011
“the recording is of a blackbird in my garden in the north of scotland. the idea of the piece is that it's a letter home from a migrated bird, telling the family of its new life and making the connection between the migrant and the homeland.” - jennifer cantwell
Richard Nadler
Viktor Lyapkalo Artwork: 'Blowing bubbles' & 'Evening' Painted 9 years apart.
Same woman