Remember this concept art from season 2... đŤ today I am mostly feeling anger. Hate hate hate everything
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@midnightblue767
Remember this concept art from season 2... đŤ today I am mostly feeling anger. Hate hate hate everything
Does this sound like an author who would have chosen a "Kill Them All And Destroy Everything To Start Anew - End" to you?
âUse your gifts and your talents to greatest possible effect while you can. Spread joy wherever possible. Laugh at jokes. Tell jokes. Make puns and bugger the embuggerances. Read books. Read my books. You might like them. You might find something else you like even more than them. Look for these things in life.
Question authority. Champion good causes. Speak out against injustice. Do not tolerate bullies or bigots or racists or anti-intellectuals or the narrow-minded. Use your education to challenge them. Broaden their perspectives. Make the world you interface with a happier place.
These are your choices. Choices you have been fortunate to have been given, so donât waste them while you have them. Donât look back in years to come and wish you had grasped a fleeting opportunity. Grasp it now with both hands, Live. Strive. Love.â
From A Little Advice for Life taken from âTerry Pratchett: from birth to death, a writer.â
âSir Terry Pratchett; April 28, 1948 â March 12, 2015
what happened to this being a fuckin comedy series?
fuck, something about them actually saying this out loud just...makes it hurt more. im not in denial. we saw it happen with our own eyes and not one day goes by where im not hit with an intense wave of grief whenever I think about it but just them saying this...fucking hell, man.
i cant stand it. I hate it. I want my safe space back. i know we have the fics and the fanart and im so grateful to this fandom and the support weve given eachother through our collective grief but...it still hurts.
s3 isnt canon to me but it is incredibly hard to ignore it when its the official ending for them. and i cant stand that feeling. that this is always gonna be hanging over our heads, something we will always remember. and not in a good way.
and tbh I really hope michael and david are alright. bc from the way they said these things, i dont think theyre happy with the ending either. its probably so painful for michael in particular :(
I hate that this happened to us. i hate that this happened to our comfort characters. I hate that michael and david had to act something so painful. i hate that they had no choice but to just...do the best they could with what they had. I hate the way everyones been so affected over this. I hate how its affected me, personally. I hate the fucking writers and I hate that cunt neil fucking gaiman most of all.
I just fucking hate it so much.
In my heart, Crowley and Aziraphale are sitting in that lovely yet slightly jaded bench in St. James's Park.
Crowley is marveling at the sight before him, a mother duck carefully guding her ducklings whom are following close behind. The mother puts herself infront of her children, but she cannot help constantly looking back at her own creations. They are flowing aimlessly in the vast body of water. One with nature. Basking in what it really means to just live.
Aziraphale on the other hand, has his eyes trained on another wonder of the world.
A young girl sits on a nearby bench, though she carries herself as if life has placed burdens upon her far heavier than her years should allow. There's another girl next to her, it's a friend, prehaps? She wraps her arms around the troubled one and holds her close, offering the comfort of her presence while the other feels whatever she needs to feel.
The wind blows softly, stirring loose strands of hair and carrying with it the distant sounds of laughter, birdsong, and the gentle lapping of water against the shore. Neither girl seems to notice. For this brief moment, the rest of the world has faded into the background.
Aziraphale sighs softly, "Extraordinary, isn't it?"
Crowley follows his gaze, his sunglasses reflecting the image of the two girls sitting together.
"Yeah," he says quietly, a softness creeping into his voice. "Funny thing is, they probably don't even realize they're doing it."
"Doing what?"
Crowley looks back toward the lake, where the mother duck nudges a wandering duckling back toward the group, "Saving each other."
The angel smiles softly at that, scotting closer to Crowley.
"Well, it's a beautiful sight to see indeed," he let's out a breath he has been holding for far too long, "but it wouldn't be as beautiful without you by my side."
Crowley sits with those words quietly. He slowly puts an arm around the angel.
"I mean, ducks are nice and all. Tiny feathery weirdos." He gestures vaguely toward the lake, "But I've seen ducks before."
Aziraphale looks at him, utterly perplexed.
"My dear, what on Earth are you talking about?"
Crowley snorts.
"I'm getting there."
"Getting where?"
"Angel."
"No, really, you've lost me."
Crowley shakes his head fondly before looking back out at the lake.
"I've seen sunsets. Meteor showers. Nebulas. Mountains. Oceans." He glances at him, "The thing that makes them worth remembering is having someone to turn to afterward."
Aziraphale's breath catches.
Crowley shrugs, as though he hasn't just said something monumental.
"And I have to say..." A small smile tugs at the corner of his mouth, "If there's one thing I could spend an eternity marveling at, it's you."
Aziraphale is stunned to silence. Not an uncomforble one, the opposite actually. The kind of silence that is at art galleries, where people gaze at something beautiful and find that words would only diminish it.
Crowley shifts slightly under the angel's gaze.
"Oh, don't do that."
"Do what?"
"Look at me like that."
Aziraphale's smile is small and impossibly fond.
"How am I looking at you?"
Crowley opens his mouth, then closes it again. Because he doesn't have a name for it.
Above them, the branches sway gently in the afternoon light. Around them, life continues in all its strange, fragile beauty.
A child happily screams somewhere in the distance, the sound carrying across the park as they race through the grass.
The girl who had been crying earlier is no longer hiding behind her hands. She sits a little straighter now, a small smile breaking through as her friend says something that sends them both into laughter. Whatever burden she had been carrying has not vanished, but for the moment, she does not carry it alone.
The ducklings continue to swim along. The breeze carries the scent of grass and warm earth.
It's all terribly ordinary, really. And yet, these were the very things Aziraphale and Crowley had spent six thousand years fighting for.
Aziraphale leans into Crowley, his face only inches away.
"I love you so," he breathes. Then, he closes the distance between them.
The kiss is soft, tender.
Crowley smiles against it, one hand coming up to cup Aziraphale's cheek. He leans in without hesitation, knowing exactly where he belongs.
The world continues to turn around them. You can hear faint noise in the background. Laughs shared. The rustling of leaves. Somewhere nearby, a dog barks, and a child answers with a delighted squeal.
Then, without warning, a raindrop lands on Crowley's nose.
He blinks.
A second follows, splashing against Aziraphale's coat.
Then a third.
The sky opens.
Within seconds, rain begins to pour over the park, sending people running for cover and prompting a chorus of surprised laughter from every direction.
The girls on the bench scramble to gather their things, one of them grabbing the other's hand as they attempt to dash toward the nearest shelter.
The ducklings, meanwhile, seem entirely unbothered by the development.
Crowley looks up at the sky.
"Really?"
The rain answers by becoming even heavier.
Beside him, Aziraphale laughs.
"Well," he says, beaming, "I suppose that's one way to cool off a warm afternoon."
Crowley stares at him.
"Angel."
"Yes?"
"We are getting soaked."
"I had noticed."
"And you're smiling."
"Of course I am."
Crowley shakes his head, utterly helpless against his own fondness.
"I think this is a sign to head back to our bookshop. Warm up with some hot cocoa before dining at the Ritz?"
Aziraphale's eyes brighten at the sound of that.
Before answering, his gaze drifts across the park.
The two girls from earlier are huddled together beneath a tree, trying and failing to shield themselves from the rain. They're laughing now, but neither seems particularly successful at staying dry.
With a subtle flick of his fingers, Aziraphale performs a small miracle.
A large umbrella suddenly appears over their heads.
The girls blink in surprise.
One looks up at the umbrella.
The other looks around in confusion.
Then, deciding not to question their good fortune, they scoot closer together beneath it and continue talking.
Aziraphale watches them for a moment, satisfied.
Only then does he turn back to Crowley.
"That sounds lovely," he says warmly. "Though I think perhaps a pot of cocoa. One mug hardly seems sufficient."
Crowley snorts.
"Naturally."
"And perhaps a few pastries?"
"Of course."
"And then the Ritz."
"Obviously."
The rain continues to fall around them, drumming softly against the lake. the water nurturing the trees around them.
Crowley rises from the bench and offers his hand, "Come on, angel."
Aziraphale takes it without hesitation.
Together, they start toward the bookshop, leaving behind the ducks, the lake, and the rain-soaked park.
Behind them, the girls sit beneath their mysterious umbrella, laughing.
Ahead of them waits a warm bookshop, hot cocoa, and a dinner neither of them will ever admit they had been planning all along.
The afternoon had been beautiful. The evening promised to be even better. And tomorrow would be just as lovely.
Ordinary days.
The sort of days that, when strung together, become a life.
As they disappeared down the rain-slicked street, hand in hand, neither Heaven nor Hell watched from above, no prophecies awaited them.
Just tomorrow. And the world. The same world they had chosen, time and time again.
A world of shifting weather, of second chances. A world where ducklings finding their way home. A world were people hold each other when life became too heavy to bear alone. A world where tears give way to laughter, where old wounds heal slowly, and where kindness survives despite everything.
.......
The Aziraphale and Crowley I know would've never given up on humanity, or on the humanity that lives within them. Crowley would fight for Aziraphale the same way Aziraphale would fight for Crowley.
The answer to a broken world is not to abandon it, but to keep caring for it. That is the Aziraphale and Crowley I fell in love with, and the ones I will always carry with me.
To me, Good Omens is about finding the courage to build out a life your heart wants, even when the people in power and systems try to decide who you get to be.
Life is all about choices,
You can choose to be upset about Aziraphale and Crowley not getting a proper kiss, or you can headcanon kiss-averse ace Aziraphale and write a one shot about how he felt about Crowley kissing him in s2 and after, and his fear of not being able to express his love in the way he believes Crowley would want.
It's not about a kiss. It's about promises made by the narrative that were never delivered.
The reason the fandom is reacting this way is because Neil Gaiman changed the genre of Good Omens from adventure fantasy comedy to romance fantasy comedy, and then he broke the cardinal rule of writing romance comedy: There must be a happy ending with no tragedy.
The story stops when the couple feels the most optimistic and hopeful for their future. A tragic ending does not belong in rom-com. It does not belong because going through this emotional journey with the couple only to have it end in painful disaster makes readers angry.
Good Omens S1 introduced overtly romantic elements with scenes that did not exist in the book:
Crowley flirting with Aziraphale as they watched the animals board Noah's ark.
Aziraphale flirting with Crowley in Rome.
Saving Aziraphale's reputation and his books in the church.
"You go too fast for me, Crowley."
"We could run away together."
"I don't even like you / Yes you do."
"Your boyfriend in the dark glasses"
There are tongue-in-cheek implications of romance in the book, but it is never explicitly stated or given space on the page to explore because how Crowley and Aziraphale feel about each other is not the point of this story. The humans are. We spend far more time following the humans and their thoughts and struggles because this story is not about Heaven and Hell, it's about humanity fighting for its right to exist.
To explore Crowley and Aziraphale's relationship in the original text would have made them too important. They were not supposed to kiss, there was not supposed to be a love confession, they were supposed to run around like incompetent headless chickens and make us laugh.
This is why fanfic exists. We pick up on the context clues in the text and we write our own stories to flesh out the things we wish had more time in the canon, even when we understand why it wasn't included.
But Gaiman gave the angel and the demon a whole bunch of extra scenes in the TV series, made their interactions overtly romantic in nature, and it disturbed the balance of the story. Good Omens became about them and their 6,000 year slow-burn enemies-to-friends-to-lovers story arc. Adam and Anathema and Shadwell became moving pieces buzzing around Crowley and Aziraphale.
The building up of Ineffable Husbands diminished the importance of everybody else until they ultimately got sidelined in favor of an outright love story in S2.
It's like the significance of everything the humans did was undone by Ineffable Husbands. This is no longer a story about humanity claiming its sovereignty and choosing their own fate in spite of plans made by Heaven or Hell. It became a story of how the unlikely love between an angel and a demon is the only thing that could possibly save the universe.
No. No, no, no. That was never the story. Could never be the story. Good Omens was never supposed to be a romance with Crowley and Aziraphale at its center.
Imagine When Harry Met Sally but Sally gets hit by a car after their love confession. Imagine The Princess Bride but Prince Humperdink wins. Imagine A Midsummer Night's Dream ending in shambles. That is the level of narrative betrayal happening in this script. That is why people are angry. It's not about a kiss. It's about giving us two seasons of a rom-com and then slipping us a tragedy at the end and calling everyone ungrateful when we rightfully complain because this was always meant to be how it ended.
Which only reveals that Gaiman was planning to betray his audience from the start, because he does not write happy endings.
This is why we are angry. It was never about a kiss. Gaiman broke the rules of rom-com and now we are angry.
Perfectly stated.
Finding out about what David Tennant said about Crowley has done some irreversibale damage oh my god.
Yes, David said this at a fan meeting. Anyways here's the video of him saying it. Man he read the finale to filth with only like, four sentences.
AND HE'S RIGHT OF COURSE !! Crowley's goal has always been deeply intimate, he just wanted to enjoy the simple pleasures that Earth has to offer alongside Aziraphale.
I cannot even imagine David's frustration after putting so much passion and care into understanding Crowley, only for his ending to be the antithesis of what he stands for.
Of course I cannot persume how Michael Sheen feels about the ending, but given how deeply he seems to understand Aziraphale and his relationship with Crowley, I find it difficult not to wonder whether he had similar thoughts.
If we as fans feel disappointed with the ending after following these characters for years, imagine what it must be like for the actors who dedicated a significant portion of their lives to bringing them to life. They spent years thinking about who Crowley and Aziraphale are, what they want, how they grow, and they seemed to really enjoy to watch how their relationship in the show resonates with so many people.
And then there are the dedicated artists who worked tirelessly to bring Good Omens to life behind the scenes. The writers, designers, costumers, makeup artists, set builders, editors, composers, visual effects artists, and countless others who poured their creativity into this world because they believed in the story they were helping tell.
Their work helped create something that touched millions of people, inspired countless fanworks, and gave audiences a relationship that felt deeply meaningful.
Which is why I'm sure many of the people involved in this project ended up asking themselves:
What do you mean that a story about two people choosing each other, choosing Earth, and choosing humanity over the systems that sought to control them ultimately concludes that the world they spent six thousand years protecting is not worth saving?
This story seemed to celebrate the idea that love matters. That the small things matter. That an afternoon at a bookshop, a shared meal, a favorite song or a life built together could be more important than any grand cosmic plan.
it's heartbreaking to know that the ending affected some of the very people who helped bring this world to life. The actors, artists, and crew members who spent years nurturing these characters, thinking deeply about who they were and what they stood for.
And well...this hurts us too.
It's hard not to feel a sense of sadness that the ending has left such a significant portion of the fandom grieving what could have been rather than celebrating what was.
I want to thank the creatives who did care about the story Good Omens was meant to tell. To Michael and David, who poured so much love, thought, and humanity into their characters getting to the point that Crowley and Aziraphale felt real to millions of people.
Most importantly, to the late Terry Pratchett, thank you for helping create a story that celebrated humanity. Thank you for giving us characters who questioned authority and found something worth protecting in an imperfect world.
And of course, to the Good Omen's fandom who just like Aziraphale and Crowley, questioned the message they were given and chose love over cynicism. Thank you for your art, your discussions, the fanfictions, and the community you built around these characters.
Long after the final credits roll, it is your stories and shared love for these characters that ensure they continue to exist in people's hearts.
We can't let them take away our joy and connection to these characters. The ending may belong to the creators, but the comfort and meaning we found in Good Omens belongs to us.
No finale can erase the years we spent laughing with these characters, crying with them, growing alongside them, and finding pieces of ourselves in their story.
So let's keep creating !! Let's keep sharing our art, our stories, and our interpretations. Let's keep celebrating the parts of this world that meant something to us.
After all, if Crowley and Aziraphale taught us anything, it's that sometimes the most meaningful thing you can do is choose love anyway.
The nightingale still sings in Berkeley Square. And as long as we keep choosing love, I think it always will.
GO3 Spoilers! My thoughts on the finale and why it fell so horribly flat
So, this was written as a thread on Twitter and Bluesky first, but I thought I should maybe share it here, too, anyway, in case anyone here is interested in my thoughts as someone who didn't enjoy the finale at all. If you did enjoy it, good for you, I actually envy you. As for me, i feel gutted. But this is not just a lament for my favourite angel and demon who got obliterated instead of getting the happy ending they so desperately deserved. This is more about themes of the overall storyline. So, here it goes:
So, briefly: Good Omens s1: You can bend reality with enough imagination (flaming Bentley). Humans have free will (eve the right to murder), and they are fundamentally people, more evil AND better than Heaven or Hell could even influence them to be. The world, flawed as it is, is worth saving (the Them tell Adam so). And it is absolutely possible to stand up, make a change and fix it, not destroy it. Adam told Satan off and brought everything back that got lost in the crossfire of Armageddidn't. And Crowley and Aziraphale should be proof enough that angels and demons also have more agency than they believe. God tells the story with a twinkle, but remains distant, not really talking to anyone. Adam, too, proves how imagination forms reality.
S2 continues: Without your memories, you really are quite a different person - Jim is very different from Gabriel. The Job episode tells us that people cannot just be replaced (He quite liked the old ones) - something that mirrors what the Them in s1 said to Adam about their parents. And Edinburgh tells us that suicide isn't a good option. Beelzebub and Gabriel also prove that yes, angels and demons ABSOLUTELY have free will as well, if they allow themselves to use it. So, will all these MAIN THEMES of s1, carried through into s2, let's take a look at the finale, shall we?
Now, s3 comes along and meets all that out the window. The universe gets destroyed, and instead of restoring and fixing it (they had ALL the options in the world - you can't tell me a writer cannot make something of such a carte blanche!), instead of fixing it, they decide, yes, let's leave all the people we've ever known, the entire universe, dead, scraped from existence, and commit double suicide, thus complying with the initial destruction plans and all that in exchange for a brand new universe they know nothing about, with new people, with all the magic and anything supernatural gone, a universe they, according to God, will never experience. And oh my, what a cruel b*tch that God is! I'm not even getting started on how ooc many of the scenes for several characters were, especially A&C, or how detrimental it was to change the tone from a warm comedy to utter tragedy, especially (again) in a queer story, and in this political climate. But s3 blatantly contradicts s1, the book and s2 in the major underlying themes. So, the old world is broken, so we just yeet it, choose to die, and if our clones get a happy ending in another world, that's a happy ending for us? How?
To sum it up, in more than just one way - in a literal way within the story, and on a meta level regarding the general themes - s3 utterly destroys s1, the book and s2. So no, I don't think I can accept s3 as it stands now as canon. That would destroy my canon.
And as an addendum: if that's our universe, humans STILL invented religion, only with nothing behind it now. And I highly doubt they have more free will now since apparently there's still fate putting the same souls together (former angels and demons). And it's definitely not better than the universe of s1, rather the contrary. Well. Not so briefly after all, I suppose. Sorry for the rant. If you enjoyed s3, good for you. I for one can appreciate the work that went into it, and I can still toss it.
Another addendum: I didn't even touch on the major plot holes, like the 25 lazarii miracle power never used again, the Metatron's glare at Crowley in s2, the Deus ex Machina Book of Life, Aziraphale's derringerâŚso many things. Okay, limited time, but still.
All in all, for the story as well as the fandom, in a way, I think Crowley put it best: "You're testing them, you said you'd be testing them. But not to destruction! Not to the end of the world!"
Thank you for coming to my TED talk.
I keep seeing posts about the finale from people who loved it being very critical and quite frankly, a bit rude about the people who didnât.
I saw one particular post today and was going to type my reply (respectfully) directly to them however they tagged it with âif you donât like my post then donât engageâ. So unlike that author, I will be respectful and just post this into the Tumblr ether.
These are common themes Iâve seen over the past two weeks:
âPeople who donât like the finale are just selfish because they didnât get the ending they wantedâ - I would argue that Prime/writers etc have been leading our expectations in a certain direction for years just to pull the rug from under us at the last second. I donât blame people for reacting this way and I donât think itâs selfish for wanting a happy ending for our characters. Itâs not an unreasonable expectation for a tv show finale.
âIf you donât like it, you just donât understand media literacy/youâre stupidâ - This is a comedy fantasy show about angels and demons attempting to thwart apocalypses. You donât need a Phd in English Lit/philosophy/psychology/whatever to understand or enjoy this show. Disliking the finale is not an indicator of intelligence level or understanding. Itâs a personal opinion, based off of many factors. The same goes with liking the finale.
âThis is TPâs ending so you must accept/like/respect itâ - respect yes, compulsory enjoyment - no. There should never be any hate/disrespect directed to anyone involved in the show. Ever. But insinuating that media should never be disliked or criticised because a certain person wrote it is just not realistic. No one is above critique. We are all humans with thoughts, feelings and opinions, these are involuntary responses. We are reacting to what we are seeing and itâs ok to discuss these (respectfully of course). God themselves could float down from the clouds and write me a poem and Iâm well within my rights to like it or not đ¤ˇââď¸.
âThese people are just selfish, be grateful we got anything at allâ - ahh yes, gratitude. Well, this is one I am struggling with. Whilst I really do appreciate what must have been a lot of negotiations and turmoil behind the scenes and a massive amount of effort from everyone involved to get the finale to us at allâŚ. I kinda wish we didnât get one. There was some fun moments, but the ending completely and utterly broke my heart. I would rather wonder what might have happened than knowing for sure THAT is what happened to them and everyone else in that world. So, Iâm sorry, but I cannot be grateful for (in my opinion) a poorly written, plot-hole ridden finale with such a bleak, depressing ending. I just canât.
Anyway, this is just my 2 pence on the rhetoric I keep seeing. I am so happy for you if you loved the finale. I really wish I did too.
The point of this post is just to ask can we please just have a bit more respect for each other? I really do not understand or agree with people who loved the finale at all but I will not call you selfish/stupid/ungrateful for doing so.
I hope both sides can be pals again some day â¤ď¸
https://x.com/i/status/2062547701867119024
I KNEW IT. I FUCKING KNEW IT. I KNEW IT! I KNEW that David didnât like this absolute mess called the movie script either. I KNEW IT, I KNEW IT!!!!!
https://x.com/i/status/2062547701867119024
I KNEW IT. I FUCKING KNEW IT. I KNEW IT! I KNEW that David didnât like this absolute mess called the movie script either. I KNEW IT, I KNEW IT!!!!!
(GO3 critical) Personally, pre-GO3 I was sure whatever solution they were gearing up to present to the whole situation with heaven and hell in the Good Omens universe, it wouldn't involve the complete annihilation of angels and demons.
Because there's this bit in the book where Adam and his friends are discussing angels and demons/heaven and hell through the lens of the Them and the Johnsonites, which I personally interpreted to be in support of this line of thought:
" Seems to me, " said Wensleydale, " that if you asked people in lower Tadfield, they'd say they'd be better off without the Johnsonites or the Them. " ( ... ) " but I bet they'd think it'd be a jolly sight less interestin' if we all weren't here. "
And it was, in my opinion, " a jolly sight less interestin' " for them to have simply removed angels and demons entirely. To have removed that bit of fantasy that made the Good Omens universe what it was. Its entire premise.
I would've thought the conclusion would be more along the lines of what's being said here. Re-emphasising agency to choose to make one's "own side" despite the influences of heaven and hell in their universe. (Which, were arguably not as big and overwhelming as they'd hoped for anyway.) (And wasn't that the joke? That no matter what Crowley and Aziraphale did to influence humanity, it didn't matter all that much, because humanity's capable of both great good and evil all on their own?) (I see arguments that they meddled in Maggie and Nina's relationship in S2 but Maggie and Nina didn't end up immediately together like Crowley and Aziraphale had hoped either. Doesn't that then also prove the lack of real influence angels and demons have on humanity?)
Here I'm talking about the agency of humanity, of course, but also of the other beings in that universe. Many of which were already breaking away from the pure black-and-white thinking expected of them (other than our main leads, there was Gabriel and Beezlebub, Muriel and Eric, etc.).
To quote another part of the book I think many have already pointed out:
Being a demon, of course, was supposed to mean you had no free will. But you couldn't hang around humans for very long without learning a thing or two.
This was in reference to Crowley. Why not applied to other angels and demons as well? I would've personally loved to see more supernatural beings hang around humans and learn a thing or two. The shenanigans that would've ensued.
In my opinion, there was a way for everyone to be happy in their original universe.
This was posted in the Facebook Good Omens group I'm in.
He gets it
Fan: "Did Crowley get everything he wanted in the end? "
David Tennant: "No. No. He was evaporated. And then someone who looked a bit like him met someone who looked a bit like Aziraphale, but it's not the same thing."
Video link on twitter https://x.com/IneffableChar/status/2062535339097391465
The finale is the worst ending I've ever been subjected to. And the misleading promotion is unforgivable. Real harm has been done to many people who connected with Aziraphale and Crowley's story.
It was just a bad dream after all
Have you heard about that terrible story in the Good Omens finale? Ugh, I know, right? Scary.
#GoodOmens3 #aziracrow
nah fuck that. what the fuck.
so 6000 years of queer defiance, quite literally in the face of god, now never existed. erasure has never been more literal. crowley and aziraphale didnât just die, they never existed. their love story never existed. death you can grieve, you can commemorate what was lost; love transcends death. at the very least, they deserved that.
where was that love story, by the way? where was the romance? legitimately i felt more love between them during the final 15 than in the entirety of that 90 minutes. at least then it felt like they mattered to each other. fuck.
and aziraphale still works for the metatron?? are you fucking kidding me??? that is a wild message to be sending. even in some idealized world where they fall in love with free will, aziraphale still cannot escape the one that kept them apart. queer love still has to be allowed and endorsed and encouraged by the oppressor. fuck you actually.
genuinely i wouldâve been so fine with a human ending if it was done well. i wouldâve taken anything, i wouldâve been so happy with a mediocre finale or even a bad one! fucking whatever! but that shit was offensive.
Itâs just that S2 introduced memory wipe as a punishment and S3 tried to tell us itâs a good thing.
Jim didnât love Beelzebub. Gabriel did. He needed his memories for a reason. Anthony doesnât know or love Aziraphale. He loves a completely different guy. Which is nice and all. But I wanted to see Aziraphale and Crowley happy. Safe. Free. I wanted them to stay in my universe. I thought we shared it!
I get what people mean about their dear ones when they lose memories. I care what people say about their own lost memories. I'd never say they were replaced by another person. But that's not at all what we are talking about here. It's a new universe with brand new people. (Which if determinism is not true and god is gone should not look like the old ones?)
And I am glad if you found comfort and happiness in S3! I wish I did too.
But to me Aziraphale and Crowley are gone - their love started the new universe and I am sure it was powerful enough to be everywhere and all that (I could have maybe even liked it if S3 was done better and I didn't get attached to Aziraphale and Crowley so much). It's just not the ending I craved. Or needed. Or find rewarding. As much as I like a deep philosophical conversation, I just wanted them to have one another. Safely. And for as long as they wished.