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@mikemedvedev-blog
This is a short ambient piece where I play NGO – my custom instrument that resembles an electric cello, but has no neck. The NGO signal passes Strymon Timeline delay and Strymon BigSky reverb where I changes presets from hall on bass and pad layers to choral on high voices.
https://www.ambientguitar.net/
ENG / РУС
Hi, guys! I have launched my web-site dedicated to exploration of different Ambient, Drone and Soundscape guitar techniques.
Welcome!
“It’s hard to say now what it was – lucky coincidence or recklessness, plan or improvisation, though it doesn’t really matter. Till the end of August, 2017 we could not stop thinking how wonderful it would be to play ambient in the open air. Presumably not for listeners, but for ourselves.
To go outside, mount the equipment, do 3D mapping over natural objects and make some quiet droning, recording, shooting and enjoying all that ”jazz”. But the situation did not resolve itself for many reasons.
Suddenly we were invited to make a couple of ambient performances on Olknon Island, lake Baikal and puzzle stated to be solved quickly, consistently and exactly in the way we wanted. All we had to do is not to interfere and play.
We (Mikhail, Schrab and me) talked a lot those days about leave-no-trace being. Present-day human is so deeply programmed to “leave his mark in hystory” that he has already left shamelessly more than enough. Any attempt to leave brighter and deeper trace leads only to information noise increase likewise any inscription "Jack used to be here" inevitably will accrue with another inscription "and shitted on himself".
It’s high time to do some cleaning and not to leave-traces for a while. And now let’s see a short movie made by Schrab about this uncommon adventure of Live Soundscaping Project on Olkhon Island, Lake Baikal
SPOILER: There were no uncommon adventures: only boundless drone and pitch-dark ambient. And when the last chord faded away in sea-cliffs and the last photon faded away in projector lens all around became the same as was before” © Svyatoslav “Mif” Opritov
25 track album
Decided to summarize this year in a creative way. Released the second part of my «Ambient Guitar and Soundscapes» album, volume 2.
The album is an ambient guitar, drones and soundscapes from my YouTube channel (2016-2017).
It’s more like a double album: 25 audio tracks, 118 minutes
Here’s a short video showing Boomerang looper’s capabilities along with Strymon TimeLine’s magic of versatile delays and Roland VG-99’s modeling power.
Recently published my first solo ambient guitar album "Fade to Rise".
https://mikemed.bandcamp.com/album/fa...
Please listen to it and buy it if you like. It will be a GREAT SUPPORT to me!
Thanks for watching! Enjoy!
9 track album
Here it comes: my first solo ambient guitar album "Fade to Rise". Please listen to it and buy it if you like. It will be a GREAT SUPPORT to me!
In this video I would like to share some ideas how to create rhythmic / percussive patterns using guitar, looper and delay.
“Endless Voyage” is going to be the final track on my upcoming “Fade to Rise” ambient guitar album. 7 minutes of pure space!.. as one might imagine it)
7 minutes of pure space! The second video clip based on the final track “Endless Voyage” from my upcoming ambient guitar album “Fade to Rise” is ready! Going to publish it (video clip) tomorrow. Don’t miss it)
Here are some screenshots. Nice wallpapers by the way…
It’s a good time to get back to YouTube ambient guitar videos now when I’ve done with all the recordings for my solo album “Fade to Rise”. Please subscribe and you will know when it is released!
Finally I came to that: my first studio solo album). “Fade to Rise”. This is the first track I have recorded and perhaps it’s going to be the first on the album. Or maybe not)…
Finally it's time to think about the first Solo album)...
“Monochrome Seasons & Mikhail Medvedev “
International Collab between two Soundscapers (Canada / Russia). We did two videos and placed them
It was a real pleasure to work with Antoine (“Monochrome Seasons”) – it was fast and in the most professional way possible. I have noticed it a long time ago: the higher the level of a musician is the easier it is to find a common language and understanding)…
So let me say that: Soundscapers of all Nations – UNITE!!!)
Please support my music: https://mikemed.bandcamp.com/
This is a short ambient guitar video based mainly on Roland GR-33 cello and violin sounds. An empty loop (not included in this video) was recorded before I started overdubbing to avoid gap that occurs when you close the first loop.
Gear used:
Godin Solidac with Roland GK-2A
Roland US-20
Roland VG-99
Roland GR-33
Strymon TimeLine
Boomerang III looper
Ebow Plus
Cubase
Thanks for watching!
Quintessence of my Ambient Guitar approach: three in one)
This composition consists of three different parts that reflect some of my common approaches to Ambient Guitar. Tutorial infographics is included.
Years ago I was very impressed by Pat Metheny’s “A Map of the World”. Pat’s approach to an acoustic guitar had a great impact on my musical thinking. This piece is my respect to the Master)