
roma★

shark vs the universe
almost home
RMH
Noah Kahan
Mike Driver
$LAYYYTER
Monterey Bay Aquarium
Aqua Utopia|海の底で記憶を紡ぐ
todays bird
★
noise dept.

❣ Chile in a Photography ❣
Phantogram Three
I'd rather be in outer space 🛸
YOU ARE THE REASON
tumblr dot com
Sweet Seals For You, Always
cherry valley forever
hello vonnie
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@miki-b
Not a single wound on my soul has been inflicted by an enemy. Not a single dart pierced in my heart has been thrown by my nemesis. Not a single one.
—Akshita Singh
What we have to do, instead of a revival of Queer Eye or any of that wshit, is get together a show where a bunch of lesbians teach cishet guys how to properly woo women, because I am on both a straight dating app and a lesbian dating app and let me tell you, the difference is distinct and dire.
Hudson Williams Glambot - 2026 Golden Globes
nbd i'm fine
big fan of how hudson williams hit hollywood like a canonball. he runs around like a little chaos gremlin pushing all the made up rules off the windowsill with his paw then stands by connor storrie like that makes him untouchable and it does.
yes good.
“if i were you-” you’d collapse and burst into flames if you were me.
i know i shouldnt be suprised but sinners being out for less than a week and already tumblr is fandomifying and 'poor wet pathetic cat'-ifying the main white man villain of the movie is so... disapointing??? like did the fucking point of the movie really go over your heads that badly or are you just willingly ignorant and stupid?
AND BEFORE ANYONE STARTS; im not saying you cant like remmick, he's a very interesting character, a great villain, and jack o'connell gave a great performance playing him, nor do i care if you think hes sexy, I think hes sexy
but i think to come out of a movie where vampires serve as a metaphor for how black american communities have the life sucked out of them by white people via cultural appropriation (remmick wanting to use sammie's gift to summon his own ancestors) and forced assimilation (all the turned vampires singing and dancing along with remmick's irish folk song and dance juxtaposed with the blend of cultures during sammie's song in the juke joint) and for your main take away to be 'aww the main villain is just a misunderstood sadboy' or 'idc abt the atrocities he looked sexy doing them (when the atrocities in question were racism)' then youre just being so disengenuous and antithetical to the whole point of the film?
and dont come at me with the 'let people enjoy things' bullshit, sinners is a movie FUNDAMENTALLY about racism and racial dynamics in the united states, and i do think focusing on your little y/n x [whiteboy of the month] fics and 'hes so babygirl' posts do actually stunt your own critical engagement with the message this movie was trying to convey to its audience
i think its also a disservice to remmick's character; the moral nuance that comes to light when you consider his position as an irish immigrant to the US, a victim of the colonialist british empire just like the black main cast (although in a very different way) and how, whilst his desire to reclaim his ancestry and heritage is understandable and even relatable, his pursuit of sammie and willingness to kill literally everyone else at the juke joint is allegorical for how, regardless of their own marginalisation, white people will prey upon and steal from black culture(s) and destroy/disenfranchise black communities to serve their own interests, and the movie is NOT subtle about this either, delta slim literally lays it out for us "white folks like the blues just fine, they just don't like the people who make them"
idk im yelling into the void here, the ppl im complaining about are never going to give a shit about racism or even just critically engaging with art when theres a new cute whiteboy to write fluff and angst about, but its just soooo annoying to see, yet again, how fandom spaces, which SHOULD be about uplifing and celebrating art in all its diversity and complexity, once again is nothing more than people ignoring anything that actually makes them have to confront reality and filing off the serial numbers to slot characters into pre-determined fanon molds so they can pump out incorrect quotes and coffee shop AUs en masse until the media iliterate heat death of the universe
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
if sinners (2025) taught me anything, it's that it IS actually always about race.
you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.
even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on
do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?
i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate
anyway 10/10 movie. highly recommend
The portrayal of white people who have been violently separated from their own culture stealing the power of black culture and music to try to get reconnected was SO literal and somehow not at ALL heavy-handed or trite. Fkn remarkable.
it really frustrates me to think about how people are inevitably going to take Remmick’s one (1) singular statement about how much he resents the way the Irish were colonized and forcibly converted to Christianity and use it as fuel for “actually he had a point” and “he was right actually” and “he’s not really the villain here” posts, when the whole point is that Remmick is, through the vampiric hive mind he’s creating, forcibly assimilating people into yet another manipulative and parasitical system. he doesn't value the cultures of the people he assimilates—notice how all the vampires he turns dance to his culture's music using his culture's dances, and how he only uses the languages or knowledge other vampires have to offer when he needs to manipulate someone. Remmick is extremely transparent about the way he sees the people he turns as resources to exploit.
he’s perpetuating a cycle that he claims to hate and resent, and I think the movie is pretty damn clear about the fact that he doesn’t see anybody as valuable or useful to him except as prey and as pawns—otherwise he would just, you know, focus solely on people who actually consent to being turned. but he looked sad in that one scene and he’s an apparently attractive white cis man so people are gonna bend over backwards justifying all the harm he did.
I am begging everyone who has ever bemoaned about Hollywood only making sequels and IP movies to go see Sinners in theaters. It has the creative team behind Black Panther working on it and their talent shines through in the cinematography, music, costuming, EVERYTHING. It's a completely original screenplay written by Ryan Coogler and if you want to support original movies, go see it in theaters.
saw a theory that the SmokeStack twins were posing as one man in Chicago, which helped them get away with stealing from both sides. i'm poised to believe that because visually their clothing was very clearly of the two mobs. smoke was full irish— tweed, bowler hat. while stack had the full mafia look. yk italian leather shoes, fedora etc etc . like the details!!