hi everyone! 😊💗
star wars sideblog @girlbossrevan
you can also find me at:
letterboxd // goodreads // storygraph // instagram // serializd
mutuals or non-mutuals, feel free to follow!! 🌟
h

oozey mess

Jar Jar Binks Fan Club

gracie abrams
occasionally subtle

Kiana Khansmith
NASA

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Lint Roller? I Barely Know Her
taylor price
Fai_Ryy

Origami Around
𓃗
almost home
Stranger Things
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH

roma★
KIROKAZE

#extradirty
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@miladythewinter
hi everyone! 😊💗
star wars sideblog @girlbossrevan
you can also find me at:
letterboxd // goodreads // storygraph // instagram // serializd
mutuals or non-mutuals, feel free to follow!! 🌟
when it wasn't meant to be 🤣🤣 but the potential of possibility still plagues you 🤔
Jacques-Laurent Agasse, Studies of Summer Flowers, detail, 1848
Tidal
hiadammarshall.com / Instagram
Roses, Lilacs and White Blossom Branches {details} | Margaretha Roosenboom
Detail from Hotpoint Appliances ad, 1969.
Singin' in the Rain (1952) - dir. Stanley Donen, Gene Kelly
the thing about being bullied for being weird as a kid is that even if you've always embraced being weird your brain is still always looking for the line where it's too much. you can be as proudly and intentionally weird as you want and you can love being weird but your mind is still convinced there's a point where you get too weird and people start treating you like a weird looking bug again. also it feels like you reach that point 500 times a day even if everyone you've spoken to today found you pleasant and likable and even if you're completely alone in your house with nobody looking at you at all.
it's not so much that a cyclops is monstrous because a one-eyed giant who eats people must be a monster; it's that anyone who does not follow your laws, your customs, your culture must be a monster.
polyphemus eats his guests not because he's a cannibal — cannibalism also being a taboo that applies to humans, and he's not human — but because he doesn't follow xenia. polyphemus says to odysseus "we don't respect zeus here," but odysseus approaches polyphemus as if polyphemus is the foreigner. he expects his customs (which serve him, a conquering hero) to take precedence, even though he is the one away from home. he's been away from home for over ten years.
because to odysseus, there's not much difference between the trojans (the city he's sacked) or the cicones (a people he raided on the way home) and polyphemus, right? except that polyphemus is able to turn the tables. he is a monster, not in the sense that he is not a human being — the trojans have not been treated as human beings — but because he can insist that his law be respected in his own home.
and it's not that odysseus can't adapt. look at how differently he approaches nausicaa, or even circe. but his perspective is what we wayfind by, and all the while odysseus, at troy and during the wanderings, is himself foreign.
and then he comes to phaeacia and weeps over songs of war. and then he comes home and doesn't recognize it. and then divine intervention both hides him from and reveals him to his son and wife. and then he has to conquer his own homeland. and then the poem ends, abrupt and final journey spoken of but unresolved. and each of these things makes his perspective strange to himself, and by extension to us. it is exactly at the moment odysseus comes home that he believes himself to be lost, foreign, for good.
just received the best text message I’ve ever had. from my mom
2 pics. no caption
i see people complaining about the things that were left out of the odyssey mainly the "nobody" trickery but i think they should first ponder whether it would have made sense to leave it in considering the rest of the movie as a whole, its tone and approach. what i mean to say is that it's interesting that a lot of people seem to come at the movie from the adaptational standpoint and not approach it as its own thing first, if this makes sense.
like for me, the things i immeditealy go to are the actual technical parts of a movie, their execution, and whether it all works for me as a whole or not, not what was left in or out from something that is ultimately irrelevant to whether a movie is good or not on it's own.
but maybe it's because i have no attachment to the poem although, even with my superficial knowledge of the story, i can see why the nobody scene might have been considered superfluous or unecessary given the film's objectives and interpretation of the character and situation (idk if this happened in the poem as well but odysseus deliberately and maliciously shooting an arrow - a meaningful weapon here too - into polyphemus's eye after they escape, and after he had already been hurt, is clearly a scene more in line with the film's approach)
Why did i just say ciao when leaving my boss's office 🫠 and someone else was there too 🫠
Photographer: Hinkle
surf & skate photography
misty
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i simply need a new instant classic best of the worst to be uploaded asap
this may just be bc the odyssey is on my mind but there's a chain jewellery store i go to and a lot of new earrings and necklaces for the summer feel inspired by the ancient mediterranean. i saw a necklace today with beads and a gold disk with a face profile like an old coin and there's a lot of earrings with stones or with drooping beaded cords. lots of gold in general. maybe it's just my mind making associations!