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bob loblog's reblog blog personal / art blawg / inspblog2 >>> archive ( 2011 illus&printmaking&thesis reference and inspiration )

[2miles-deactivated20240310]

here is some of the unused ideas for that art peice

[thegroovyarchives]

70′s & 80′s Local Television “Technical Difficulties” Station IDs/Bumpers 1. WPTF-TV, Durham/Raleigh/Fayetteville, North Carolina, 80′s 2. WTTW-TV, Chicago, Illinois, 1981 3. WPXI-TV, Pittsburgh, Pennsylvania, 1986 4. WGN-TV, Chicago, Illinois, 70′s 5. WZTV-TV, Nashville, Tennessee, 1977 6. WXNE-TV, Boston, Massachusetts, 1986 7. KYW-TV, Philadelphia, Pennsylvania, 1977 8. WGN-TV, Chicago, Illinois, 1983 9. WNEV-TV, Boston, Massachusetts, 1984 10. KMGH-TV, Denver, Colorado, 1981

[jinxproof]

Chu Wong SSAW (S/S 2018) ph. Hart & Lëshkina

[dohma]

[80sanime]

[onigiribikini]

[saicoink]

I released this comic “Do You Remember?” in time for Kaigai Manga Festa in November 2017. TCAF sponsored tables for various Canadian cartoonists of which I was one. You can also download a PDF file of this comic at my Patreon for free as well. If you like to own a physical copy you can purchase it on my webstore. This comic is a prelude to a longer work called “How Can I Forget?” which I will eventually finish some day…

[design-is-fine]

The Complete Commercial Artist, Volume 15, 1929. Editor: Hamada, Masuji (濱田 増治) Via Letterform Archive

The japanese journal shows contemporary typography of the 1920s, including Bifur by Cassandre, early Futura by Paul Renner or the Bauhaus font Universal by Herbert Bayer.

[uwmspeccoll]

Typography Tuesday

For this #Typography Tuesday, we are reblogging this lovely post by @design-is-fine​ of typographic page spreads from Gendai Shogyo Bijutsu Zenshu (“The Complete Commercial Artist”) published in Tokyo in 24 volumes from 1927 to 1930. Edited by the Japanese graphic designer Hamada Masuji (1892-1938), it is one of the foundational publications of modern graphic design in Japan, combining theory and history with thousands of examples of completed designs and design proposals arranged by topic. Among the hallmarks of the journal, as shown here from volume 15, was its demonstration of the changes taking place in traditional Japanese lettering styles as they were being influenced by Art Nouveau and contemporary European type design. The Letterform Archive offers an array of lovely digitized page spreads from The Complete Commercial Artist. Here’s one of our faves:

View our other Typography Tuesday posts.

[africansouljah]

[latinademais]

tijucas’s national park, rio de janeiro

[docpile]

ph by zigen for high fashion oct 1988

[vividplanet]

(via 缶ビール『僕ビール、君ビール。』 | 丸山誠司 |【東京イラストレーターズ・ソサエティ（TIS）】Tokyo Illustrators Society)

[bienenkiste]

Anyon Asola by Cayetano Gonzalez for Kunst Magazine

[turbuuhypnos]

[creepyvintagestuff]

Yoroshiku

[mistersmokinganddrinking-deacti]

Literally…..the vibe genius…

[cityrat]

what does the collar say ahhhh

edit: it says dog

[mayahan]

Wool Rugs Resembling Pastures by Alexandra Kehayoglou

[fuckyeahchinesefashion]

无限TX  

[skyruin-blog]

Beings of strange form and appearance made by the gods in ancient times. Favored with great strength and intellect, the Espers knew power far beyond that of men, but their power made them proud, and at length they sought to challenge the gods. Seeing this, the gods were angered and struck down their blessed children, and binding their souls and flesh with the Glyph of the Beast, they stole their freedom for all eternity. Now they are bound to live only when summoned by their Glyph, to serve whosoever called them forth.