Summary of Dracula Daily July 20th
Renfield:
Seward:
will byers stan first human second
NASA
Cosmic Funnies
Fai_Ryy
official daine visual archive
Game of Thrones Daily
KIROKAZE

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$LAYYYTER

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roma★

if i look back, i am lost
🩵 avery cochrane 🩵
PUT YOUR BEARD IN MY MOUTH
EXPECTATIONS
untitled

oozey mess

❣ Chile in a Photography ❣
wallacepolsom
Show & Tell
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@minathetrainfiend
Summary of Dracula Daily July 20th
Renfield:
Seward:
Dr Seward, July 8th:
It's so good how Lucy truly reflects about her feelings after she chose Arthur, even thought she laments that she can't marry her three suitors out of a sense of shame for hurting their feelings. Because yes movie directors, Lucy is actually considering how guilty it makes her feel to reject two men even thought she has already chosen the one she loves, and not being an evil greedy whore to the parallel madonna that most people think she is because of a single out context line. Who knew that a girl could be a complex character right.
Anyway, it's clear with Lucy's entire letter that even though she is happy with choosing Arthur, she was still processing the entire deal. Why? Well, since Lucy is a character at first built to reflect the ideal victorian girl in the eyes of society, then it means that her implied education was probably focused on being pleasant, and obedient to people around her. It's the mask she mentioned earlier in her letter, the façade that her character clings to give the impression that is expected of her. So, it would be very overwhelming for Lucy to experience three proposals with three different men, it's the conflicting actions of putting the correct demeanor towards them over her feelings, so they don't notice how truly sad she is at the notion of rejecting them. It doesn't last because she made a point of mentioning how Quincey stopped his confession because he "saw something in my face", but it's still worth mentioning.
It really speaks of Lucy's upbringing that she feels she can't enjoy her own engagement with the man she loves because other men are hurt by "her actions". Lucy still feels the need to clarify to Mina how much she cried, even thought said men offered her friendship, and that Lucy should not feel responsible for their feelings over her happiness with Arthur.
Finally caught up with my dracula scarf (as of July 12)! I didn't realize until crocheting this just how LONG it takes for Mina to show up again. I'm ready for her and Lucy's hot girl summer!
I do think it’s interesting how the novel Dracula is meant to be a modern setting from its perspective. It’s very much that genre of story about an ancient fantasy archetype finding itself in a modern setting, complete with the rules-lawyering that often comes with modern parodies (that isn’t to say the stories of Olde didn’t have fun with loopholes either though).
Except Dracula is a story that plays itself straight. The vampire himself is not stupid. He’s possibly the oldest vampire of all which means he upgraded from animal instinct and mindless echoes of past memories to someone who’s regained his critical thinking skills. The story begins because he’s already adapted to how the modern world works now by hiring a solicitor who understands modern laws.
He knows now that he doesn’t have to march into London with an army like he used to; He can just buy property and the laws of London are forced to respect that. Similarly he’s already experimented in and discovered loopholes to vampire rules and limitations; Vampires are bound by the permission of owners so he simply uses his solicitor to buy and own a bunch of properties. If he needs to be invited in, Dracula hypnotizes someone to let him in.
Vampires need to return to their grave every dusk/dawn (whichever comes sooner), which causes their coffin to act as an anchor that limits how far from it they can travel? Dracula simply rations the earth of his grave into fifty coffins and spreads them across London so his range becomes exponentially larger.
All of these things make the story almost come across as a deconstruction and it might just be! It’s just that Dracula the novel became such a trendsetter that people nowadays see it as playing things fully straight. It almost feels as if the novel is written with the idea that readers have a basic understanding of vampires and their rules, so part of the thrill comes in the revelation of how the titular vampire is working around these rules. Likewise I’ve heard it used to be a trope in English literature for a traveler to visit some foreign land with a monster and escape by going home. But here the foreign aspect of the story is just the first (and final) arc; The monster’s plan hinges on coming to the UK itself!
So yeah. Dracula isn’t stupid and he reflects the idea that people of the past had just as common sense as the rest of us, they just had access to less/inaccurate knowledge and things worked differently back then. Dracula would be like… That bit of someone showing a medieval peasant a meme as they comprehend it perfectly and aren’t even wowed by the Doritos. If Dracula was set in the 21st century he’d probably understand social media well enough to become an influencer if he wanted to, though the issue of being invisible in cameras wouldn’t help.
Dracula Daily scarf update (May 29), including the suitors! Orange: Seward, Brown: Quincey, Yellow: Arthur
May 28 - despair has its own calms
Doing my own dracula daily scarf! The colors don't show up as well on my camera unfortunately, irl Mina's stripe is a more distinct deep raspberry.
Thank you @statementcontinues for inspiring me and telling me about the moss stitch! I'm really excited about this project!
Oh hey I can post this now
Dracula Daily
May 24th - Letter from Lucy Westenra to Miss Mina Murray, quoting Quincey P Morris
“ 'That's my brave girl. It's better worth being late for a chance of winning you than being in time for any other girl in the world. Don't cry, my dear. If it's for me, I'm a hard nut to crack; and I take it standing up. If that other fellow doesn't know his happiness, well, he'd better look for it soon, or he'll have to deal with me. ‘ “
Lucy starts out this letter thanking Mina for her sympathy, but she herself seems to be a fount of it. She feels so badly for the two suitors she has to reject. She not only cries in the moment, but after the fact when she thinks about them again. She laments that she couldn't agree to marry all of them - not even because she seemed to really love all three, but simply because then they wouldn't have to be sad.
However, as much as I do believe Lucy is a sympathetic/empathetic individual who clearly feels things very strongly no matter how little she can express them at times... I think there's more going on here. I think she is self-critical and feels guilty about not being able to please others. Both are traits that seem to go along with her role in society and the likely expectations for her socially: to be pleasant and socially adept. I imagine her mother has taught her how to control her own behavior first. There are several little lines supporting that later on, and also their whole relationship just is suggestive of the roles they feel like they have to embody.
There are a few lines which make it clear that a little part of her is enjoying getting three proposals in a single day. Not in a cruel way, but just kind of an exciting ego boost that you kind of want to giggle about with your friends. But she feels that would be wrong to do too freely, and certainly doesn't want this gossip to spread beyond Mina, because she cares too much about the individuals involved. In fact, another aspect of her tears this entry that I don't think gets enough focus is her sadness at the loss of two friends:
Being proposed to is all very nice and all that sort of thing, but it isn't at all a happy thing when you have to see a poor fellow, whom you know loves you honestly, going away and looking all broken-hearted, and to know that, no matter what he may say at the moment, you are passing quite out of his life. My dear, I must stop here at present, I feel so miserable, though I am so happy.
Even though Lucy clearly didn't seem to view Seward in any romantic light, even in a "what-if-I-weren't-already-in-love" way (her "what-if" for him wasn't for herself but rather for Mina), she definitely seems to have liked spending time with him. She liked him as a friend. And she feels so certain that in rejecting him she has lost this friendship that it upsets her to the point she stops the letter altogether for a while. Quincey made much more of a point of emphasizing that he would be her friend for life and that was a good thing, and she didn't write an outright denial of that one, but she still felt deeply upset about it.
SUITORS' DAY!!!!
IT'S THEM!!! MY FAVORITE GUYS!!!
Lucy and Mina, in a very different part of this story than whatever Jonathan is currently living through...
i know we all poke fun at quincey's dialogue for being the most stereotypical yeehaw cowboy slang imaginable, but it is genuinely so cute to me that he actually plays that up because he knows lucy thinks it's funny
I love proposal day
I love in Lucy’s letter to Mina she says “but you must keep it a secret, dear, from every one, except, of course, Jonathan” so glad he passed the bestie test and is allowed to know the secrets
Who should Lucy marry and who would you marry in her place?
Lucy should marry Arthur and I would marry Arthur
Lucy should marry Arthur and I would marry Jack
Lucy should marry Arthur and I would marry Quincey
Lucy should marry Jack and I would marry Arthur
Lucy should marry Jack and I would marry Jack
Lucy should marry Jack and I would marry Quincey
Lucy should marry Quincey and I would marry Arthur
Lucy should marry Quincey and I would marry Jack
Lucy should marry Quincey and I would marry Quincey
There is no marry Mina/polyamory/vanilla extract option because I'd like to keep it to the suitors specifically.
First time readers: Jack = John Seward.
Still wholeheartedly agree with the results of this poll from two years ago