Wild Mushrooomland @mizunocaitlin - Tumblr Blog

Mr. “‘He’s not- we’re not’ - subtle is what you are not!“-Diaz in Close My Eyes and Stumble (Right Into Your Love) by @hmslusitania

Eddie’s PTSD is just that little bit worse and when he moves to Los Angeles, instead of joining the LAFD, he joins dispatch.

Which is all good and fine, except for this one firefighter he keeps ending up talking to.

fraddit

This is the first post in a series of three about Buck’s apartment on 9-1-1.

Part two is here and part three is here | Eddie’s house

Here we go! Buck’s loft! Right, well, just a heads up, this post is probably going to be more information than anyone other than me would want, because Buck’s loft is maybe my favorite set on the show. It cannot be overstated how much I am in love with it. Which I’m sure will become very clear within a few paragraphs. But anyway, let’s get started!

So, here we have the birds eye view of the floorplan as a whole, both the downstairs and upstairs. At least on desktop, that image is 4k, so you should be able to zoom in and look around at stuff.

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loser-magoo

They’re all I think about (*´꒳`*)

If you know me irl no you don’t

rocketpunchhh

My drawing for The Kakashi Zine: A Thousand Faces a free digital zine dedicated to this blorbo✨ I wanted to go with him chilling at home cause my boy deserves a break from being ninja president

animetrashmuffin

Kakairu Valentine's Week 2023 Day 4: Speed dating Family

Hosted by @kakairu-rocks!

storiesbyrhi

"a plastic star wars mug from 1977 (+ matching bowl)"

"cleen ‘kiss that frog’ set (accordion gnome mug)"

"campbell’s soup mug, likely 70s"

"white mug with cable knit sweater sleeve/warmer (no brand)"

"“don’t bother me, I’m crabby” mug (potential maryland souvenir?)"

"mcdonald’s garfield mug (double sided)"

"canadian mcdonald’s travel cup (the lid is missing so they probably just use it as a normal cup now)"

"Garfield “It’s Not The Valleys” 1978 Enesco Beer Stein" (edit: originally identified by @bienmoreau - dumbprep on twitter, source)

"early 1980’s garfield head mug"

"1950’s “coffee and” mug"

"1970’s morton salt girl mug, featuring the 1921 morton salt girl"

"maxwell house mug" identified twitter user meilkii (source)

(edit: OP is twitter user BIDERVERSE, as shown in the title and source, not me, all words within the quotation marks are his)

klarmis

I just...

made a redraw of this screenshot hehe

I love them very much...💕

okay, I forgot how to draw a little, but I tried 🥺

pastelcheckereddreams

The Untamed locations: The Hanshi 寒室 / Yashi 雅室

My latest love-letter to Chen Qing Ling is the Elegant Room (雅室/Yashi). In the novel, the Yashi plays the role of a waiting/receiving room whilst the Cold Room (寒室 /Hanshi) acts as the personal residence of the Sect Leader. However, the Elegant Room in the webseries often plays the role of both.

The complete diagram:

(Full set details/interior meta below.)

Part 1: The Jingshi Part 3: Lotus Pier

Prints now available at ✨ INPRNT! ✨ You can also support me on Ko-fi ☕

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pastelcheckereddreams

The Untamed locations: The Jingshi 静室

A digital redraft of my original love-letter to Chen Qing Ling. The Quiet Room (静室/Jingshi) is Lan Wangji’s private residence in the Cloud Recesses. It is a secluded place dedicated to study and meditation, located somewhere in the Back Mountains of the Lan Sect’s domain.

The complete diagram:

(Full sketch details/scene meta below.)

Part 2: The Hanshi Part 3: Lotus Pier

Prints now available at ✨ INPRNT! ✨ You can also support me on Ko-fi ☕

Keep reading

dreaminginpencil

Don’t yell at me tumblr, there’s no nips or dicks.

Come get your Steddie fix. This took forever.

retiredpeach

Dad Xian [3/6]

busymagpie

holding on to what little remains of wei wuxian

flanaganfilm

The Midnight Club - Season Two

I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.

My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.

So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.

So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!

AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.

Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.

Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.

This was the thing I was most excited about for this season.

REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...

Anya.

Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.

As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.

In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.

In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...

With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.

Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.

For Spence, though, things would take a different turn.

The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.

Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.

But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.

It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).

She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.

Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.

What about the Living Shadow? It's Death, right? Well... no.

At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.

HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?

This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.

The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.

THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.

The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.

We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:

Who were the Mirror Man and the Cataract Woman?

They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).

But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.

Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.

The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.

She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.

He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.

They were soul mates.

So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."

Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.

But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.

Seen or unseen, here but not here.

I'll always be grateful that I got to be part of this Club.