Extension (1966-69) of the Novo Pharmaceuticals Factory in Copenhagen, Denmark, by Arne Jacobsen
he wasn't even looking at me and he found me

oozey mess
"I'm Dorothy Gale from Kansas"
Misplaced Lens Cap

roma★
One Nice Bug Per Day
Sade Olutola

shark vs the universe
occasionally subtle
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PR's Tumblrdome
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Lint Roller? I Barely Know Her
d e v o n

@theartofmadeline

Andulka
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Monterey Bay Aquarium
hello vonnie
Today's Document
seen from Germany

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@ml2057
Extension (1966-69) of the Novo Pharmaceuticals Factory in Copenhagen, Denmark, by Arne Jacobsen
Inside the great hall at Longleat House, England
Weaving by Otti Berger
Caja Granada Savings Bank, Granada Alberto Campo Baeza 2001
Construction design for the reading room of a library, France
Section of a proposed church, New york City
The Poultry Cross, Salisbury
A great new set of images of Giancarlo de Carlo’s masterpiece in Urbino: Giancarlo De Carlo: Collegio del Colle, Urbino, Italy, 1962–1966 Photos: Francesco Di Bella (CC BY 3.0)
from Eastern Promises (2009)
Patrick Morarescu
Hans Poelzig - The foyer of the Schauspielhaus - Berlin
This is the SESC Pompéia by Lina Bo Bardi (1977), which I just saw over at Victor’s blog.
“With this steel barrel factory/”culture factory” conversion, Lina Bo Bardi revolutionized São Paulo’s attitude to its obsolete industrial estates.
Between 1977 and 1986, the old brick sheds were transformed into exhibition spaces, a library and a series of workshops. The SESC Pompéia also features a curious and interesting theater (home to many superb concerts), as well as a choperia the serves up a collective lunch alongside inexpensive but equally delicious portions of beer and live Brazilian music.
Bo Bardi also built two new buildings that are connected to the factory by footbridges. These are entirely made from rough concrete—alleviated by amoeba-shaped windows the architect referred to as “Spanish civil war holes”—and contain sports facilities like football fields, a swimming pool and a solarium. Both the “Spanish civil war holes” and the general redesign of the old factory exemplify “muxarabi”, a postmodern remix of colonial-style elements that foregrounds references to Brazilian popular culture.” (words from here)
I also like this old photo of it with everyone sun baking and hanging out in front of it.
Aitor Frias & Cecilia Jimenez The Clay and the Potter, 2014
Ring, 1700s, with the inscription, “Many are the stars i see but in my eye no star like thee.”
Harry Gruyaert
Mies Van der Rohe , The Toronto-Dominion Centre (1963-69)
Photo: Balthazar Korab
“I promise you, no one judges me more harshly than I do myself; I caused a brilliant wreckage. Some say I fell from grace; they’re being kind. I didn’t fall – I dove.”
— Sue Monk Kidd