
Product Placement

Jar Jar Binks Fan Club
Claire Keane

ellievsbear
𓃗
No title available

bliss lane
Doug Jones
tumblr dot com
★
Color Me Curious
Monterey Bay Aquarium
Interview Vampire Daily
Cosimo Galluzzi
almost home

PR's Tumblrdome
untitled
"I'm Dorothy Gale from Kansas"
todays bird

Kiana Khansmith
seen from Colombia
seen from Indonesia

seen from Australia
seen from Iraq
seen from Australia

seen from Germany

seen from Bangladesh
seen from Australia
seen from Argentina

seen from Bangladesh

seen from Türkiye

seen from United Kingdom
seen from Spain
seen from Bangladesh

seen from Germany
seen from Colombia

seen from Canada
seen from Brazil

seen from United Kingdom
seen from United States
@mo-mo-and-porkchop
In another universe, I trust someone, anyone, and they tell me it's going to be okay, and it's not absolutely terrifying to believe them
autumnal wood
The Office 4.01 Fun Run
BEDAZZLED 1967・dir. Stanley Donen
Beetlejuice Directed by Tim Burton (1988)
Shaun Of The Dead Directed by Edgar Wright (2004)
the muppet show (1976) - the muppet show (2026)
I am very excited to get more of the muppet show, but holy cow this comparison shows how much better lit the 1976 set was.
Look at the third from last gif comparison specifically. In the 1976 version Kermit is lit so that he clearly stands out from the background. His silhouette is strongly defined and his face is fully lit so that his eyes and mouth stand out against the green felt that makes up the rest of the puppet. The lighting also emphasizes the definition of his character with strong shadows to reinforce his form. (Something that is very important for believability when you are working with puppets. They should feel solid and real in the space.)
Now look at the lighting in the 2026 version. The lighting flattens out Kermit into one singular tone. What definition we do get doesn’t reinforce the scene or the character, we’re just highlighting the tops of his arms and legs and the crown of his head. Oddly, his face isn’t lit at all. The flat lighting blends his eyes and his mouth into the green felt, and without defined shadows we don’t even get a sense that he is particularly occupying the space.
(Do not even get me started on the shot composition, how you mess up centering a shot with two framing pillars is a mystery to me.)
((Do not go after the filmmakers, there are so many reasons why this may have happened, mostly having to do with the fact that every day Hollywood strays further from the craft of filmmaking in their execs desperate bid to squeeze every penny they can from artists.))
Killer Klowns From Outer Space (1988)
“I just want someone to be truly happy because of me. Someone who is happy to see me, happy to hear me, happy to know me.”
— Unknown
every time i get close to someone i feel like a stray dog trying to live in a house. like i don’t know where to put my body or how loud i’m allowed to be.
I know it is a privilege to feel things deeply, but what the fuck.