I'm Going to Santiago / Iré a Santiago (1964)
[letterboxd | imdb]
Director: Sara Gómez
Cinematographer: Mario García Joya
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I'm Going to Santiago / Iré a Santiago (1964)
[letterboxd | imdb]
Director: Sara Gómez
Cinematographer: Mario García Joya
"What a day. You ever seen such a glorious day?"
The Swimmer (1968)
Director: Frank Perry
Catherine Deneuve in 'Belle de jour' (dir. by Luis Buñuel) [1967]
Brigitte Bardot, 1960s
High School (1968) dir. Frederick Wiseman
Audrey Hepburn as Joanna Wallace in TWO FOR THE ROAD (1967) dir. Stanley Donen
an oregon forest chrome postcard postmarked sept 9th, 1969
Natalie Wood tries on a fur hat and scarf at a Beverly Hills boutique, photo by Bill Ray for LIFE magazine, December 1963.
Sophia Loren - 1960s
Natalie Wood on the set of Gypsy, 1962
Claudia Cardinale in Il Gattopardo 1963, dir. Luchino Visconti
Sandie Shaw photographed by Tony Gale in September 1964🌷🌷🌷
Via @isabelfutre on Instagram🌷
Filming Help! at Cliveden House, Maidenhead, Berkshire - May 1965
Chantal Goya @ Masculin Feminin, Paris, France, 1966
Catherine Deneuve by David Bailey for Marie Claire magazine, 1966
"You know what they all miss about Catherine? Her great sense of humor. She's a very funny lady. She's a lot of laughs. First-rate comedienne, but they always ask her heavy questions…so that's all you ever read about Catherine."
-David Bailey, photograher, husband
Natalie Wood on the set of Gypsy, 1962
Brigitte Bardot, c.1965
To appeal to the American market, French car manufacturer Renault created the Caravelle “S” (or “The Floride,” as it was called in Europe), a convertible that was to represent a simple elegance, sophistication and fun. Bardot surfaced as the ideal spokesperson for the car, embodying all the qualities the manufacturer ascribed to the vehicle. In this photo, the actor is parked at her villa in St. Tropez, playing with her dachshund while sitting on the trunk of her Caravelle “S.” Thanks in part to Bardot, the car was a success in the US.