Monsters of Man @monstersofman - Tumblr Blog

Whoa, I haven’t been on here in years. How is everyone?

You have to let go of the life you could’ve had. The life you would be living if you hadn’t made certain choices. The life that would have unfolded if you hadn’t let certain people into your life or if you just hadn’t been in the wrong place at the wrong time. Wishing for things to be different and beating yourself up for the mistakes you’ve made won’t change your circumstances. It’s happened, it’s done, and this is where you’re at. And it’s okay. YOU will be okay. Your life isn’t over — it’s just going to be different. And different doesn’t have to mean bad. It just means you have to become more creative with your self-care. It means you have to find slightly different ways to navigate the world and your relationships. And sometimes, it means finding new strengths; strengths that become anchors and anchors that open new doors. Doors that lead to new passions and friendships and connections. Doors that make you look back and smile for having doubted the resiliency of life - for doubting your own resiliency. You can’t go back and change the past, but you can decide how you live today. Your story isn’t over yet. There may be pain and struggle, but there are always ways to make your time here meaningful and worthwhile. It might take time, and it might challenge you, but the light is there. There is always a way. I promise.

Daniell Koepke (via anxioussquirrel)

#selfhelp

ukyos

allthecolorsofdisney

” Sophie , you’re beautiful! “

#no but like #you don’t understand how important and meaningful sophie’s arc in this movie is #she starts out hating herself because she believes herself to be ugly and dumb#then she’s turned into an old hag and promptly loses most of her insecurities because she no longer has to care about being beautiful #then we find out the curse weakens whenever she is being strong and it shows her real self underneath #which means the curse is mostly self-inflicted and not done by the witch of the waste #sophie curses herself because it is easier for her #but because she starts to see that she is important to people and others love her #she grows out of it and finally is able to stand up for others #and break her own curse #and get some fucking shit done #sophie is my hero and my gpoy always

mayasaura

In the book, Sophie possess a certain kind of magical power - she makes things real by saying them. She can lay spells just by saying them. When she made hats, and she told a hat that it would make a rich young man fall in love with it, a rich young man fell in love with the woman who bought it. When she told a hat it would make some woman look beautiful, everyone knew the mayor’s wife looked positively radiant in it. It’s what drew the Witch to her hat shop in the first place. When she cursed out a bucket of plant food, it turned to potent weed killer. When she told herself she might as well be an old woman, when she told herself she was doomed to fail, when she told herself she was plain and boring and no one would ever notice her, no one did.

When Howl tried to break the spell on Sophie, and he tried many times, he always failed. Not because his magic was less powerful than the Witch’s, but because it was less powerful than Sophie’s.

shezinlove

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:’)

sushinfood

oh my GOODNESS

sarah-serendipity-other-things

I wasn’t ready

#love

berrybird-blog1

Helpful things for action writers to remember

Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll.

Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast.

Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.

Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them.

Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.

ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face.

Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.

Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.

A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way.

If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.

ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters. (CLICK ME)

If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability.

People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot.

Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)

If you want a more in-depth medical chart, try this one. (CLICK ME)

Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here.

ave-aria

How to apply Writing techniques for action scenes:

- Short sentences. Choppy. One action, then another. When there’s a lull in the fight, take a moment, using longer phrases to analyze the situation–then dive back in. Snap, snap, snap. - Same thing with words - short, simple, and strong in the thick of battle. Save the longer syllables for elsewhere. - Characters do not dwell on things when they are in the heat of the moment. They will get punched in the face. Focus on actions, not thoughts. - Go back and cut out as many adverbs as possible. - No seriously, if there’s ever a time to use the strongest verbs in your vocabulary - Bellow, thrash, heave, shriek, snarl, splinter, bolt, hurtle, crumble, shatter, charge, raze - it’s now. - Don’t forget your other senses. People might not even be sure what they saw during a fight, but they always know how they felt. - Taste: Dry mouth, salt from sweat, copper tang from blood, etc - Smell: OP nailed it - Touch: Headache, sore muscles, tense muscles, exhaustion, blood pounding. Bruised knuckles/bowstring fingers. Injuries that ache and pulse, sting and flare white hot with pain. - Pain will stay with a character. Even if it’s minor. - Sound and sight might blur or sharpen depending on the character and their experience/exhaustion. Colors and quick movements will catch the eye. Loud sounds or noises from behind may serve as a fighter’s only alert before an attack. - If something unexpected happens, shifting the character’s whole attention to that thing will shift the Audience’s attention, too. - Aftermath. This is where the details resurface, the characters pick up things they cast aside during the fight, both literally and metaphorically. Fights are chaotic, fast paced, and self-centered. Characters know only their self, their goals, what’s in their way, and the quickest way around those threats. The aftermath is when people can regain their emotions, their relationships, their rationality/introspection, and anything else they couldn’t afford to think or feel while their lives were on the line.

Do everything you can to keep the fight here and now. Maximize the physical, minimize the theoretical. Keep things immediate - no theories or what ifs.

If writing a strategist, who needs to think ahead, try this: keep strategy to before-and-after fights. Lay out plans in calm periods, try to guess what enemies are thinking or what they will do. During combat, however, the character should think about his options, enemies, and terrain in immediate terms; that is, in shapes and direction. (Large enemy rushing me; dive left, circle around / Scaffolding on fire, pool below me / two foes helping each other, separate them.)

Lastly, after writing, read it aloud. Anyplace your tongue catches up on a fast moving scene, edit. Smooth action scenes rarely come on the first try.

rohie-deactivated20191102

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i wasn’t expecting the dance, this is so cute!!

rohie-deactivated20191102

the song is jay park - all i wanna do

amby-chan

charlesfoster0ffdensen-blog

Imagine that one day the whole world would look like this.

platypus-in-a-bottle-deactivate

fucking nature can’t learn to stop

putthison

Dries van Noten straight-up lives in paradise.

(via Pete)

wordsnquotes

If you see beauty in something, don’t wait for others to agree.

Sherihan Gamal (via wordsnquotes)

spugpow

“Pencil tests for Kubo and the Two Strings by Sandro Cleuzo used to resolve some of the design issues and for inspiration before starting the stop motion process.”

#animation

siyanie-zvezd

setheverman

video game christmas music

#video games

tastefullyoffensive

Holiday Gingerbread Castle by Christine McConnell

zafojones

Circus Tree: Six individual sycamore trees were shaped, bent, and braided to form this.

gwydtheunusual

Actually pretty easy. Trees don’t reject tissue from other trees in the same family. You bend the tree to another tree when it is a sapling, scrape off the bark on both trees where they touch, add some damp sphagnum moss around them to keep everything slightly moist and bind them together. Then wait a few years- The trees will have grown together. You can use a similar technique to graft a lemon branch or a lime branch or even both- onto an orange tree and have one tree that has all three fruits. Frankentrees.

beautifuloutlier

As a biologist I can clearly state that plants are fucking weird and you should probably be slightly afraid of them.

On that note! At the university (UBC) located in town, the Agriculture students were told by their teacher that a tree flipped upside down would die. So they took an excavator and flipped the tree upside down. And it’s still growing. But the branches are now the roots, and the roots are now these super gnarly looking branches. Be afraid.

reallifescomedyrelief

But Vi, how can you mention that and NOT post a picture? D:

[source]

sashiscorner

I am both amazed and horrified of nature as we all should be

jadedsoggy

I love how trees are like “fuck it, I’ll deal” at literally everything. Forest fire? Cool, my seeds’ll finally grow. Upside down? Branches, suck, roots, leave. What’s this new branch? Eh, welcome to the tree buddy.

rooksandravens

I need to be more like tree

azzandra

I continue to fear and respect out arboreal overlords.

fuckyeahwomenprotesting

what kind of professor did these students have that they needed to prove him wrong so badly that they literally dug up a tree, flipped it and put it back in the ground?

sailorofships

Sounds like y’all’ve never heard about the Tree of 40 Fruits. Well, it’s exactly as it sounds. Sam Van Aken, an artist based in New York, decided to try his hand at grafting (e.g. the process by which you attach the branches of a different tree to a host tree).

As artists are inclined to do he decided to push some limits and over the course of a few years he grafted over 40 different fruit onto the host “ including almond, apricot, cherry, nectarine, peach and plum varieties.”

It has a fruiting period lasting from July to October and this is what it looks like when blossoming.

Shit’s tight yo.

Also we have a group called the Guerrilla Grafters. A group who started in San Fransisco with the goal of grafting fruiting branches onto non-fruiting trees of the same type.

Most cities have fruit trees that simply don’t produce fruit because having all these would be a mess and inadvertently providing unregulated food to people comes with a lot of legal risks I suppose. These grafters seem to think otherwise and have taken it upon themselves to try and bring fruit trees back to urban areas.