[ymutate]

Gunnar Widforss (1879-1934, Swedish American)

“California Redwood Grove” 1925

Watercolor on paper

57.15 x 45.72 cm

[ymutate]

Arthur Bianchini (Swedish, 1869-1955):

Stockholm at Twilight.

Oil on canvas

[quotespile]

“This is how it must go. There will be catastrophes. Disastrous setbacks and slaughters. But life is going someplace. It wants to know itself; it wants the power of choice. It wants solutions to problems that nothing alive yet knows how to solve, and it’s willing to use even death to find them.”

— Richard Powers, The Overstory

[ymutate]

Hiroo Isono

[urgetocreate]

Hirō Isono (Japanese 1945-2013), Acrylic on canvas

[throughmy-eyez]

[shakespearesdaughters]

[ymutate]

Hajime Namiki,

Tree Branches and Stars at Night, 1947

[illustratus]

Above the Clouds at Sunrise by Frederic Edwin Church

[weepingwidar]

Anj Smith (British, 1978) - Her Side of the Story (2025)

[ymutate]

Richard Anuszkiewicz

Visible State, 1966

24 x 24 inches

acrylic on canvas

[weepingwidar]

Karolina Jabłońska (Polish, 1991) - Covering (2023)

[arterialtrees]

[spirit-of-art]

Odilon Redon, Vierge nimbée

[quotespile]

“And which comes first?… What we see or how we see it?”

— Ali Smith, How to Be Both

[soracities]

Chika Unigwe, “Heart of Darkness”  |  Alejandra Pizarnik, “Psychopathology Ward” (trans. Yvette Siegert)

[world-beauty]

M45: The Pleiades Star Cluster

Credits: Antonio Fernandez-Sanchez

[dadalux]

Kaori Soutome (Japanese, b.1981) - Tiger Lily