[morningbells]

i miss that feeling that tumblr gave me in the early college years

that melancholic 90s dream-scape that led me to discover ‘cherry’ by the chromatics

[cair--paravel]

John Sandoe Books, London.

[allthingseurope]

Autumn morning in Berlin (by Alexander Rentsch)

[caballerodelatristefigura]

— Euripides, Bacchae 506 (tr. Reginald Gibbons)

[qvotable]

Someone can be madly in love with you and still not be ready. They can love you in a way you have never been loved and still not join you on the bridge. And whatever their reasons you must leave. Because you never ever have to inspire anyone to meet you on the bridge. You never ever have to convince someone to do the work to be ready. There is more extraordinary love, more love that you have never seen, out here in this wide and wild universe. And there is the love that will be ready.

Nayyirah Waheed (via qvotable)

[arpeggia]

Ryan Hopkinson - Flores

[abstrakshun]

Helen Frankenthaler (American, 1928 - 2011)

Champagne  -  1991

more on abstrakshun

[abstrakshun]

Takesada Matsutani 

Work 63-2  -  1963

@ Hauser & Wirth

more on abstrakshun

[driflloon]

leonard ss19

[mentaltimetraveller]

Pennacchio Argentato, Alternate Future #10, 2015, acrylic resin, paint and steel, 145 x 105 x 25 cm

[milledorge]

Månebro, 2016

[wowgreat]

Kiyoshi Awazu

[germanpostwarmodern]

North Christian Church (1964) in Columbus, IN, USA, by Eero Saarinen. Photo by Balthazar Korab.

[redlipstickresurrected]

[floralls]

Monet’s house&garden, Giverny, France by  Rick Ligthelm

[colin-vian]

Udomsak Krisanamis (Thai, b. 1966), Midnight in My Perfect World, 1997. Ink, acrylic resin and paper collage on canvas, 182.6 x 120.7 cm.

[violentwavesofemotion-deactivat]

Friederike Mayröcker, tr. by Beth Bjorklund, from Tod Durch Musen; “Ostia will Receive You,”