silent hill. doodles #61
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@mousebitten03
silent hill. doodles #61
All together now! The complete set of Silent Hill posters~ all traditional mixed media using watercolor, ink, and colored pencil (the text is added digitally). All my posters are currently 20% off in my shop for the month of October!! Go get some art for those walls! SHOP LINK
OH MY GAWWWDDDD😮😮😮?????..
"I had that weird dream today. The one with the man with the long hair and coat. He was crying and looking for his mother again."
Sketch:
hi here’s a ryder… super TUFF….
gee whiz!!!!
they are tossing this man around like a beanbag in ways you would not believe
happy birthday to my boy kakyoin rest in piss
Jotaro starts YAPPING
look at josuke hes so cute
i feel like the quality is being nerfed i hope it’s still legible… also bonus (fleshbudded) kakyoin drawing because kakyoin is my fav and i cant stop drawing him (it’s a disease)
hi peef r u a cheese
Yes!
takeshi x shingo chibis
posted this in the initial d club already but i wanted it on my actual blog too yay
Where did everyone go? 😭
P5 Avdol AU (I'm writing, I'm writing as fast as I can).
After experiencing _the horrors_ inside Vanilla Ice, he was in a coma for years. When he woke up, he didn't remember a thing. Fortunately the Foundation (and thus Joseph) found him and helped him recover, but thing's aren't easy.
He meets Pol in New York, 1999, for the first time. And then, in 2001, and following his prophetic dreams he will land in Naples, Italy, looking for the guy with the weird hair :3
He is "americanized" due to recovering in NYC and with Joseph, but as he gets better he researches more about Egypt, his roots, and his past life.
jean pierre polnareff hi sweetie i want to be you when i grow up
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
stage 1 of liking media: yeah this thing is pretty good!
stage 2 of liking media: haha remember when blorbo bleepus did that thing that was so funny
stage 3 of liking media: huh this one song is kind of blorbo bleepus… if you think about this other song is also kind of blorbo bleepus
stage 4 of liking media: blorbo bleepus is really interesting… here’s a sensible analysis post
stage 5 of liking media: FUCK. THE CHARACTER. THE CHARACTER IM HAVING A CHARACTER ATTACK
stage 6 of liking media: well let’s see what ao3 has to offer!
stage 7 of liking media: everything goes on my character playlist. this song with no lyrics is about blorbo bleepus exploding a building and looking really cool. if this lyric was an entirely different sentence it would fit perfectly
stage 8 of liking media: who wants to hear about these characters new pronouns and mobility aids
hey gang art dump time
some magma drawings
First post 👀
kakyoin from Jojo’s bizarre adventure! + foo fighters (from jjba too)