
Love Begins
hello vonnie

No title available
art blog(derogatory)
Game of Thrones Daily
official daine visual archive
Mike Driver
almost home
Not today Justin
"I'm Dorothy Gale from Kansas"
Misplaced Lens Cap

Discoholic 🪩
he wasn't even looking at me and he found me
ojovivo
No title available
YOU ARE THE REASON
Sweet Seals For You, Always
Cosimo Galluzzi

titsay
RMH

seen from Canada

seen from Sweden

seen from Spain
seen from Malaysia

seen from Malaysia
seen from Canada
seen from Brazil

seen from Canada
seen from United States

seen from Canada

seen from Switzerland
seen from United States

seen from Malaysia

seen from United States

seen from Australia

seen from Malaysia
seen from Switzerland

seen from Sweden
seen from Malaysia

seen from United States
@kalimaadonna
I love ena-trend so much, just cant do not do this
Something else that bothers me about Crowley's choice in go3 is that it unironically echoes God imposing unquestionable decisions on everyone else. We all know that the whole "clean slate" and "no us" argument ultimately destroys any chance of saving the universe that Aziraphale and Crowley have spent millennia trying to protect.
And like, Crowley isn't giving any grace to any angels or demons who could have the same opportunity he has always been fighting so hard to earn. He spent thousands of years carving out a life beyond Heaven and Hell's expectations, yet his decision denies others the chance to do the same.
I always end up circling back to this, but Beelzebub and Gabriel are exactly why this choice doesn't work. Their story proves that angels and demons can change, choose each other, and walk away from the systems they were born into.
And Crowley and Aziraphale aren’t just witnesses to that, they are living proof of it. They are their own example. They know, firsthand, that despite being celestial beings, angels and demons are capable of questioning, changing, and choosing differently.
There's also Muriel, who grows curious and fond of humanity. And if we include those sweet little interactions Muriel seemed to be developing with Eric in the finale, that's yet another example of a demon beginning to form a dynamic outside of Hell's expectations.
A choice like this also deprives Eric of the opportunity to grow beyond the only world he's ever known. Just like Crowley once did, these celestial beings deserve the chance to question the system he was born into, form meaningful relationships, and decide for himself who he wants to be.
So while yes, it was Michael who destroyed the Book of Life, Crowley choice in the end was just as bad. They took away every angel's and every demon's chance to grow beyond the roles they were assigned.
And not just that, but refusing to save the world they loved makes Adam and Jesus role in the story even more futile. Their entire purpose was to prove that the world was worth saving despite its flaws, that humanity, with all its messiness, was worth fighting for.
And what about Maggie and Nina? In Season 2, they quite literally confront Crowley and tell him that his meddling in their lives wasn't appreciated. Their lives and relationships are theirs to figure out, not his. Crowley respects that.
Which is why his choice in GO3 feels so contradictory to me. He chooses a godless and angelless universe without giving anyone else the chance to decide whether that's what they want. Humanity doesn't get a say. The angels don't get a say. The demons don't get a say.
Not even Aziraphale gets a say. Which also bothers me because they are a team. So why does it end up feeling like Crowley’s perspective is the one that defines the outcome? Why is his vision of what the universe should be the one that gets imposed on everyone else, even Aziraphale?
I saw a tweet that said that Aziraphale's lack of agency in that moment and his tendency to go along with Crowley's "righteous" choice even when he's not fully certain, parallels how Aziraphale used to follow Heaven.
That’s what makes it uncomfortable for me. Because if both Heaven and Crowley end up occupying that same space of “the one who decides,” then the story risks repeating the same dynamic it critiques, just with different names attached.
There is something so somber about Crowley’s “no us.” This phrase lands like a final severing of the possibility they’ve spent millennia building together.
Framed through the idea of “free will,” it becomes even more complicated. A decision meant to preserve autonomy ends up erasing the very people who have been fighting for their own future all along.
For a lot of viewers, that’s what makes the ending so sickening. These are characters we’ve watched consistently choose the each other and the world. So the idea of their entire shared existence being removed in the name of freedom feels deeply contradictory to what the story itself has been building toward.
Season 1 and 2 show us that they’re always thinking about each other, and the fragile world they’ve learned to care about together.
Crowley adores Aziraphale—there’s no question about that. And Aziraphale adores Crowley just as deeply. They’ve spent so long building a shared life, forming memories in a world they both came to love and protect.
And in that sense, both of them are smart enough to understand what’s at risk when the Earth is on the line. They’ve spent too long on it, lived too many moments in it, to treat it as something disposable.
In the end, however, we get a strange choice that arguably parallels the Biblical Flooding: a sweeping, top-down reset in the name of fixing what’s broken.
Instead of allowing the story’s central theme of free will and change to play out through its characters, the resolution feels like an external intervention that wipes the slate clean rather than letting the world continue to evolve.
This ending frames Crowley as a hypocrite, and it reduces Aziraphale from a co-equal participant in their shared story to someone who is simply carried along by the decision rather than choosing alongside him.
But yeah, sure, the finale was such a coherent conclusion and perfect for the characters !!! :))) makes so much fucking sense !!!!
Maturity and Minorities: What Does It Take to Get a Happy Ending?
So this is just a theory, it could certainly be crushed or buoyed if anyone digs into the data, but it's an idea that's been echoing in my mind lately.
I think tragic endings for minority characters (PoC, queer people, the disabled, etc.) come from allies.
Specifically the tragic endings that the audience is supposed to feel sad about. Not the death of the walking Evil Stereotype that a bigot might write. No, I'm talking about every black friend who dies first. Every heart-of-gold little person who sacrifices their life for heroes to live. Every gay couple who's torn apart or murdered to show the bleak cruelty of the world.
I think that all of these tragic cliches come from creators who wanted to be inclusive. They wanted to bring in the types of characters that don't usually get their stories told. The real world is diverse and we should use that diversity to tell richer stories. But then, perhaps even as a completely unrelated thought, the creator also wants to pull in the realism of the darkest parts of life. And what characters could possibly be more powerful victims?
We have a separate problem in storytelling, of only bestowing respect on the stories that are both the most realistic and the most bleak. Happy endings are simplistic and shallow. A romantic comedy could never be worthy of a Pulitzer. Nevermind that people fall in love and find happy satisfaction every day in the real world, it's still not "real" enough.
So we have two trends converging in the minds of far too many authors and screenwriters: the enlightened choice to include minorities and the need to inflict poetic devastation. And I truly think that every time these impulses meet, the writer thinks it's completely organic.
“It's not falling into a cliche! It's me telling a powerful, moving story, not flinching even when the story calls for a painful confrontation with reality! How dare you call my writing racist/queerphobic/ableist! Don't you know I'm one of the good ones??”
Of course, this tends to come from the usual culprits: cis, white, able-bodied men. Sometimes women too, but the majority are men. These guys are far from the majority of writers, but unfortunately they're still the overwhelming majority of writers that get a major platform.
I do believe that usually mean well on one level or another. The problem is that they don’t understand. They often fail to understand the basic personhood of minorities, but more insidiously they don’t understand what it means to deny us happy endings.
Minorities do not lack for pain in our lives. We know, either personally or culturally, that the world does not favor us. Often doesn’t even think about us. It’s hope that’s underrepresented. Not just in terms of getting to stop the bad guys or find true love, but in as simple a way as wondering what paths we even have in life.
How am I supposed to be happy? What does that even look like? If I’m never going to be a celebrity, what else is there? There’s a void there that the straight, white, and able-bodied never have to face. It’s certainly left me feeling like my chief responsibilities in life are to stay out of the way and not be a burden.
For most of a decade now, I’ve been a very big fan of the show Good Omens. I know that there’s a range of opinions on the finale, but for me it was devastating. I related to the main characters so strongly as a queer person who was deeply mistreated by their family. Their story felt like a guiding light for whether or not I could be okay myself one day.
Then, somehow, this romantic comedy that gave every signal that the leads would come back together and finally know free love and peace instead ended with their suicides. And it felt like a fresh message about just what the world at large thinks of people like me. About what needs to happen to us in a ‘good’ story.
The finale to Good Omens was cruel to a lot of other queer characters too. Two disappeared in financial ruin with no sign if they ever got to be together. One died of an overdose that his spouse feared was a suicide. One died on screen, while explicitly telling us that they had always been an idiot. As far as I am aware, there were no queer people at all involved in the story or filming decisions of the episode. But I could have told you that without investigating.
This is the core of why we desperately need more minority creators in prominent projects. Because we understand our stories in the big ways and the little ones. We know how to use tragedy against ourselves because we know what that knife feels like. We know just how dire the need is to help our communities heal the wounds we already have.
It would always include listening to each other, of course. No one person can represent every identity. We need teams and sensitivity readers and the constant feedback of every kind of audience. It’s a matter that brings up complicated and uncomfortable questions. Are studios too greedy to take chances? Are majority audiences too bigoted, or at least insulated, to learn to love new kinds of protagonists? Do minority creators need more grace and training to make up for generations of absent opportunities to learn the rules that big names take for granted?
For today though, I want to wearily demand that we all stop treating minority characters like seasoning. Stop acting like all we are is their poetic tragedy. It’s not beautiful. It’s not powerful. It’s just another boot stepping on us on the way to their happy ending.
We can do better than that. It’s just not a story anyone likes to tell us.
please join me for a session of gentle weeping in celebration of the beauty of our shared world
i think transfems should be allowed to be good at sports.
sometimes a trans woman wins against a cis woman. sometimes a cis woman wins against another cis woman too. yet only one of them is allowed to win without facing consequences.
it's not enough to support transfems in sports if your support hinges on us being bad at them.
they should invent a body that feels normal to be inside of
Gilbert Baker's 9-stripe rainbow pride flag made from cropped NASA APOD images! 💗 💖 ❤ 🧡 💛 💚 💙 🌠 💜
some recent sketches before i inevitably disappear again for another month!
i love them SO MUCH bro
This script was written by the lovely and talented @justkeeptrekkin. Art by yours truly.
Crowley: *literally opens his mouth*
Me:
Good Omens / The Little Mermaid: Angel Prince to rescue their Redhead
Moshi moshi! Can you hear me?
wait i have a question to ask the fandom
in a revolutionary girl utena AU, would aziraphale be the rose bride or would crowley be the rose bride?
who’s the rose bride? 👀🌹🗡️
aziraphale
crowley
REALLY interesting results! the winner seems to be crowley!
i thought people were going to choose aziraphale but crowley being the rose bride makes a lot of sense!