art blog(derogatory)
todays bird
AnasAbdin
Sweet Seals For You, Always

Kiana Khansmith
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
Show & Tell
Jules of Nature

Discoholic 🪩

No title available

JBB: An Artblog!
almost home

PR's Tumblrdome

★
cherry valley forever
we're not kids anymore.

Janaina Medeiros
hello vonnie
NASA
seen from United States
seen from Brazil
seen from Indonesia
seen from Spain

seen from Mexico

seen from Netherlands
seen from Italy

seen from Brazil

seen from Brunei

seen from United States
seen from Brazil
seen from United States

seen from United States
seen from Italy
seen from Indonesia
seen from United States

seen from United States

seen from Türkiye

seen from United Kingdom

seen from Bulgaria
@mpmfcf
Ann Veronica Janssens
Sara Shakeel Turns Stretch Marks Into Glittery Works Of Art
“accidental” collage artist Sara Shakeel reveres stretch marks by filling them with glitter. They are, after all, symbols of a women’s experience and growth—so why shy them?
さらに読む
Robert Longo’s charcoal drawings resist traditional expectations of medium. His process often begins with a photographic image found online, which he will amplify, re-compose, or juxtapose with other images before translating into charcoal. In layers of fragile black dust, Longo builds remarkably sculptural, meticulously detailed forms at an imposing scale unusual for drawing.
The striking finished artwork is a meditation on how we digest images—and what they tell us about the world—using technical innovation to emphasize their power and complexity.
Posted by Sara Softness Process timelapse and finished photograph of Robert Longo (American, born 1953). Untitled (Raft at Sea), 2017. Charcoal on mounted paper, 140 x 281 in (355.6 x 713.7 cm). © Robert Longo, Private European Collection. (Process photos coutesy of the artist, final image courtesy of the artist and Metro Pictures, New York)
“The bridge to Rikers Island is called the Bridge of Pain. You’re on this bus. You see the city behind you. And in front of you, you see nothing but four walls. I was sent there for a year when I was nineteen years old. My friends and I got caught stealing copper pipes from a construction site. All of us grew up together. I thought they had my back. But none of them came to see me in prison. I had zero visits. Nobody put money in my account. So I haven’t talked to any of those guys since I got out. I work two jobs now. I stay out of trouble. I’m trying not to be a negative person anymore. I still have anger problems. I think it’s because there was so much yelling and violence in my house growing up. But whenever I feel the anger coming on, I just close my eyes and rub my ears. My baby brothers used to rub my ears when I was growing up. When things got bad in the house– it always used to calm me down.”
Mark Handforth.
Steven Meisel, Azzedine Alaia, 1987
Naomi Campbell at Azzedine Alaïa F/W 1991
Ezra’s Instastory 11/7/17
Ezra & Rashida in Ava DuVernay’s Instastory 10/14/17
Balenciaga ss18 collection [my favorite show]
it’s tomato, basil, and mozzarella, but now it’ll get you lit
For The Love Of God. 2007. Damien Hirst The actual skull sculpture featured on Neo Yokio
EZRA KOENIG EXPLAINS HOW NEO YOKIO INSPIRED THE NEXT VAMPIRE WEEKEND ALBUM
THE NETFLIX CARTOON STARRING JADEN SMITH IS A WONDERFUL SURPRISE.
The Blue Hour in Queens, NYC
https://www.instagram.com/nowyourecool/