
@theartofmadeline
art blog(derogatory)

Kaledo Art
2025 on Tumblr: Trends That Defined the Year
One Nice Bug Per Day
he wasn't even looking at me and he found me
Not today Justin
Jules of Nature
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Discoholic 🪩
sheepfilms
Xuebing Du
"I'm Dorothy Gale from Kansas"

pixel skylines

Janaina Medeiros
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JVL

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hello vonnie
Keni

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@mumblinggenghis
You can never really go back to the same waters. Not only are you no longer the same, but neither are the waters you left. The current has changed. The elements of nature have affected the stream. When you return, although it appears the same, it really is a different river and you are a different person. Therefore, you cannot cross the same river twice.
“Same River Twice” by Alice Walker (via kalamansi-andtea)
An audience member stopped World Science Festival host Jim Holt from speaking over physics professor Veronika Hubeny
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From Marilee Talkington’s post:
So, after thinking about this over night, I’ve decided to share something that happened at the WORLD SCIENCE FESTIVAL yesterday afternoon in NYC that changed me. Or rather made me step into who I am in a larger way.
As some on my feed have seen, I was live-feeding the beginning of the panel discussion on FB. That panel was made up of some of the greatest and most famous minds in the world in Inflationary Cosmology, String Theory, Cosmology and Physics based Philosophy. The panel was made up of 5 men and 1 woman. And the moderator was a science writer and journalist for The New Yorker.
In the first hour of the panel discussion you can see clearly, if watching the video, that Veronika Hubeny, the only woman on the panel is barely given any opportunity to speak. And the Moderator, Jim Holt even acknowledges this.
In the last 20-30 minutes of the 90 minute discussion Jim Holt finally pushes the conversation to Hubeny’s field of expertise, string theory, and this is what ensued:
He asked her to describe her two theories of string theory that seem to contradict one another.
And THEN, without letting her answer, proceeded to answer for her and describe HER theories in detail without letting her speak for herself.
We could clearly see that she was trying to speak up. But he continued to talk over her and dominate the space for several minutes.
I should say that this panel was taking place in a large auditorium as it is an extremely high-profile and always sold-out event. And the panel discussion was being live-streamed across the world and they say that millions of people watch these videos after they are made public. (Which they already are).
So at this point, after seeing very clearly that she was not going to be given space to speak and in fact having her own theories described to the audience by the moderator, I am in full outrage. My body is actually beginning to shake. The sexism is beyond blatant. It is happening on stage and NO ONE, not a single other physicist or panelist is stepping in to say anything about it. And I can hear other audience members around me, both men and women becoming more and more agitated with what is happening. Jim Holt, even at one point, asks Veronica a question and she laughs because he has been answering his own questions about her work…and he makes fun of her for ‘giggling’.
So at some point while he is Still talking about Her theories, I just can’t handle it any longer.
With my hands shaking,
I finally say from my seat in the 2nd row of the audience, as clearly, directly and loudly as possible;
“Let. Her. Speak. Please!”
The moderator stops.
They all stop.
The auditorium drops into silence.
You could hear a pin drop.
And then the audience explodes with applause and screams.
Jim Holt eventually sat back, only after saying I was heckling him And he let her speak. And of course, she was brilliant.
———————–
So, the panel discussion ends.
My hands are still shaking. I’m still upset by the incredible sexism that has been demonstrated this afternoon. But I also realize that I just spoke up in an auditorium full of people that are listening to people that are considered gods in the international science world. I was just overwhelmed by it all
We get up to leave.
And then it happens.
Person after person come up to me. Both men and women.
The first woman, right behind me, reaches over and embraces me and says, “Oh my god. what you said was the most important thing that was said all day. Thank you. Thank you.”
And then people start filing out of their aisles and wind their way over to me:
“Was that you? Thank you so much for speaking up. Thank you.”
“Was that you? Oh god, what he was doing was horrific. Thank you. I wanted to do something but didn’t know how”
“Was that you? I wish I had the courage to say something, thank you! Thank you so much”
“Was that you? You said what everyone here was thinking. Look I had even been writing in my notebook what you eventually said (shows me his notebook with ‘let her speak’ written over and over.) But you said it. You said it. Thank you.”
“Was that you? Thank you! I felt so powerless to do anything.”
And on.
So we were all thinking this.
—- So I walked out. And my friend who was sitting about 8 rows behind me, came up to me with a huge grin and said “That was you, wasn’t it? Of course it was. YES!!!!! I will be telling this story for years.”
And the whole time, my hands are still shaking. And I’m felling light-headed. And I just want to scream out into the lobby “WHY IS THIS SEXISM STILL HAPPENING? WHY, does someone like me, with No status in that room, have to be so extraordinarily bold and speak up? And why was it so frightening to do so?”
And I’m thinking. “God, please god let this be an opening for those that were here today and the tens of thousands that watched the live-streaming of the panel yesterday and the hundreds of thousands that will watch the video this year- to speak up when we see this happening. And please let me not be afraid to do this again …and again …and again” Because it was scary.
Please keep giving me courage.
Ada Blackjack: the real Robinson Crusoe
An Alaskan Inupiat woman named Ada Blackjack was hired in 1921 as a cook and seamstress, to go on an expedition to Russia’s Wrangel Island, north of Siberia. The hope was to claim it for Canada. Four men plus Ada set out. And they reached the island! Unfortunately, the expedition was poorly planned. They soon ran out of rations and were unable to trap enough animals to eat. So, on January 28th, 1923 three men decided to try crosssing 700 miles across the frozen Chukchi Sea to Siberia for help and food. The left behind Ada and one other man who was sick with scurvey. She cared for him until he died, and then Ada was left alone, on a Siberian island, with just the expedition’s cat, Vic.
The three men were never heard from again. But Ada survived. She learned to live in the extreme freezing conditions for seven months! Ada was rescued on August 19th, 1923 by a former colleague of the expedition’s leader. She made no money on the subsequent publicity and books, just her pay for the expedition and a couple hundred dollars from the furs she trapped while on the island. Ada returned to Alaska and lived there till her death at the age of 85.
On 14 April 1912, the Virginian recorded the last known signals from the sinking Titanic. The Virginian was too far away to assist in the rescue; however this procès-verbal, usually a summary of wireless messages but in this case whole messages, adds to the picture of the final moments of the Titanic. Messages sent via wireless telegraphy used Morse code, and for brevity the Titanic was represented by ‘MGY’, the Virginian ‘MGN’, and the Olympic ‘MKC’. After a gap in communications, the operator was able to recognise two ‘Vs’ sent with a spark like the Titanic operator’s, then a faint ‘CQ’ call before power appeared to be abruptly cut off. This probably marks the final loss of power to the wireless equipment on the stricken ship. The item is currently on display in our Treasures exhibition until February 2018: https://treasures.bodleian.ox.ac.uk/treasures/proces-verbal.
squad goals
@binkiebeaumont @noel–coward Are we a squad?
He Jiaying (何家英), The Ballet. 2006.
Born in 1957 in the province of Tianjin, He Jiaying studied traditional Chinese painting at the Tianjin Institute of Art and went on to become a council member of the Chinese Artists Association and a lecturer at his alma mater. He’s style combines the precision and realism of gongbi painting with European subject matter such as the art of ballet, and female figures. In The Ballet, He depicts with sharp technique and muted colors the behind-the-scenes of three ballet dancers who are occupied not with dancing, but rather sewing pointe shoes and sipping loose-leaf tea.
View of Paris from Montmartre, 1886
Vincent van Gogh
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There’s no singular South Asian experience and that needs to be accounted for. Someone who identifies as West Indian is just as much South Asian as someone who is Bangladeshi. There’s no one way to look, act, or identify as South Asian.
something that more people need to understand (via reclaimthebindi)
Lorenzo Ghiberti, Gates of Paradise (East Doors) for the Baptistery of San Giovanni (Florence, Italy), 1425-52
#EMPTYMET Project - Photography by: J.N. Silva
Fabulous post - Thank You! Truly enjoyed it as I clicked on the #EMPTYMET Project title.
Quayside With Ships In Antwerp 1885
Vincent van Gogh
Gold Greek ring, 1st century AD
Many visitors walk right past it, but those who read the description tend to stop in their tracks and linger, studying the 150-year-old scrap of fabric. It’s known as “Ashley’s Sack,” and belonged to an enslaved woman named Rose at the Middleton Place rice plantation in Charleston, South Carolina.
My great grandmother Rose mother of Ashley gave her this sack when she was sold at age 9 in South Carolina it held a tattered dress 3 handfulls of pecans a braid of Roses hair. Told her It be filled with my Love always she never saw her again Ashley is my grandmother Ruth Middleton 1921
The Coffeyville Weekly Journal, Kansas, December 8, 1899
This was 100% a callout posting about male authors.
how do they eat breakfast in the morning if they can’t breast tittily down the stairs? they’ll be stuck in bed. :(
tag yourself as movements in classical music
Medieval: often ignored, shy, secretly gay, likes to stay in the same place all the time, dreams of being a monk
Renaissance: loves to dance, likes fancy things (but not too fancy), nobody else could pick them out in a crowd but everyone is friendly to them
Baroque: very particular about everything, draws immensely detailed doodles, gets super side-tracked on pointless tangents, everyone's distracted dad friend
Classical: very neat bedroom, makes bad puns constantly, has a 9-5 job, everyone's helpful but slightly exasperated mom friend
Romantic: can never make up their mind about anything, gets shivers when they go to art museums, cries a lot (and you'll know about it), sad bisexual (TM)
Impressionist: super gay, loves music that isn't in their native language, cries easily, just wants to have a good time
Early Modernist: just like Romantic but also does drugs and is afraid of but also super interested in sex
Serialist: angry at everything, "you don't understand my torment", probably a communist
Neoclassical: wants to be just like classical but has never gone to sleep before 1AM, keeps a very neat bedroom except for a single massive pile of clothes in the closet they refuse to acknowledge, occasionally steals Renaissance's hoodies
Total Serialist: 500% angrier than serialist and proud of it, has never had fun, has probably killed someone
Academic Avant-Garde: has never done the same thing twice, trusts nobody else, has an on-again-off-again relationship with total serialism
Minimalism: loves technology, still wears Google Glass and the Apple Watch, meditates for fun, trying to learn Hindi (and horribly failing), often incomprehensible to everyone else but is actually super friendly
Polystylism: originator of the term "pastel grunge", wears immensely clashing outfits, steals everyone's looks, memes