BACKROOMS (2026) dir. Kane Parsons
Sade Olutola

Product Placement

Kiana Khansmith

Kaledo Art
Claire Keane

❣ Chile in a Photography ❣
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DEAR READER

Andulka
Cosimo Galluzzi

Discoholic 🪩

JBB: An Artblog!
cherry valley forever
ojovivo
I'd rather be in outer space 🛸
we're not kids anymore.
AnasAbdin
Cosmic Funnies
Lint Roller? I Barely Know Her
KIROKAZE

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@murphychips
BACKROOMS (2026) dir. Kane Parsons
it is genuinely so crazy to me that people consider a 4 minute song to be "long" and some people even refuse to any song that's longer than 4 minutes. literally what are you in such a rush for
tidied up my artfight in preparation for this year :)
you have this superpower! BUT you have this side-effect
is it worth it?
yes!!
the side effect is bad but ITS WORTH IT
meh it's okay
the side effect makes it unusable/not worth it
Results/option I didn't think of
BROTHER IM BACK AT SQUARE ONE
The beginning of the end for every digital artist
asexual perverts and trans women are the two pillars still holding up this godforsaken site, honestly
which are you?
asexual pervert
center of the venn diagram
trans woman
outside this particular dichotomy
"Ever since you dropped into my life, it's like I put on glasses. Except I can't tell whether everything's blurry or clear."
JINX AND ISHA | ARCANE, SEASON 2
been thinking a lot on the forcefem vs forcemasc front lately
as many trans women have analysed, forcemasc as a genre has sort of rode the coattails of the rise of forcefem fiction; forcefem, coming from a lot of sissification pornography and being reclaimed as a fantasy rather than a form of humiliation (humiliation included to taste regardless), where being made into a woman becomes freeing and realising, is designed to be a twist on society's patriarchal establishment—what if being (forced to be) a woman wasn't embarrassing or degrading or emasculating? what if this was a moment of joy, of self-fulfilment? fundamentally, being a woman—and choosing to be a woman—is a downgrade from being a man in many forms of society today! there's no splitting hairs about it! you get paid less! you are ignored in favour of men! medical professionals take you less seriously!
so when forcemasc comes along, it often feels like a distortion of why forcefem exists—becoming masculine, or a man, is undeniably a step UP from being a woman, or feminine in general. trans men have said as much: that becoming visibly more masculine, or using a masculine name, has helped them in the workplace, or to garner respect, or so on. obviously, this isn't saying transmasculinity is a cakewalk, but that socially speaking, it is better to be masculine than feminine.
as a result, real examples of forcemasc are not exercises in humiliation, but of tactics: women having to use male names, or the names of their husbands, in order for things they've authored to be taken seriously! dressing as men to try and obtain better work and pay! even JK Clowning used her initials rather than her name because publishers feared her full feminine name would reduce sales!!!
when real-world forcemasc is analysed, it is used by women to try and improve their social standing and status—it comes from a very different point of origin to forcefem. it's why so many trans women say it's not the same thing; being made into a woman comes with countless negatives! being made into a man comes with a billion positives! that's society! sure, being transmasc doesn't make life easy, but it is noticeably easier given how patriarchal society operates.
as a nonbinary sort-of-transmasc, i've wondered how you could write forcemasc in a way that isn't just 'forcefem but with masc', and honestly, the best way i've found is just... owning the difference. write someone getting forcemasc'd and their life DOES get easier! people DO take them more seriously! make your forcemasc a reflection of the fundamental gender divide in modern society today! there's no point trying to copy the beats of forcefem fiction, because they're two wildly different commentaries that can't be aligned in that way. it can still be a story of joy and self-realisation—it just also has to acknowledge that there ARE differences in how society will end up perceiving the outcome.
It is really funny how much some tumblr users build their understanding of what is taboo in a degenerate immoral fashion vs what is taboo in a subversive radical fashion exclusively on aesthetic appeal so they’re willing to drastically alter their moral stances based on what media they’re obsessing over currently
Blogger obsessed with posting about sexual cannibalism and toxic doomed yuri complaining about incest fetishization… you’re two Ginger Snaps gifsets and a Flowers in the Attic excerpt away from trying to recreate Single White Female with your mutuals
cozy cottagecore latte shop light mechanics improv heavy cheese goblin DND players when they see a bandit
i truly find nothing more engaging to write as love as force of evil. fuck that whole 'the power of love will help us save the world' what i want is 'the more i love the more ruthless and cruel i become to protect my beloved(s)' like YES MORE OF THAT FOREVER
public defenders get behind me. i’ll defend you this time
“so you like criminals?” I LIKE THE RIGHT TO A FAIR TRIAL.
Dead wife but it's a flashback to an amazing sandwich you had 3 years ago