Cool Music

[coovieilledentelle]

Mon cadeau ce soir ...

Yuja Wang apporte sa virtuosité caractéristique à la « Rhapsody in Blue » de Gershwin, interprétée ici aux côtés de Mahler Chamber Orchestra

[lady-aibell]

🩶..

[hagenlastkiss]

Melissa Auf der Maur - Hole during a concert at the Autodrome of Imola, Italy - Heineken Jammin Festival 1999

📷©️ Fabio Diena

[myimaginaryradio]

She's So Cold - The Rolling Stones

[cosmonautroger]

Talking Heads, Psycho Killer, Old Grey Whistle Test, 1978

[musiccool]

Still can’t get over Tina with a pixie bob

[myimaginaryradio]

Zombie - The Cranberries

Good morning and happy Thursday

Well... it's day three of living in concussion land. Everyday is getting little better. It's nice gives me something to look forward to.

Be Safe Be Kind And Be Awesome

[myimaginaryradio]

Fat Bottomed Girls - Queen

[been-here-b4]

Skynyrd

[louderthanmythoughts]

one of my favorite live performances!!!

[leyenra8]

98M+ VIEWS – PARADISE BY THE DASHBOARD LIGHT – MEAT LOAF

“PARADISE BY THE DASHBOARD LIGHT” IS A ROCK DUET PERFORMED BY MEAT LOAF AND ELLEN FOLEY, WRITTEN BY JIM STEINMAN.

IT WAS RELEASED IN 1977 AS PART OF THE ALBUM BAT OUT OF HELL.

THE SONG IS NOTABLE FOR ITS UNIQUE STRUCTURE, COMBINING A NOSTALGIC TEENAGE LOVE STORY WITH A BASEBALL PLAY-BY-PLAY COMMENTARY BY PHIL RIZZUTO.

SONG STRUCTURE

THE SONG IS DIVIDED INTO SEVERAL DISTINCT PARTS:

1. TEENAGE ROMANCE

THE NARRATIVE BEGINS WITH A YOUNG COUPLE REMINISCING ABOUT THEIR PASSIONATE TEENAGE ROMANCE.

THEY RECALL A NIGHT SPENT TOGETHER, FILLED WITH EXCITEMENT AND YOUTHFUL INNOCENCE.

2. BASEBALL COMMENTARY

PHIL RIZZUTO’S PLAY-BY-PLAY COMMENTARY ADDS A HUMOROUS LAYER, USING BASEBALL METAPHORS TO DESCRIBE THE COUPLE'S ROMANTIC ESCAPADES.

THIS SECTION FEATURES DOUBLE ENTENDRES THAT PLAYFULLY LINK BASEBALL ACTIONS TO ROMANTIC SITUATIONS.

3. COMMITMENT AND REGRET

THE CLIMAX OF THE SONG REVEALS THE COUPLE’S CURRENT DISILLUSIONMENT WITH THEIR RELATIONSHIP.

THEY EXPRESS REGRET AND A LONGING FOR THE PAST, CULMINATING IN A POWERFUL DUET ABOUT THE CHALLENGES OF COMMITMENT.

THE SONG HAS BECOME A CLASSIC ROCK STAPLE, CELEBRATED FOR ITS THEATRICALITY AND EMOTIONAL DEPTH.

IT SHOWCASES MEAT LOAF’S POWERFUL VOCALS AND STEINMAN’S DRAMATIC SONGWRITING, MAKING IT A DEFINING PIECE OF 1970S ROCK MUSIC.

[been-here-b4]

Stevie Ray Vaughan with Reese Wynans on keyboard, Pride & Joy. At Montreaux, July 15, 1985.

[mega2wheellife]

[strictlyfavorites]

Bon Scott making bagpipes sexy (1976 ACDC Long Way to the Top)…and the rest is music history

[letthemusicplayon]

Kids In America

Kim Wilde

[puppet-theater-stuntman]

I don't mind you comin' here and wastin' all my time 'cause when you're standin' oh so near I kinda lose my mind it's not the perfume that you wear it's not the ribbons in your hair I don't mind you comin' here and wastin' all my time

I don't mind you hangin' out and talkin' in your sleep it doesn't matter where you've been as long as it was deep, yeah you always knew to wear it well and you look so fancy I can tell I don't mind you hangin' out and talkin' in your sleep

I guess you're just what I needed (just what I needed) I needed someone to feed I guess you're just what I needed (just what I needed) I needed someone to bleed

I don't mind you comin' here and wastin' all my time time 'cause when you're standin' oh so near I kinda lose my mind, yeah it's not the perfume that you wear it's not the ribbons in your hair I don't mind you comin' here and wastin' all my time

I guess you're just what I needed (just what I needed) I needed someone to feed I guess you're just what I needed (just what I needed) I needed someone to bleed

I guess you're just what I needed (just what I needed) I needed someone to feed I guess you're just what I needed (just what I needed) I needed someone to bleed yeah, yeah, so bleed me

you're just what I needed you're just what I needed yeah, you're just what I needed yeah, yeah yeah

[the80s]

One of my favourite Van Halen songs, 5150. I saw them on this tour in the summer of ‘86 and it had this kind of energy.

[nocturna7]

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[bayareabadboy]

During a packed concert, Eric Clapton noticed one girl sitting still while everyone else cheered. Sarah, 16 and profoundly deaf, felt the music through vibrations instead of sound. Moved, Clapton stopped the show, brought her onstage, turned the bass up, and played just for her. As the notes pulsed through her body, she cried. In that quiet moment, everyone learned music isn’t only heard—it’s felt deeply.