
izzy's playlists!
Show & Tell

Janaina Medeiros

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Monterey Bay Aquarium
Stranger Things
$LAYYYTER
noise dept.
Cosimo Galluzzi
Sweet Seals For You, Always
Misplaced Lens Cap

Product Placement

Kiana Khansmith

tannertan36
tumblr dot com

pixel skylines
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
Not today Justin
Sade Olutola

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@musician372
Reblog for Good luck🙏🏼
In the gym, putting in the work!!!
I can’t wait until money isn’t an issue.
Omg yes😩
Financial freedom🙏🏽😣🙌🏽
Reblog for financial freedom
Imma RT just in case!
The 7 Best Ways to Tie a Scarf in Menswear - (source: Tie-a-Tie.net)
The Tulsa Race Massacre at “Black Wall Street” Took Place 99 Years Ago Today
In the span of about 24 hours between May 31 and June 1, 1921, a white mob descended on Greenwood, a successful Black economic hub in Tulsa, Oklahoma then-known as “Black Wall Street,” and burned it to the ground. Some members of the mob had been deputized and armed by city officials. In what is now known as the “Tulsa Race Massacre,” the mob destroyed 35 square blocks of Greenwood, burning down more than 1,200 black-owned houses, scores of businesses, a school, a hospital, a public library, and a dozen Black churches. The American Red Cross, carrying out relief efforts at the time, said the death toll was around 300, but the exact number remains unknown. A search for mass graves, only undertaken in recent years, has been put on hold due to the Covid-19 pandemic. Those who survived lost their homes, businesses, and livelihoods. Property damage claims from the massacre alone amount to tens of millions in today’s dollars. The massacre’s devastating toll, in terms of lives lost and harms in various ways, can never be fully repaired.
Following the massacre, government and city officials, as well as prominent business leaders, not only failed to invest and rebuild the once thriving Greenwood community, but actively blocked efforts to do so.
No one has ever been held responsible for these crimes, the impacts of which Black Tulsans still feel today. Efforts to secure justice in the courts have failed due to the statute of limitations. Ongoing racial segregation, discriminatory policies, and structural racism have left Black Tulsans, particularly those living in North Tulsa, with a lower quality of life and fewer opportunities.
On the 99th anniversary of the massacre, a movement is growing to urge state and local officials to do what should have been done a long time ago—act to repair the harm, including by providing reparations to the survivors and their descendants, and those feeling the impacts today.
Under international human rights law, governments have an obligation to provide effective remedies for violations of human rights. The fact that a government abdicated its responsibility nearly 100 years ago and continued to do so in subsequent years does not absolve it of that responsibility today—especially when failure to address the harm and related action and inaction results in further harm, as it has in Tulsa. Like so many other places across the United States marred by similar incidents of racial violence, these harms stem from the legacy of slavery.
There are practical limits to how long, or through how many generations, such claims should survive. However, Human Rights Watch supports the conclusion of the Oklahoma Commission to Study the Tulsa Race Riot of 1921 (recently renamed the Tulsa Race Massacre Commission)—a commission created by the Oklahoma state legislature in 1997 to study the massacre and make recommendations—that reparations should be made.
Read more
Some historians call this the “Tulsa Race Riot.” It was not a riot; it was a massacre strictly towards Black people. Calling it a “riot” takes the accountability off of white people and remixing their history…as usual. It was an ethnic cleansing at the hands of angry white mobs who took their asses over there to the Greenwood District to shoot and drop bombs (provided to them by government officials) on Black victims. They hated the existence of Black people succeeding, happy, minding their damn business, solely supporting Black businesses, and displaying economic growth that they couldn’t get their hands in. Still do.
The rest of that article above goes into extensive detail on the need for reparations and the aftermath (education, health, redlining, etc) for Black Tulsans now.
The video below from Vox goes into details “Black Wall Street” before the ethnic cleansing with footage included from that time, as well as the massacre itself and the aftermath. For example, white people distributed photo postcards of the ethnic cleansing as souvenirs:
Dr. Olivia Hooker was the last survivor of the Tulsa Race Massacre. She passed away in 2018 at the age of 103. She was a professor and psychologist for children. How interesting. Seeing something so traumatic done to your people as a child and dealing with PTSD to then go on and treat children. This was her:
Tumblr Girlfriend? 😉
Reblog if you’re interested 💋
🌠 Reblog to attract wealth and abundance 🌠
Wow you should all reblog this.
Reblog and you’ll find money soon!
Yes.
Also weird I reblobbed the other money one last night and a freelance check I invoiced for a month ago came in.
reblobbed
seriously have nothing to lose
Did it once might as well let it stack. At least I’m not buying loto tickets
You guys, I reblogged this 2 days ago out of desperation. Today I was looking through my old wallet for coins to go to the vending machine because that’s all I can fucking afford. I haven’t touched this thing since July/ August. When I found a disappointing 15 cents in the coin pocket I went to the billfold to see if any coins were in there. That’s when I saw them. 5 crisp bills amounting to $22. I literally screamed and danced around my room out of joy before remembering that I’d reblogged this post.
Tl;dr - This post is fucking magical and actually worked for me.
I’m broke as fuck. Money gods pls send me like 100k.
I never reblog these, let’s give it a shot. BIG MONEY, BIG MONEY
I reblogged this last week and withing an hour I got a client after a month of silence! Literally gave me money to eat for the rest of the month.
Crazy enough but my mom randomly gave me 200 dollars after I reblogged one of these the other day…
Reblobbed.
I have a theory that these posts actually gather energy from the wishes of people who reblog them and that’s why they work. Plus, yanno, they get passed around by witches…a lot. :)
Financials are getting a little rocky here (new job was a pay cut and was supposed to be an hours increase but ended up being more of a cut/lateral move) and I’m still trying to figure out how to downgrade my spending (seriously how can I cancel some of my cable services and end up paying MORE than before fucking packages fucking Verizon…) so in the meantime I could really go for a cash infusion until I get myself sorted.
Ok this is such a ridiculous coincidence but I JUST reblogged this this morning and between then and now my tax refund hit my account 3 days early. Draw your own conclusions.
Windfall
Gonna try
I could really use some extra money
I need some money
Skeet313
I need it!!
I can always use extra cash
Sexy ass!!
John Hirka, take it off big stud!
My man earned the right to be this arrogant. Fucker forged himself in the gym. Respect.
Mozart – Requiem Mass in d minor (1791)
I always found it morbid and strange to observe a composer’s deathday. But at least today’s anniversary gives me motivation to write about one of the greatest works ever partially written. It would be redundant to say that Mozart’s Requiem is a masterpiece. First off, it was written by one of the greatest musical minds (some would say “the” greatest) in history. Secondly, it is like the accumulation of all the religious, choral, and orchestral music he had written throughout his life. But the Requiem, infamously, remained unfinished by the time of his death, and this, along with other mysterious circumstances and confusing muddled contradictory history, has shrouded the work in legend. Most famously, the myth that composer Antonio Salieri schemed to kill Mozart and steal the Requiem as his own; a story immortalized by Peter Schaffer’s play Amadeus, and its 1984 film adaptation by Milos Forman. That is obviously a work of fiction, so what is the truth behind the circumstances that lead to Mozart’s unfinished masterpiece? Surprisingly, the stories are not “that” far off from what happened: Mozart was approached by a mysterious stranger, sent by a secret benefactor, to commission a Requiem mass. That secret benefactor was not Salieri, rather it was Count Franz von Walsegg, an eccentric who would anonymously commission music from different composers so he could pass them off for his own (which was the fictionalized Salieri’s plan in Amadeus). From Mozart, Walsegg wanted to steal credit for the Requiem, and claim it as a homage to his recently deceased wife. However, because Mozart passed away before its completion, his widow Constanze wanted another composer to secretly finish the work, so she could receive the other half of the Count’s payment (the Mozart’s were famously terrible with money, and often scraping by regardless of Wolfgang’s concert success). Two different composers worked on it; Josef von Eybler, and Franz Xavier Süssmayr, with the latter offering the most substantial revisions and completion. Unfortunately, this leaves a lot of controversy, unanswered questions, and a lack of clarity around how much of the Requiem is close to Mozart’s intentions. We at least know for certain that the introduction, Kyrie, Sequence, and Offertory, were initiated by Mozart. The opening creeps in with a long unfolding polyphonic melody. The second part, the kyrie, is a faster paced fugue. This “start slow, end with a quick fugue” feels like a nod to the overtures of the Baroque era. The Dies Irae packs a punch, and has some of Mozart’s most intense forward-projecting drama. A pulsing trumpet feels like the judgment of God. The next movements change between soloist singers together in gorgeous quartets, and full choral numbers. I especially love the Confutatis, with how the writing juxtaposes darker and violent orchestration with the mens’ voices, against lighter and more forgiving/heavenly women’s voices. Most iconic has to be the deeply heartfelt Lacrimosa, which has pulling strings into the pained melody. The rest of the work is by Süssmayr, the Sanctus is bright and victorious, the Angus Dei goes back into the darker operatic tones of the earlier half, and the Lux Aeterna acts as a delicate and consoled finale.
Movements:
I. Introitus
II. Kyrie
III. Sequentia
Dies Irae
Tuba Miram
Rex Tremendae
Recordare
Confutatis
Lacrimosa
IV. Offertorium
Domine Jesu
Hostias
V. Sanctus
VI. Benedictus
VII. Agnus Dei
VIII. Lux Aeterna
I've always enjoyed listening to, and performing this work. Stunning!!!!!
Surely I’m not the only one who thought of this
Sexy baby!!