Muyiwaaa

I am a recent Architecture graduate from Sheffield School of Architecture (SSoA). I'm keeping a blog for my dissertation and other third year musings. The majority of work posted on here is not mine, unless stated otherwise. It is a collection of works I find interesting and enlightening.

[muyiwaaa]

Free Grounds // Justin Wai

[phineasharper]

Conceptual programmatic study of underground + above ground movement for New York University 2031 Master Plan.

University of Florida, School of Architecture, Professor Mark McGlothlin, Fall 2014. Drawing completed in partnership by Andres Camacho and Zachary Wignall

[email protected]

[muyiwaaa]

Eleven and a half #bricklane

[muyiwaaa]

#DigitalAnimal #designtofabricate #studioIUS

[muyiwaaa]

[muyiwaaa]

Water harvesting module prototype..#DigitalAnimal #designtofabricate

[fabriciomora]

Drawings by Sir Kenneth Hugo Adam

[kacper-kiec]

CEO of the globe / Kierownik Kuli Ziemskiej

[andrew-chard]

Year 3/ Semester 1/ Mint bath model 

[muyiwaaa]

B Road Royal Hallamshire | Sheffield #SearchingformyInteractiveSkin #UrbanSkins #StudioIUS 

[muyiwaaa]

Space warp. Attractor points #para #para #parametrics #DigitalAnimal #CasualWeekend (at Information Commons (IC))

[muyiwaaa]

Mr Muscle. #orangeryliveproject #artstower #vscosheffield

[muyiwaaa]

#RochesterMusicCafé

[muyiwaaa]

#RochesterMusicCafé.

[phineasharper]

[futureproofdesigns-blog]

Steel Veils, Stone Islands and Gold Corrals

A-R

2013

[phineasharper]

Aldo Rossi vs King Kong

[superarchitects]

NON_SEQUITUR: A Neighbourhood

Anthony Morey / B.Arch / Southern California Institute of Architecture / Los Angeles, US / Advisors: Dwayne Oyler, Thom Mayne / August 2014

The Surrealist, early in the 1900’s, found themselves ready to clear the table, finding artist leisure in the process. They wanted nothing more than to create, flourish, but they understood that the tools at hand were not ready, not open to such a process, such an idea. They were limited by the current. They saw, that for the moment, the goal should not be to build, but to destroy, in order to one day rebuild. They needed to show the weakness, the choices, the ideas that were being lost, hidden in the shadows. Of course the political connections are more than plentiful, but their approach, their willingness to question, their mastery of the craft in order to know how to/ and where to experiment is the true power of the surrealist thought.

Series of Plans and Sections // Series one takes on the qualities of Plan and Section. There is an immediate knowable quality to the drawings, grasp-ability. Focusing on the tools that allow for such constant common readings to occur. Classic tools were at use, poshe, gestalt, hard lines, flattening of shapes, interior, elevation, proximity, movement. Allowing for the signifiers of plan and section to be called into question, allowing these to themselves allow for new associations, ones only possible when teased in the mind. There is no stair, elevator, steel column detail, and there shouldn’t be. Calling attention to moments, implying movement, not direction. Showing volume, but no scale. All these were understood to their fundamentals and then turned to cast doubt on themselves. Allowing for choice in the reading, unraveling.