Onrie Radovic (Australian, 1985) - Refuge (2025)
Onrie Radovic (Australian, 1985), Refuge, 2025. Acrylic on aluminium, 124 x 93 cm.
RMH
Claire Keane
Sade Olutola

Kaledo Art
No title available

if i look back, i am lost
Xuebing Du

ellievsbear
we're not kids anymore.
i don't do bad sauce passes

Origami Around

★
Alisa U Zemlji Chuda
DEAR READER

PR's Tumblrdome
wallacepolsom
Misplaced Lens Cap
Monterey Bay Aquarium

titsay
2025 on Tumblr: Trends That Defined the Year

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@mvstio
Onrie Radovic (Australian, 1985) - Refuge (2025)
Onrie Radovic (Australian, 1985), Refuge, 2025. Acrylic on aluminium, 124 x 93 cm.
Azalea flower in UVIVF. When I looked at these with my older weaker light, I didn’t see much going on. I like them now though!
pinto & appaloosa mapping
Minna Leunig
Yu-Ning Liang (Taiwanese, 1990) - Final Glimmers of the Flowers (2022)
Yuning Liang (Taiwanese, 1990), Final Glimmers of the Flower, 2022. Acrylic on canvas, 62 x 50 × 5 cm.
Masahiko Fujii, c. 1980s
Patrick Hennessy (Irish, 1915-1980), The Temple of Concord - Agrigento, Sicily. Oil on board, 8 ¼ x 12 ¼ in.
Joseph Dilnot (British, 1997) - 536AD (2024)
Joseph Dilnot (British, 1997), 536AD, 2024. Oil on linen, 40 x 30 cm.
“I love you to death” on a seat of the abandoned Versailles theater. Beirut, Lebanon. November 26, 2013
Photo by Myriam Boulos
Entire brick wall smoothed out by the ocean
Lake Thun, view to the west (W), 7/1909
January 1941. A textile mill working all night in New Bedford, Massachusetts.
Maloja, La Margneta, Piz da la Margna, view to east-southeast (ESE), 1910-1930
Mevlana Lipp — Venus (wood, velvet, acrylic colour, ink, sand, on aluminium stretcher, 2022)
Minna Sjöholm