"So much will happen", he thinks, "that I would want to tell you."

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@mwnimii
"So much will happen", he thinks, "that I would want to tell you."
name moodboard: order for "ae" | ♫ now playing: maybe it's not our fault by yerin baek
on wanting and standing it
"So We Must Meet Apart" by Gabrielle Bates and Jennifer S. Cheng // "I cannot live with You (640)" by Emily Dickinson // People We Meet on Vacation by Emily Henry // Brokeback Mountain by Annie Proulx // "I SHALL NOT WANT" by peargirl20 // "Molly Brodak" by Molly Brodak // "Famously Close" by Al Olender // "Pushing It Down and Praying" by Lizzy McAlpine // "Litany in Which Certain Things Are Crossed Out" by Richard Siken
want them so fucking bad it’s like i need water in the middle of the night bad
on wanting and standing it
"So We Must Meet Apart" by Gabrielle Bates and Jennifer S. Cheng // "I cannot live with You (640)" by Emily Dickinson // People We Meet on Vacation by Emily Henry // Brokeback Mountain by Annie Proulx // "I SHALL NOT WANT" by peargirl20 // "Molly Brodak" by Molly Brodak // "Famously Close" by Al Olender // "Pushing It Down and Praying" by Lizzy McAlpine // "Litany in Which Certain Things Are Crossed Out" by Richard Siken
on repression, shame and intimacy issues
Peter Murdoch I am so sorry for ever hating you you just had horrendous tummy problems you did not want to disclose to literally anyone
Katabasis, by R. F. Kuang
All this time they’d both been drowning, and thinking the other was gloating at them from the shore
I was saving caps of God's Own country and, I'd never thought about it before (despite having seen the film about 17 times), but the scene where Gheorghe takes the lightbulb from the ceiling fixture in the caravan and puts it in the lamp, changing the light in the room from dim and cold to flooding the room with warmth and a soft glow is such a beautiful illustration of the way he transforms Johnny's life from something cold and stark to brimming with warmth and love and comfort
And it also shows how, where Johnny sees the situation and his life in general as shite and that’s just how it is, that’s how it’ll always be, and you just have to get on with it (because this is what he’s been taught), Gheorghe comes along with an outside perspective and shows that some things can be changed. It doesn’t have to be the way it’s always been. There is a way out of the darkness. Maybe this sounds wanky, but I love little details like this and I have no idea how I never noticed it before!
“Intimacy doesn’t come naturally to man who has been raised in a household where caring is expressed through work; (…) even a gesture as innocuous as two fingertips grazing each other is a dramatic moment, practically accompanied by a silent fanfare of trumpets.” – Guy Lodge, Variety
GOD’S OWN COUNTRY (2017) dir. Francis Lee
GOD'S OWN COUNTRY 2017 | dir. Francis Lee
GOD'S OWN COUNTRY (2017) dir. Francis Lee
MATERIALISTS (2025) @qvynrand
CHRIS EVANS as John MATERIALISTS 2025 | dir. Celine Song
SEVERANCE (2022– ) S02E07: Chikhai Bardo
“There’s a whole backstory there that is just kind of alluded to, but it’s basically, the idea is that Mark came in and he was inexplicably better at refining the files than others were, at least for that first file that he worked on, which was called Allentown.” – Dan Erickson