Just posting this fanart my sister made for me, it's so lovely and i just wanted to share❤❤
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@mxflint-original
Just posting this fanart my sister made for me, it's so lovely and i just wanted to share❤❤
💬 13 🔁 214 ❤️ 675 · with few exceptions we have only seen black characters graphically get brutalized. they had closeups of louis’s body a
Needed to put these in a full screenshot because this nails it. It’s not at all the content; it’s the narrative framing. This is the fourth time in which Louis is physically maimed or tortured by his significant other (firsthand or by a mob) to the extent of black and blue, visceral on-screen gore. To add insult to injury, this is the third time that this abuse is framed as retaliatory for Louis' actions.
Most of which, if you may have forgotten, DID NOT come with a trigger warning beforehand until massive backlash.
All of which have now become retroactively justified as “provoked” by Louis emotional manipulation or protective treatment of Claudia. We reframed the drop in the Trial as an attack that Louis verbally and physically escalated by fighting back and verbally taunting Lestat after Lestat physically attacked Claudia. We framed the torture of Louis in Episode 5 of Season 2 as Louis' learning not to test Armand's patience. (Again, the framing of good vs bad or proportionate is irrelevant, I'm questioning the framing of there being a lesson to be learned at all). The cast and the characters physically attack Louis to teach him a lesson.
This finale now marks the fourth and third, respectively.
And again, it is not about framing these abusive actions as right or wrong when, generally, Louis senselessly seems to be flogged with physical violence in pursuit of a “greater lesson” constantly. No other character has to learn their lesson; they simply ARE, and they can BE. Their evils are often tightly wound into their identities and flaunted as a matter of pride. To others, evil is a character trait that makes them interesting; to Louis, it's something he has to crawl out of or die trying. Even when his evils are significantly less or more sympathetic than the larger cast. (Again, no issue with this being part of Louis' self-flagellation, but the writers and showrunners themselves seem to uncritically target him with this framing IN REALITY without making this clear)
It’s a pattern FROM THE WRITERS (not the characters) for Louis to be physically abused in the pursuit of altering his thinking or treatment of others. This appears uncritically in this text, which is shockingly absent in the source material of the books.
Louis’ pain is intrinsically linked in the narrative to “Learning a lesson”, “humbling”, and apologizing. While others in the narrative, despite their wrongdoings, do not have their victimization framed as such. Again, my issue isn't with the presence of the violence, but rather its framing as Karmic justice while other vampires of all shades of morality do not seem to be punished narratively by the other characters. Their victimhood is seen as extraneous to their morality.
Abuse towards Armand and Lestat in their pasts is framed as something that cannot be justified. Rightfully so. The narrative, in fact, spends several episodes setting this up for Gabriella’s incestuous abuse. That is not to say it's always handled kindly and with sensitivity; I have many issues with how they handled the gratuitous on-screen incest of Gabistat and the way characters seem to throw Armand's abuse in his face.
However, there's this addiction to treating Louis' abuse as a simple cause and effect in interviews that is incredibly anti-victim and makes the gratuitous violence faced by Louis read as carceral. The same way one would justify beating their own children. In fact, it's a common Jim Crow-era trope. The insistence in both fiction and reality that a Black person must be threatened or punished with physical violence like a slave or an animal to learn their lesson. It's the same reasoning used to justify overpolicing, the same reasoning used to justify families beating black children. The idea that physical violence can flip a switch in one's brain to somehow see reason.
It is particularly a Black man’s pain that is framed in this manner. That Louis could do something different to avoid being beaten, kidnapped, or threatened with murder. The double standards become very clear. And not a single character has afforded him the luxury or comfort that the physical violence inflicted on him isn't warranted. The closest we got was Lestat's retelling of the drop scene in the Trial, where he admits it was a disproportionate act of violence for which he takes grave responsibility. (Again, this season tries to undercut it with the Akasha plotline, and it brings the carousel of what I'm writing here back around.)
And again, the writers are telling you to your face that there is a lesson to be learned here. And I have to ask, why hasn't anyone else been beaten to learn a lesson? And why hasn't a single character LEARNED a lesson other than Louis and Claudia?
And again, I love Louis whump; it is not the content. It’s the narrative framing and retreading of physical abuse that staggeringly resembles racialized violence that the narrative fails to address (or intentionally acts oblivious to). For example, the lack of actual content this season about the Trial and Lestat's canonical level of involvement. It’s jarring how often it laughs at or skims over the previously central instances of domestic violence and betrayal this season. We are not expected to care about the trial, the drop, the death of Claudia, or the implications of Armand truly playing mind games with Louis since prior to the interview. Those things are glossed over because the narrative is trying to tell you that, from S3 onward, we should no longer see these events as important. Because Louis "learned his lesson". And I do not feel like the same people who wrote the first two seasons are here with us now. Either because they got anti-victim brain worms or because they have left the team along the line.
I simply cannot believe in good faith that the same people who said, and I quote, "But I want to be careful to say that Louis will never be not believable as a victim," would turn around and write this finale and walk into the After Dark with a smile on their faces and genuine light in their souls. Especially not when you turn around and pretend like this was about Louis "learning" a lesson.
And I hate the fact that the toxicity of the Maitre/Arun dynamic is now overshadowed by the narrative trying to retroactively use it to torture a Black character physically for the fifth time in fewer than 25 episodes. Never wanting to discuss your own partner's trauma in depth because you feel guilty about your own past wrongdoings is such an addictive substance. In fact, they both do this to each other constantly to endure in this relationship. Armand with Claudia's death and Louis with his past in pimping. They are forcing themselves to be together and yet alone for 77 years, unwilling to actually uncover their trauma until Daniel. They sit and stew in that resentment, while Armand has to suffer in silence about his own abuse, forced to be needled with it again and again by people he cares about when it's convenient. And yet the show had to sandwich that between a double standard of violence inflicted on him and Regina for the fifth time in the series.
Having the two of them actually grapple with that would’ve been so interesting if they hadn’t had to do the whole "he must break him to learn," thing. Louis is not an animal that needs to be trained, and I hate the fact that the show's finale and After Dark want to pretend like he is.
Imperfect victims do not need to learn a lesson from their abuse, and the idea that abuse can be karmic justice or a lesson for ANYTHING is already blowing my mind in many ways.
I finally watched TVL finale ep and right now I'm just going to say: this season could have been an email.
the strangest part of tvl for me is its deliberate ugliness. i know there's a tone change in the books but there's simply no need for the show to go this far. is it self-consciousness? mean-spiritedness? pure shock value? why are you punishing your audience for wanting something beautiful out of the "making evil beautiful" genre? you can convey different personalities in narrators without destroying the entire feeling of the show. iwtv managed it. and i don't care about vampire lore making vampire art inherently bad either; was louis' autobiographical narration not a kind of art too? and yet it was good. the dialogue could've been good and still true (probably truer!) to the characters. the songs could've been good and still told the story.
Louis realizing he's part of an Italian family now
i’m going to be really honest with you guys i think the tendency to read the absolute worst possible intentions into every action you don’t agree with is getting too automatic and it’s eating you from the inside out
How dare you say we wanna eat someone from the inside. Cannibalism is wrong
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my dead wife. interview with the vampire
Sam Claflin as Finnick Odair
The Hunger Games: Catching Fire (dir. Francis Lawrence)
requested by anonymous
can we talk about women fucking. for once could we make up stories about women fucking each other
every day i’m like i should reduce my screentime today i should take a little break from tumblr and then 5 minutes later it’s like weeellllll….. surely just one little image wouldn’t hurt……. 🤦♀️
Im glad they made up romance for stories and music but can you imagine how scary it would be to deal with all that for real
this is a certified AROMANTIC POST!!!!!!!!!!! NO yearning on my shit..... GO ON . GET
official aromantic post
Black Sails | XVII.
#he is so eager and starved for voiced validation of his importance in her life it is insane it is sick. and he's so tentative with his want#like she's a skittish cat. he doesn't want to spook her. jack interacts with the world and makes sense of it and himself by giving it words#and the one he love the most simply cannot. like its not about him its just that she doesn't work like that. it's a crucial incompatibility#but still they try to meet each other halfway. still she says we are going to be partners until they put us in the fucking ground and#it is enough for him. he'll take it and whatever she wants to give him but this particular moment to me just really#betrays how much more jack wants/needs. and i dont even think that if he ever got this perfect version of anne that speaks her innermost#thoughts and feelings to him he would even LIKE her. because it wouldn't be her. the permanent hunger is a fundamental part of their love#and why as much as they wish they could remain a developmentally arrested twinship they cannot truly be fullfilled without opening up#their two person world. im normal about this btw. if you even care#black sails#platonic lover theory
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the other problem with lestat's hateful backlash to louis in tvl and the lack of any kind of proper contrition arc for what he's done to louis and claudia is that even if the show does have him regretting what he's done and apologizing to louis again in s4 or later, after s3 it's just gonna feel like another phase in the cycle of abuse- "lestat the vulnerable becomes lestat the irritable becomes lestat the controlling". lestat was seemingly contrite in s2ep7 when he apologized to louis for dropping him, lestat was seemingly torn up in s2ep8 when he expressed heartbreak at louis hurting himself, but all of those moments are rendered meaningless (or at least only reflecting a kind of fleeting self-pity more than any real change or confrontation with his actions) since we've seen in tvl that lestat is perfectly willing to embark on a planned, multi-month darvo tour where he insults louis repeatedly and makes fun of his suicide attempt in his lyrics (bye any ounce of sincerity in the reunion scene) and bitterly nitpicks minutiae like his hair length while refusing to accept what he's done to his family...and then he and louis are on good terms again without any substantial change or growth on lestat's part. and no "he didn't really mean it, he was just lashing out bc he felt hurt and thought louis didn't love him" doesn't rationalize a multi-month darvo tour when "he felt slighted and was acting emotionally" is the crux of so many abusers' behavior. even if lestat was acting impulsively, that's not an excuse, but writing music, organizing a tour and performing those songs where he mocks his own abuse victim for speaking out requires a kind of planning and intent that makes it clear he wasn't being impulsive. it's a calculated move when you're doing it for that long and that consistently. if there had been some real emotional payoff in s3ep7 i could've said the execution was off but i could respect their commitment to exploring the psychology of an abuser in denial, but there's no payoff- it's clear they thought lestat's behavior on tour was just lestat being bitter and zany and cunty and didn't intend or expect the audience to see any weight behind it.
and with these same anti-survivor writers at the helm, even if they did attempt to show lestat apologizing to louis in s4 or beyond, the audience will have no reason to believe or trust that this apology is more sincere or reflects a more permanent change than the apology in s1ep6 or s2ep7 or his tears for claudia in s2ep8 given all of that fell by the wayside as soon as lestat felt "wronged". (and no, he wasn't wronged by louis when it came to the book, as louis isn't responsible for something that was published against his consent and it's not wrong for abuse survivors to talk about their experiences in a biography. the idea that the book is something louis had to apologize for or that the book justifies lestat mocking his own victims publicly, for months- they can't "oh lestat is a creature of impulse" their way outta that one- in itself exposes a kind of anti-survivor thinking, and we have no reason to believe this team of writers, with their unserious attempts at "comic relief" about incestuous abuse, complete disregard for louis and claudia as victims and voyeuristic, gratuitous framing of racialized black suffering think otherwise.)
claudia (back when there were some black writers with input on her writing and back when she could express herself in her own voice- not the way they depicted her in s3 as a mouthpiece for ooc antiblackness filtered exclusively though her white father's pov and written by nonblack writers) was 100% right and remains validated 80 years after her murder. the unintentional message of s3 is that louis and lestat haven't changed and lestat will always be a mercurial abuser who swings between hurting louis and performative self-serving apologies that lead to no real change, and louis will always take him back despite his cruelty. except even in s1-s2 when lestat was fully a narrative antagonist i believed he loved louis, that we were seeing the nuanced portrait of how love and abuse can exist within the same relationships and love doesn't "cancel out" abuse, but now lestat's love feels like an informed attribute that they have to bring a hallucination of paul onscreen to tell us about since it sure as hell isn't demonstrated in lestat's behavior for the vast majority of s3- the way lestat acts in the front half of the season, followed by complete lack of contrition for either what he did in nola/paris or what he did on tour, makes their reunion feel unearned, rushed and insincere. and beyond the antiblackness and anti-survivor rhetoric, the writers have just gotten lazy- loustat is scripted this season as if the writers thought could take for granted that the entire audience is already invested in them, that everyone already wants them back together, and they don't need to put in the work to get viewers onboard with their relationship and get people invested again. and to be fair, this isn't a problem unique to loustat this season- all romantic relationships in tvl get the "tell, not show" treatment and all their important development beats take place offscreen, which makes me think the s1-s2 writers they fired were pulling the weight of most of the romance writing (just like the black writers they fired were clearly pulling the weight of louis and claudia being framed with any compassion whatsoever).
the only thing remotely compelling thing left about loustat's romance is sam and jacob's chemistry, and it's telling that all moments of genuine intimacy and desire between them this season were unscripted and added by the actors (the comforting hug on the sidewalk, louis savoring lestat's blood in the beer etc). the problem isn't that loustat is a bad or "toxic" romance, the problem is that loustat is a badly-written and unearned romance. and as of the end of tvl the actors are its only saving grace.
Imagine Luke Arnold as Long John Silver in Treasure Island
(With reference to the 1952 film adaptation of Treasure Island.)
I love that moment: "Give me a hand up!"