Molly

Ig: mxllya

[lluviagf]

https://www.instagram.com/p/B-hlpN7CFBF/?igshid=izt5kqomyu03

[magnesiumflare]

I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to to the person holding it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead - you first,” “I like your hat.”

- Danusha Laméris, “Small Kindnesses" 

[wwdfw6d7ndxji828jm]

[drxgonfly]

River Gold (by David Martin Castan)

[a-state-of-bliss]

Diana Ross by Ruven Afanador (1997)

[l2g-deactivated20240513]

only pierre boncompain understands the vibe i am going for while thinking about my future home!

[l2g-deactivated20240513]

like sir this is exactly it❣️🍊🖼🌺🍅🏺

[womblegrinch]

Wang Yidong (b.1955) - Morning mist in Mengshan

Oil on canvas. 47.25 x 47.25 inches, 120 x 120 cm.

Estimate: HK$6,000,000-8,000,000.

Sold Sotheby’s, Hong Kong, 2 April 2012 for HK$11,860,000 incl B.P.

[space-pics]

IC 2087 in the dark clouds of Barnard 22

[redrola]

[kissedbythevoid]

https://www.instagram.com/p/7NVyZYNt1Z/

[dasfinanzamt-deactivated2026030]

Jin, Jiyan, Azadî | Women, Life, Freedom 
The Kurdish Female Freedom Fighters by Sonja Hamad

[nightofthecreeps]

OSCAR ISAAC in INSIDE LLEWYN DAVIS 2013 | dir. Ethan Coen, Joel Coen

[nevver]

The fear of being afraid, Naudline Pierre

[magnesiumflare]

I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to to the person holding it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead - you first,” “I like your hat.”

- Danusha Laméris, “Small Kindnesses" 

[ortut]

Mags Harries - The Fossil, 1982 The imprint of the artist’s hand was cast in stainless steel and blended into a standard subway pole that was installed in MBTA Redline subway car #1506. It rode with this car for 20 years to be encountered by the unsuspecting hands of subway passengers.

[gentlemansessentials]

The Sun (The Tate Gallery 2003)

Gentleman’s Essentials

[yellowsunbluedove]

its a piece by artist Olafur Eliasson!

[misswallflower]

‘Portrait Of A Quiet Girl’ by Chrissie White (collaboration with Elvia Carreon)

“Hours go past so slowly and a curious behavior exposes itself in the face of solitude. The true nature of our being emerges when absorbed in the comfort of familiarity and home. It is within this space, that we feel compelled to play.”

“Others might see this women as being mentally unstable,” said White of the “slightly agoraphobic” character she created with Carreon. “But she enjoys her solitude and finds comfort in her home where she can play without fear of judgement.”