Art tutorials by Disney artists Griz and Norm Lemay
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@myartwrokdancingfanfics
Art tutorials by Disney artists Griz and Norm Lemay
More Ref found!
Dragon Age: Inktober!
I did the best I could at coming up with some prompts for each game, sorry if it’s not the most imaginative but here it is!
Feel free to combine the prompts for each game if you want to do a more general Dragon Age Inktober rather than game specific
Have fun my dudes omg
It’s almost that time of year again folks!
When I made this last year, I was a bit late in timing so a lot of people couldn’t prepare. However, this year hopefully this can be spread around earlier so people have time to plan in advance!
Have fun, guys!
I made another version combining themes for myself to use, but if you guys want to use it too, here it is!
Looking for Something? (Mobile)
Anatomy:
Arms
Breasts
Body Types
Feet
Female
Hands
Heads -Ears -Expressions -Eyes -Facial -Hair -Mouths and Lips -Noses -Tears
Humans
Legs
Male
Muscles
Pelvis
Proportions
Shoulders
Torso
Animals:
Anatomy
Antlers
Beaks
Behaviour
Ears
Facial
Feathers
Fur
Hooves
Horns
Insects
Legs
Paws
Talons
Teeth
Wings
Backgrounds:
Cityscape
Indoors
Organic
Perspective
Quick BGs
Simplistic
Brushes:
Photoshop
Paint tool SAI
Design:
Buildings
Character Design
Clothing
Environments
Folds
Heights
Maps
Names
Sketching
Skin Tones
Drawing and Colouring:
Canvas Size
Colour Palettes
Colour Theory
Comics
Composition
Lighting
Lineart
Painting
Quick Tricks
Shading
Traditional
Fantasy:
Armor
Archery
Horns
Mythical Animals
Mythology
Power Ups
Weapons
Wings
For the Artist:
Copyright
File Types
Exercises
Portfolio
Reminders
Tablets
Tips and Advice
Tools
Languages:
ASL
Ancient
French
German
Grammar
Italian
Japanese
Korean
Morse
Spanish
Misc:
Animation
Commissions
Cosplay
Crafts
Life
Master Lists
Psychological
Resources
School
Writing
Nature:
Blood
Clouds
Fire
Flowers
Grass
Landscapes
Lightning
Metal
Plants
Rocks
Space
Trees
Water
Wood
Poses:
Angles
Animals
Draw Your X
Humans
Movement
Multiple Persons
Programs:
Clip Studio Paint
Krita
Paint Tool SAI
Photoshop
Etc
World Building:
Buildings
Culture
History
Historical Clothing
Video
Links
African-American Hair Styles in Depth Row 1 & 2 Row 3, 4, & 6 Row 5
Non-Boring Environments that need Fantasy Representation
Tropical Rainforests
Scrubland/Dry Forests. For extra effect make them the sort that burn very often; some native plants never germinate until after a fire, and some animals not only rely on fire to smoke out prey, but may even start them themselves.
Savannas/Tropical Grasslands
Temperate Rainforests. I almost didn’t include this bc New Zealand is covered in them, and that’s where they filmed Lord of the Rings. But tbh, no one really knows about them, so it belongs here
Taiga Forests
Barren Tundra, perfect for some extreme seasonal dichotomy
Polar Ice Sheets
Desert-Grasslands (arguably the same as Scrubland but Australia’s good at adding its own twists)
Barren Desert
If you like Cacti, look at American Deserts like the Sonoran
Salt Flats
Soda Lakes and Alkaline Lakes
Madagascar’s Karst Limestone Formations
Madagascar’s Spiny Forests
Madagascar’s Baobab Forests
Madagascar’s Subhumid Forests (Madagascar is cool as hell ok)
Danxia Landforms
Badlands/Mountainous Deserts
Steppes and Highland Prairies
Flood Basalts
Newly-Formed Islands, still rife with Volcanic activity
Now for Underwater Environments, sure Coral Reefs are cool.
But there are SO MANY other kinds of environments for aquatic settings, it’s unbelievable:
Seaside Cliffs
Archipelagos. Not just Tropical Island chains like Polynesia (Moana anyone?) but also Coldwater Archipelagos like the Aleutians.
Tidal Flats
Bayous/Cypress Swamps
Tropical River Basins, AKA Seasonally Flooded Rainforests
Mangrove Swamps/Deltas/Beaches
Kelp Forests
The Open Ocean
Coastal Seabeds
Rocky Beaches with Tidepools
And there are a LOT more I could name but this post is already obscenely long as is, if you’d like to toss in your own go right ahead, but my point is if you limit yourself to European Deciduous Forests you’re a wimp.
Myths, Creatures, and Folklore
Want to create a religion for your fictional world? Here are some references and resources!
General:
General Folklore
Various Folktales
Heroes
Weather Folklore
Trees in Mythology
Animals in Mythology
Birds in Mythology
Flowers in Mythology
Fruit in Mythology
Plants in Mythology
Folktales from Around the World
Africa:
Egyptian Mythology
African Mythology
More African Mythology
Egyptian Gods and Goddesses
The Gods of Africa
Even More African Mythology
West African Mythology
All About African Mythology
African Mythical Creatures
Gods and Goddesses
The Americas:
Aztec Mythology
Haitian Mythology
Inca Mythology
Maya Mythology
Native American Mythology
More Inca Mythology
More Native American Mythology
South American Mythical Creatures
North American Mythical Creatures
Aztec Gods and Goddesses
Asia:
Chinese Mythology
Hindu Mythology
Japanese Mythology
Korean Mythology
More Japanese Mythology
Chinese and Japanese Mythical Creatures
Indian Mythical Creatures
Chinese Gods and Goddesses
Hindu Gods and Goddesses
Korean Gods and Goddesses
Europe:
Basque Mythology
Celtic Mythology
Etruscan Mythology
Greek Mythology
Latvian Mythology
Norse Mythology
Roman Mythology
Arthurian Legends
Bestiary
Celtic Gods and Goddesses
Gods and Goddesses of the Celtic Lands
Finnish Mythology
Celtic Mythical Creatures
Gods and Goddesses
Middle East:
Islamic Mythology
Judaic Mythology
Mesopotamian Mythology
Persian Mythology
Middle Eastern Mythical Creatures
Oceania:
Aboriginal Mythology
Polynesian Mythology
More Polynesian Mythology
Mythology of the Polynesian Islands
Melanesian Mythology
Massive Polynesian Mythology Post
Maori Mythical Creatures
Hawaiian Gods and Goddesses
Hawaiian Goddesses
Gods and Goddesses
Creating a Fantasy Religion:
Creating Part 1
Creating Part 2
Creating Part 3
Creating Part 4
Fantasy Religion Design Guide
Using Religion in Fantasy
Religion in Fantasy
Creating Fantasy Worlds
Beliefs in Fantasy
Some superstitions:
Read More
Here, I have some more:
Africa:
Ancient Egypt: the Mythology
Egyptian Gods
Legendary Monsters of Africa
The Americas:
Aztec Mythology
Incan Mythology
Haitian Mythology
Mayan Mythology
Asia:
Chinese Mythology
Japanese Mythology
Korean Mythology
Hindu Mythology
Japanese Folklore and Mythology
Chinese Mythology
Europe:
Encyclopedia of Greek Mythology
The Olympians
Women in Greek Myths
Greek Mythology
More Greek Mythology
Even More Greek Mythology
Greek/Roman Mythology
Germanic Myths, Legends, and Sagas
Norse Mythology
The Muse
Creepy Irish Creatures
Irish Folklore
Norse Mythology
Arthurian Mythology
Celtic Mythology
Latvian Mythology
Norse Gods, Goddesses, and More
A Celtic Pantheon
Welsh Gods and Goddesses
Celtic Deities
Werewolf Legends from Germany
Welsh Deities
Celtic Gods and Goddesses
Oceanic:
Australian Mythology
Polynesian Mythology
General:
Ancient Myth and Magic
Massive List of Mythological Creatures
Mythical Creatures
Hairy Hominids
Cryptozoology
Mysterious Beings, Monsters, and Creatures
Amulets and Good Luck Charms A - Z
Modern Monsters
Myths and Legends
Folklore and Mythology (2)
More Links
Folklore, Myth, and Legend
Names of Gods and Goddesses
Folklore Mythology
Reblogging because wow. What a resource.
Yesssss!!! This is literally exactly what I was looking for earlier!!
Types of Sleeves Infographic from Enerie.
*3 images because Tumblr still cannot seem to host clear and sharp images of vertically long images.
Writers continue to reblog these infographics for their useful terminology. If you’ve missed any here they are:
Know Your Bras Infographic
Know Your Collars Infographic
Know Your Hair Buns Infographic
History of Hairstyles Part 1 Infographic
History of Hairstyles Part 2 Infographic
Fashion Pattern Vocabulary Part 1 Infographic
Fashion Pattern Vocabulary Part 2 Infographic
Know Your Sunglasses Infographic
Know Your Shoes Part 1 Infographic. Lobster Claws anyone?
Know Your Shoes Part 2 Infographic
Know Your Necklines Infographic from Paper Blog
Sleeves and Necklines Infographic
Know Your Hats Infographic
Know Your Collars and Cuffs Infographic
Know Your Necklines Infographic
Know Your Skirts Infographic
Know Your Nail Shapes and What’s Popular on Instagram Infographics
Know Your Eye Liners Infographic
Know Your Wedding Dresses Infographic
History of Swimwear Infographic
Great Reference , a good hand how to draw is always needed ^_^ But, the thing is I MUST draw it for real :/
weibo.com
For all the photographers out there.
casually saves
shading colour tips
hey yall its me the Art Mom™ to help you shade pretty
rule 1: DO NOT SHADE WITH BLACK. EVER. IT NEVER LOOKS GOOD.
red- shade with a slightly darker shade of purple
orange- slightly darker and more saturated shade of red
yellow- i think like..a peach could work but make it a really light peach
green- shade with darker and less saturated shade of blue or teal
blue- shade with purple
purple- a shade thats darker than the purple you’re using and maybe a little pink (MAYBE blue)
pink- darker shade of red
white- a really light lavender or blue..or i guess any really light colour??
black- okay listen dont use pure black to colour anything unless you want to leave it with flat colours because you cant really shade black lol
grey- a slightly darker shade of purple or blue (less saturated)
brown- slightly darker and less saturated shade of purple or red
aaaaand thats all i got lol. let me know if there is anything i should add to this list!!
If you’re a visual learner…
I made some Balls of Colour to go with Art Mom™’s post:
Kimono drawing guide ½, by Kaoruko Maya (tumblr, pixiv, site). Booklet is available in pdf for ¥ 900 here.
Here you can see:
female kimono and yukata (note how the juban underwear peeks when in kimono + how belts differ)
male yukata and kimono (note how the juban underwear peeks when in kimono)
dressing up: male (kimono is not closed yet) and female (kimono closed with datejime belt and ready to put on obi)
differences between female and male kimono once dressed (note how the collars and belts set)
common drawing mistakes (compare with previous picture: shoulders lines are too defined, there is a double hem, collars are narrow, belt is not at the right place etc)
women back collar (the lower the sexier) and men back collar (close to the nape)
back and sleeves differences between men and women
collars and sleeves and view of how kimono drapes around body
Furisode back (long sleeves kimono) and formal furisode obi knot example
http://weavesilk.com/
A summary of how people die (and don't) in swordfights
This is a really good article about how quickly people actually die from cuts and punctures inflicted by swords and knives. However, it’s really really long and I figured that since I was summarizing for my own benefit I’d share it for anyone else who is writing fiction that involves hacking and slashing your villain(s) to death. If you want the nitty gritty of the hows and whys of this, you can find it at the original source.
…even in the case of mortal wounds, pain may not reach levels of magnitude sufficient to incapacitate a determined swordsman.
Causes of death from stabs and cuts:
massive bleeding (exsanguination) - most common
air in the bloodstream (air embolism)
suffocation (asphyxia)
air in the chest cavity (pneumothorax)
infection
Stabbing vs cutting:
Stabbing someone actually takes very little force if you don’t hit bone or hard cartilage.
The most important factor in the ease of stabbing is the velocity of the blade at impact with the skin, followed by the sharpness of the blade.
Stabbing wounds tend to close after the weapon is withdrawn.
Stabbing wounds to muscles are not typically very damaging. Damage increases with the width of the blade.
Cutting wounds are typically deepest at the site of initial impact and get shallower as force is transferred from the initial swing to pushing and pressing.
Cutting wounds have a huge number of factors that dictate how deep they are and how easily they damage someone: skill, radial velocity, mass of the blade, and the size of the initial impact.
Cutting wounds along the grain of musculature are not typically very damaging but cutting wounds across the grain can incapacitate.
Arteries vs veins:
Severed veins have almost zero blood pressure and sometimes even negative pressure. They do not spurt but major veins can suck air in causing an air embolism.
Cutting or puncturing a vein is usually not fatal.
Severed arteries have high blood pressure. The larger arteries do spurt and can often cause death due to exsanguination.
Body parts as targets:
Severing a jugular vein in the neck causes an air embolism and will make the victim collapse after one or two gasps for air.
Severing a carotid artery in the neck cuts off the blood supply to the brain but the victim may be conscious for up to thirty seconds.
Stabbing or cutting the neck also causes the victim to aspirate blood that causes asphyxiation and death.
Severing a major abdominal artery or vein would cause immediate collapse, but this takes a fairly heavy blade and a significant amount of effort because they are situated near the spine.
Abdominal wounds that only impact the organs can cause death but they do not immediately incapacitate.
Severing an artery in the interior of the upper arm causes exsanguination and death but does not immediately incapacitate.
Severing an artery in the palm side of the forearm causes exsanguination and death but does not immediately incapacitate.
Severing the femoral artery at a point just above and behind the knee is the best location. Higher up the leg it is too well protected to easily hit. This disables and will eventually kill the victim but does not immediately incapacitate.
Cutting across the muscles of the forearm can immediately end the opponent’s ability to hold their weapon.
Cutting across the palm side of the wrist causes immediate loss of ability to hold a weapon.
Stab wounds to the arm do not significantly impact the ability to wield a weapon or use it.
Cuts and stab wounds to the front and back of the legs generally do not do enough muscle damage to cause total loss of use of that leg.
Bone anywhere in the body can bend or otherwise disfigure a blade.
The brain can be stabbed fairly easily through the eyes, the temples, and the sinuses.
Stabs to the brain are more often not incapacitating.
The lungs as targets:
Slicing into the lung stops that lung from functioning, but the other lung continues to function normally. This also requires either luck to get between the ribs or a great deal of force to penetrate the ribs.
Stabbing the lung stops that lung from functioning, but the other lung continues to function normally. It is significantly easier to stab between ribs than to slice.
It is possible to stab the victim from the side and pass through both lungs with an adequate length blade. It is very unlikely that this will happen with a slicing hit.
“Death caused solely by pneumothorax is generally a slow process, occurring as much as several hours after the wound is inflicted.”
Lung punctures also typically involve the lung filling with blood, but this is a slow process.
The heart as a target:
I’m just going to quote this paragraph outright with a few omissions and formatting changes for clarity because it’s chock-full of good info:
…[stabbing] wounds to the heart the location, depth of penetration, blade width, and the presence or absence of cutting edges are important factors influencing a wounded duelist’s ability to continue a combat.
Large cuts that transect the heart may be expected to result in swift incapacitation…
…stab wounds, similar to those that might be inflicted by a thrust with a sword with a narrow, pointed blade may leave a mortally wounded victim capable of surprisingly athletic endeavors.
Essentially, the heart can temporarily seal itself well enough to keep pressure up for a little while if it’s a simple stab. The arteries around the heart, while they are smaller and harder to hit, actually cause incapacitation much more quickly.
Reblogging…for…reasons.
How to write a kiss
Rebloggable version, as requested by davrosbro. :)
Oooh! Yes! I love kisses. Kisses are where it all starts ;).
Okay, first, remember that kiss is much, much more than just lips. It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats, breath, voice- and most importantly, a kiss is emotions. A kiss without emotion is just wet mushy lips stuck together. Ew. Gross. The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.
Okay so:
lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other. They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy). If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?). Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft.
tongue- Tongues are always wet, and always warm. They’re very versatile. They can trace over lips, teeth, or another tongue. They can be smooth and graceful or teasing and flicking. When tongues are involved, there is drool. It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P
teeth- teeth can clack together awkwardly, or teeth can bite down sensually. A person biting their own lip is cute, a person biting another’s lips is sexy. A person biting gently is sensual, a person biting roughly is sexual.
eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure. Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters. Have them do whatever you like, but don’t leave them out- give them at least a mention!
faces- Faces are what the lips are attached to. Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax. Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats. Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual. And a kiss on the lips can be all of those! <3
hands- Hands are super-important. In order to describe a kiss, usually you want to also describe the hands. Where are they? Does one character have on on the back of the other’s head or back, holding them close? Are they on someone’s shoulders pulling them near, or pushing them away? Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.
noses- Noses are annoying. They easily get in the way, especially for first kisses! People have to tilt their head to one side or the other, and if they don’t, noses bump. I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.
bodies- bodies are either close together, or far away. Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them. Bodies are warm or hot, they are calm or nervous, relaxed or tense. Body language says a lot. Is your character pulling away, or moving closer?
heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do! A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy. Hearts can glow, cower, or shatter. When you really want to drive the emotions of a character home, mention the heart.
breath- To me, the most consuming part of a kiss is the breath. The air that someone else has just breathed going deep into your lungs is very intimate. Lips and tongues don’t have a taste, but breath does. Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath. Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening. It is something that is very present and should not be left out. A lot of writers leave breath out. And it’s so important; it’s the most intimate part of a kiss. Someone else is breathing into your lungs, and it’s either heaven or it’s hell.
voice- Voice conveys much, even without words. A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh. Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not.
emotion- Emotion is the most important- and the thing you try not to say. You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”. If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly. If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder. If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open. Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.
Wow, that was a lot! Gosh I hope it wasn’t too much! Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make. Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss! If you want a long kiss, you need long sentences that make the reader linger.
So maybe to start off, pick three things on the list to describe in your first kiss. Don’t try to do it all- that would be too much for even the most epic kiss. Just pick what’s most important to this particular scene, to these particular characters, and describe those parts along with the lips, and you’ve got yourself an awesome, emotional kiss. <3
I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!
(save the images to zoom in on the pics)