Kevin Michael O’Connell - Inundation, 2014-2017
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let's talk about Bridgerton tea, my ask is open
d e v o n
KIROKAZE
The Stonewall Inn

if i look back, i am lost
Cosimo Galluzzi
🩵 avery cochrane 🩵

Game Changer & Make Some Noise
One Nice Bug Per Day

Product Placement
cherry valley forever
Keni
macklin celebrini has autism
tumblr dot com
noise dept.

shark vs the universe
Sweet Seals For You, Always
art blog(derogatory)
seen from Türkiye
seen from Venezuela
seen from United States

seen from United States

seen from Indonesia

seen from Australia

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Türkiye

seen from Germany
seen from Bangladesh
seen from Germany
seen from United States
seen from South Africa

seen from Hungary

seen from United States
seen from United States
@mybrokentoys
Kevin Michael O’Connell - Inundation, 2014-2017
Jake Wood-Evans - Lady Doyle, after Sir Thomas Lawrence, 2018, oil on linen, 220 x 140 cm, Framed : 224.5 x 145cm, Unit London
Not the girl I knew, Helena Perez Garcia
우리 함께했던 그 더운 여름 날들… 돌아가고싶다 The warm summer days we spent together… I want to go back
More Poppies
"Can you see me? All of me? Probably not. No one ever really has."
Jeffrey Eugenides
Slow Motion: Camera Flash Bulb Shot at 1052 FPS
that’s the most beautiful thing i’ve ever seen
This is new most favorite gif omg.
Let them say what they will
'cause they will anyhow.
let’s burn
The crows that live in Tokyo use clothes hangers to make nests. In such a large city, there are few trees, so the natural materials that crows need to make their nests are scarce. As a result, the crows occasionally take hangers from the people who live in apartments nearby, and carefully assemble them into nests. The completed nests almost look like works of art based on the theme of recycling.
Tumblr Artist
Kevin Champeny | on Tumblr (USA) - What Remains. 35,000+ hand cast urethane flowers, 5’x4’x1”
Kevin Champeny is a New York based artist. He creates a style of work that blurred the lines between photography, painting and sculpting. He choses mosaics because of the tension he could create between the sculpted and cast pixels and the overall image they created. The hope was to create a conversation for the viewer, a conversation about the relationship, good or bad, subject verses theme, and so on. Kevin wants people to talk about what these pieces mean to them, how their own experiences make sense of the choices he made when creating the work.
[more Kevin Champeny]