Sam Neill has sadly passed away at the age of 78.
KIROKAZE
let's talk about Bridgerton tea, my ask is open
EXPECTATIONS
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will byers stan first human second
Aqua Utopia|海の底で記憶を紡ぐ
Cosmic Funnies
Stranger Things
Claire Keane

JVL

Kiana Khansmith
d e v o n

izzy's playlists!
PUT YOUR BEARD IN MY MOUTH

Andulka
Today's Document
wallacepolsom

⁂
almost home
I'd rather be in outer space 🛸
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@myladyofmercy
Sam Neill has sadly passed away at the age of 78.
JURASSIC PARK (1993) Dir. Steven Spielberg "Just think of it as... kind of a big cow."
Rest in peace to this legend
gonna be honest i don’t know how many more ‘enter the 6 digit code we sent to your phone’s i got left in me
okay. breathe. listen to my voice. can you tell me five things in this room you can fuck?
okay great. now list me four things in this room you can kill.
beautiful. there you go. okay. now: tell me three things you can impose unjust taxes on.
almost done. can you list two things you could shove in a pipe and smoke?
last one: one thing you could use as a makeshift weapon?
why are you still crying
2.04 "The Red Dragon and The Gold" 3.01 "Salt and Sea, Fire and Blood"
SNL: CONGRATS, CONNOR!
Dec. 2025: Feeling thankful for the opportunity to perform and have his talent recognized through Heated Rivalry
vs.
July 2026, seven months later: Nominated for his first Emmy for his SNL appearance which included a skit of his own character he created.
I genuinely appreciate how obsession doesn't try to frame bear as morally grey but just fully leans into how deplorable he is. a lesser movie would have tried to give him redeeming moments along the way but no, at every single crossroads bear makes the wrong choice. when the customer service rep asks him if he wants to cancel his wish, he says no, and asks to alter it. when nikki, the real one, begs him to kill her, he asks her "if it would be so bad to love him", and right at the end, backs out of killing himself and tries to throw the pills up. he is the villain, not another victim, not a confused, cowardly boy, the villain.
Just saw the interview where Curry Barker explained that it's totally possible to get a normal wish from the One Wish Willow, and I love the way they did that so much. The reason Obsession happened isn't because it's trying to twist Bear's desires into something evil. It's not even because he phrased his want wrong. Obsession happened because Bear got his hands on a magic item that could do anything in existence, and chose to force someone to fall in love with him, which is an inherently evil thing to do.
there’s something so gutwrenching about the fact that the female characters in obsession have real dreams and wishes but never get the chance to see them realized, while both male characters waste their wishes on short-term selfish satisfaction. they were complex, free-spirited young women who just wanted to create art, and they were destroyed by a man determined to confine them to his superficial perception of them. nikki wanted to be a writer, sarah wanted to be a tattoo artist and now neither of them will get to be anything at all
One thing about Obsession (2026) that I enjoyed was that it almost asks you to feel empathy for the entity possessing Nikki as well as the real one. Like, obviously the things she's doing are horrific and fucked up, but I think the scene where Bear is asking her to "just be Nikki!" and she eventually just desperatly screams "I can't be Nikki!" does a really good job of showcasing the entity's inner feelings. She's been created with the sole purpose of loving this guy more than anyone else but no matter how perfect it is or how much he claims to love her, its not her that he loves, its Nikki. And any time she stops pretending to be Nikki, he reacts (albeit rightfully) with disgust and horror. She can't be Nikki because Nikki would never love Bear, and so Bear will never love her.
ZENDAYA Both looks from The Odyssey premiere (6 June 2026)
#the duality of man
OBSESSION + Nikki in shadow
OBSESSION (2026) dir. Curry Barker
Inde Navarette as Nikki Obsession (2026)
Obsession (2026) dir. Curry Barker