“Time does not bring relief; you all have lied” - Edna St. Vincent Millay
(transcript under the cut)
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cherry valley forever

Discoholic 🪩
d e v o n
"I'm Dorothy Gale from Kansas"

bliss lane
let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her
Sade Olutola
Game of Thrones Daily
ojovivo
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EXPECTATIONS
Monterey Bay Aquarium

if i look back, i am lost
taylor price
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One Nice Bug Per Day
★

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@mynameisyouqqq
“Time does not bring relief; you all have lied” - Edna St. Vincent Millay
(transcript under the cut)
Keep reading
Achaean sadman: OUR AGE OF BRONZE IS COLLAPSING
My brother in Bronze, you committed piratical raids against Egypt and city states in Anatolia and the Levant
They told you that Lilith was banished from the Garden of Eden. But they lied.
Lilith is the most controversial of all Jewish figures — and for good reason.
For six years, Jewitches has held her as a no-go topic due to the death threats and bigotry that resulted upon speaking up…but no longer.
Read the full article here.
this might be the article that was supposed to be linked
Happy Jewish American Heritage Month! ✡︎ 🪬 I made one of these a few years ago, and it was well loved, and I felt it was a good time to make another. In the past year or so I’ve watched the rapid decline of the success of openly Jewish stories and authors in the publishing world. And I understand that it’s because of the rise of Zionism, which has made people (unfortunately) more cautious and more openly hateful towards Jews, and has made Judaism less “trendy” in the market. and as an anti-Zionist Jew myself, I know it makes it all the more important to loudly love Jewish stories and voices, especially as Zionism relies so heavily on antisemitism. To create safe and loving spaces for Jews IS to combat Zionism. So here are some books by (anti-Zionist or non-Zionist) Jewish authors to loudly and proudly love this month and always. things to note: 1. Despite it being Jewish AMERICAN Heritage Month, not all of these authors are American. As a Jewish American living in the UK and seeing the treatment of Jews on both sides the pond, I’ve decided to include authors regardless of location. 2. This is NOT a complete list. I tried to prioritize books that I’ve read or come highly recommended and are on my TBR. I read primarily SFF and horror, so those genres are more represented here. There are also some authors who have to be cautious with stating their opinions publicly for personal safety reasons who I have left off here. Rest assured, I will never knowingly promote a Zionist author on my page. That being said, please leave more recommendations in the comments!!!! Or make your own post and share the love! 3. Not all of the authors have explicitly called themselves “anti-Zionist” but have at least expressed sentiments that make their stance against Zionist ideology clear and may consider themselves non-Zionist or otherwise. 4. If the author had multiple books, I chose their most Jewish one!! all of the books on the first page are explicitly Jewish fantasy, and much of the books throughout are Jewish as well.
Books listed: Thistlefoot by GennaRose Nethercott (adult Jewish magical realism) The Maiden and Her Monster by Maddie Martinez (adult Jewish fantasy) The Wolf and the Woodsman by Ava Reid (adult Jewish fantasy) From Dust, a Flame by Rebecca Podos (YA Jewish contemporary fantasy) A Dark and Drowning Tide by Allison Saft (adult Jewish fantasy) Tale of the Flying Forest by R.M. Romero (MG Jewish fantasy)
The Cove by Claire Rose (YA Jewish horror) Sargassa by Sophie Burnham (trilogy, adult SFF) The White North Has Thy Bones by Dorian Ravenscroft (adult historical horror) When The Angels Left the Old Country by Sacha Lamb (YA historical fantasy) The Stars Undying by Emery Robin (duology, adult scifi) These Violent Delights by Micah Nemerever (adult Jewish thriller)
The Phoenix Bride by Natasha Siegel (adult Jewish historical romance) Sorrowland by Rivers Solomon (adult SFF) The Familiar by Leigh Bardugo (adult Jewish fantasy) The Four Profound Weaves by R.B. Lemberg (adult fantasy) The Seep by Chana Porter (adult sci-fi/dystopian) A Long Time Dead by Samara Breger (adult historical)
Funeral Song by Carly Racklin (adult horror) The First Bright Thing by J.R. Dawson (adult Jewish hist. fantasy) The Mermaid the Witch and the Sea by Maggie Tokuda-Hall (duology, YA fantasy) The City Beautiful by Aden Polydoros (YA Jewish horror) Higher by Roz Alexander (adult Jewish romance) A Memory Called Empire by Arkady Martine (duology, adult SFF)
A Half-Built Garden by Ruthanna Emyrs (adult Jewish sci-fi) Fagin the Thief by Allison Epstein (adult Jewish historical) Rules for Ghosting by Shelly Jay Shore (adult Jewish romance) Burning Girls and other stories by Veronica Schanoes (short story collection) Here Where We Live is Our Country by Molly Crabapple (Jewish history) For Times Such As These by Rabbi Ariana Katz and Rabbi Jessica Rosenberg (Jewish nonfic)
how manual wheelchair users move (explainer for non-users)
frequently when i’m out and about with someone walking, they can’t anticipate what path i will take and therefore they’re in my way pretty frequently. this is fine! i can politely ask them to step to the side. but it makes me think about how little non-wheelchair users understand the way wheelchair users move. as someone who used to walk everywhere, it was an adjustment period for me to figure out how to navigate the world in a chair. here are some things that didn’t occur to me so that you don’t cut off your friend right as they’re building momentum to go up a ramp 😆
for context, i use an active manual chair. the world is very different in a power chair. even among active manual chair users, there is a huge diversity in physicality and strategies for getting around. this is a general guide that i think will apply to most manual wheelchair users. i’m starting super basic and getting more complicated as i go.
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1. manual wheelchairs are a momentum game. it is very easy to maintain speed and direction. but speeding up, slowing down, or turning, is hard. one thing this affects is if we’re on a wavy sidewalk or other twisty-turny walkway, that is a pain in the ass and i am taking as straight a path as i can.
2. wheelchair users also have to pay attention to the slope and condition of the pavement, so our path somewhere will be different than yours, even if we’re taking the same route to the same place. for example, i usually have to go down slopes straight, not diagonally, to avoid tipping over sideways. one area this affects is crosswalks. many intersections have one curb cut for both roads you could cross, which means i will go down curb cuts to a crosswalk as if i am aiming for the middle of the intersection.
your path in orange, mine in blue. to you it seems indirect, but to me it’s the path of least resistance.
i also will be building speed in the second half of the crosswalk. this is a much easier way to tackle a ramp. if i approach with momentum, i won’t have to drag myself up the slope once i get to it.
3. building momentum and maintaining it is only half of the job. the other half is stopping. manual wheelchairs cannot stop on a dime if they’re moving with any kind of speed. if i tried to stop immediately when going downhill, i would fly out of the chair. so don’t walk right into the path of a wheelchair in motion and then stop! i will have to turn to the side very quickly and hope i don’t tip. i can’t tell you how often parents pushing strollers will stop their stroller directly in my path and then get offended when i am alarmed and turn sharply to avoid hitting their child. from their perspective, i was being careless and going “too fast.” in reality, normal walking speed takes a few feet to slow down from and stop.
4. in terms of slope. see this street in san francisco?
i can’t go down this street, it’s way too steep. i would give myself friction burns on my palms trying to control my speed. if i was in a situation where there was no avoiding this street, like in an emergency, i would be breaking my straight-slope rule and zig-zagging in the middle of the road.
this would require several zig-zags back and forth, more than the four that i drew. i also could not go up this road other than with this method. up or down, i risk tipping over sideways if i’m not careful.
4. in a similar vein, consider terrain. slopes with grass or carpet take huge amounts of energy to get up. this grassy hill isn’t insurmountable, but it would take me like thirty minutes to get up there. honestly i would probably go backwards, because it’s easier to pull yourself up a slope than push yourself.
other types of terrain can be completely immobilizing, though. this decorative gravel pathway is beautiful, and inaccessible to me. my casters (front wheels) simply will not go through that.
5. in terms of walkways and obstacles. if there’s a deep gap in the pavement lined up the way i’m going, and it’s, say, an inch wide, that is an obstacle for me. my casters are one inch wide, and my back wheels are an inch and a half. i’ll get stuck in it like a train on a track.
i have to straddle this, even if it means being too close to the middle of the sidewalk and preventing us from walking side by side.
similarly, if a crack is greater than an inch high, i’m gonna wheelie over it. at two inches, i have to. a wheelie may require a change in speed, either faster or slower depending on the person.
i have 4 inch casters, so a lip as little as 2 inches will stop me in my tracks. a lip as little as one inch, hit with any speed, can knock my casters out of square. casters can get knocked out of alignment pretty easily depending on the chair. i’d rather not have to pull out an allen wrench and a level, so i’m gonna wheelie.
this happened when i hit about a 1.5” lip on a pavement crack when i was going downhill at maybe 3mph.
6. putting it all together. see how diagonal this crack is?
this is another situation where i have to go straight relative to the slope. because that crack is wide, it will probably also require a wheelie. if i tried to approach that straight relative to the sidewalk, my left caster would get up the slope, i’d wheelie, then my right caster would land in the crack. i have to go this way.
(also lol at the trash can blocking the curb cut)
these are just a few things to keep in mind when walking about with a wheelchair user! ofc the best strategy always is just to listen when someone asks you to move out of their way 😆 but i think being able to anticipate movement a little better will help it seem less random. feel free to ask any questions!
Thinking about Fahrenheit 451 because "There Will Come Soft Rains" Day is making me think about Bradbury. And I think what's frustrating is that he'll have the main arc be something ridiculously heavy-handed (and hence conducive to Radical English-Teacher-ism) but say something really interesting in the smaller scene-by-scene messaging. Remember how Mildred doesn't just watch the TV walls, she acts out parts of them. She spends all of her time interacting with a fake family with pre-fabricated lines and she thinks she loves this family. She's really freaked out when it all comes down. That's interesting! But the whole "we burn books to protect a mass culture of utter passivity which is spiraling toward nuclear annihilation" primary arc is just a little too, well, dumb guy's Adorno. It's beyond heavy handed: you are being beaten over the head with a stele of fist. Also he's kind of an insane misogynist, which you know, doesn't stop someone from being a good writer, but I thought it was worth remarking on.
Viktor Lyapkalo Artwork: 'Blowing bubbles' & 'Evening' Painted 9 years apart.
Same woman
positive image: a portrait of gay america (1985) by stephen stewart
sorry for the mixed signals I don’t know what I want or what I’m doing mostly
shrikegirl sending you pictures of thorns with the caption "thinking of you"
the internet is a place for reading wikipedia articles and watching every movie for free. social media is an invasive species. never forget this
People will paint you with the colors they have
Loading screen tip on a video game about being a house
tabletop roleplaying groups for people who are really pretentious near me
guy who's against monasticism because it genetically selects against religiosity
i don't really agree that sex and movies in tv shows has to be conducive to the plot. like part of what a drama is is a representation of the kinds of beings we are and it turns out for the most part humans are sexual kinds of beings! and, god forbid, sometimes there are interesting things that can be said about sex.
i also really dislike the "primacy of the story" as an art ideology