Stage managers
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Stage managers
Managing yet another show without an ASM or even a PA
this.
The main thing that nobody prepared me for is the loneliness of being a stage manager...
A colleague just posted this on Facebook. I’m not sure I clock the loneliness the author talks about or if I just chalk it up to part of the job, but it makes me grateful for the SMblr/Techblr community at large. Even if I’m up till 1a doing paperwork, so is someone else.
Thanks guys. <3
This is why mental health and self care are so important. If you’re working within a team it’s totally fine to say, “Hey can you do this so we can all get out of here faster?” Don’t let the job consume your life, you are entitled to a life outside of the rehearsal room and theatre.
Yeah, it can be an isolating job. We work stupid hours and have this hero complex of “Oh no, I can do ALL the things within this unrealistic time frame.” Be selfish. Say no. Talk to the people around you, tell them you feel left out. This is a very slippery slope to being in a very ugly cycle of depression.
Take notice of the people around you. Is your PSM looking exhausted and sad? Offer to take on some of the work load. Sometimes they’ll say no, but just asking means a lot. Be aware of the people around you and take care of them.
This goes for actors too. My favorite actors are usually the ones who also check in on stage management. They want you to be happy because it makes the whole room better.
You’re a part of a company, act like it.
I think the feeling of loneliness can often come from family members or spouses that are unfamiliar or not involved with theatre. No matter how many great jobs you land or bumps in pay you get, sometimes all you hear from those closest to you are comments on getting a “real” job that pays more with fewer hours. After a few years of hearing those comments, it’s easy to feel isolated.
THIS.
I will not think less of myself just because you do not know how to love me.
Stephanie Chhum (via wordsnquotes)
THIS.
boy with a truck
it was early so early that the sun had yet to make an appearance i was fumbling in the dark too stubborn to turn on a light in an effort not to wake you when the bobby pin hit the floor “shit” i thought then “leave it... you’ll be back” i kissed your forehead and slipped out the door how was i to know that would be the last time how was i to know that we would move like strangers now and that bobby pin is still there in the crevice between the nightstand and the bed gathering dust with a silent cry i was here i was here i was here
Hogwarts Houses as Stage Managers
Gryffindor: “You need that moved, I can move that.” Always down for drinks after the show. Fully believe in “the show must go on.” Memorizes the songs and calls from memory. Drinks a red eye or red bull. Loves rehearsals and tech but running the show is boring. Follows the spirit of the Equity handbook. Instagrams of group photos. Reports bootleggers to house management and the producer. Happy to work anywhere.
Hufflepuff: Loves every part of the process. Will comfort crying actors. Puts the actors needs first. Actually gives opening night gifts. Not always a great team leader but a great team member. Doesn’t drink coffee but can make it. Loves running the show. Calls Equity to clarify everything. Instagrams of props. Kindly asks people not to bootleg. Prefers to work regionally or theatre for a young audience.
Ravenclaw: Knows every line in the play. Prettiest paperwork you’ve ever seen. Calls from the score. Drinks all the coffee. Takes mentoring interns and PAs to heart. Loves the dramaturgical aspect of rehearsals. Loves rehearsals for new plays. Follows the letter of the law of the Equity rule book. Instagrams of their book. Reports bootlegs to the producer every time they see one. Works where new plays are being produced.
Slytherin: Tries to keep a neutral face because of actors. Puts the shows needs first. Great team leader, not always a good team player. Drinks coffee but wishes it were whiskey. Loves the whole process as long as they’re in charge. Has the Equity rule book but hasn’t looked at it in a while. Instagrams of coffee and paperwork. Reports bootlegs to the producer and also goes on rants about why they’re wrong. Will work anywhere that will help further their career.
I’m a true Ravenclaw!
I'm a Gryffindor...
Here’s what life was like for a Stage Manager before email and cellphones
- If you were lucky, you were part of a SM team so there was more than one person doing the work.
- No one had cellphones or laptops and there was no internet.
- There was a small SM office with a desktop computer, probably Apple, a landline phone, a slow ink printer with paper on serrated rolls (or the theatre upgraded to printers that would pull paper one sheet at a time), and mail cubbies. Some offices had copiers, but because of their size they were likely put in a hallway for office-wide use.
- The SM would type up the rehearsal report on the slow-as-molasses computer. If your SM was a slow or terrible typist, woe to you my friend.
- After the SM typed up the report they probably had someone go behind them and check everything, because spellcheck was not a thing.
- After edits, the report was sent to the printer and copies were made. Depending on how “fast” the printer and copier were and how many people got the rehearsal report, this could take anywhere from 5-20 minutes. If a mistake was found after the report was printed, you got to repeat the process again.
- The printed reports were then placed in the mail cubbies. If you were lucky, most of the production team was onsite or offsite team members were given a cubby of their own. You crossed your fingers that everyone was responsible enough to stop by their mail cubby early in the day for the report. If you had a particularly diverse team, sometimes you were asked to drop off the report at their hotel. Yes, you had to drive - sometimes out of your way - to make sure someone got a hard copy of their report first thing in the morning.
- Next would be the calls and rehearsal schedule for the next day. This also went to production as well as placed in key locations throughout the building. More typing, printing, and distributing hard copies.
- The company had a dedicated phone extension or phone number for the rehearsal hotline. Yes, a hotline. After the calls and rehearsal schedule were typed, printed, copied, and distributed, you had to record an outgoing message in the hotline, slowly read the schedule, and be sure to include the production name (because sometimes there was more than one production rehearsing and extra phone lines were $$$), the next rehearsal date, who is called, what time they are called, and all additional information including fittings, etc. You would have to triple check for accuracy, because if you got it wrong and didn’t realize it, you had to hope when you called the actor that they were either near the phone or had an answering machine they checked before they left for the theater, or re-record and hope no one heard the first recording, or just go ahead and call everyone one-by-one.
- It was the actor’s responsibility to call the hotline for their calls; woe to you again if an actor fell asleep before checking in for their call, which happened BTW because sometimes the whole process would take until midnight or later depending on the rehearsal schedule and how much waiting around for the schedule was required. Sometimes you’d get those delightful actors that would get pissed when the hotline wasn’t updated as soon as they got home, so they would complain that “it takes too long to check the hotline and I need my sleep!” Always a treat to hear that the next day.
- Sometimes as soon as the actor heard their call they would hang up without listening to the rest of the message, like what time their fittings were. These were usually the actors who wouldn’t read the day’s schedule either, so you’d have to corral them or hunt them down inside the building. Remember, no cellphones.
- Email was a gift from sweet six pound baby jebus, but even the idea of communicating via email address took a while to catch on because not everyone could afford their own computer and/or the internet. Not only were personal computers expensive (you could get around this if there was a public library near you with computers or an internet cafe - yes, this was a thing), you had to pay a ridiculous amount of money for dial-up and internet usage. Ask someone older about AOL discs and watch them cringe.
In short, when someone acts as if I should spoon feed them their schedule via text or individual phone calls because “I don’t check my email,” I remember my early career technology struggles and firmly say, “No.”
SMSG
When he saw his mother's toothy, exasperated smile and his dad's hale, stubbly good humor, he became the person that he used to be around them again, and he felt the gravitational pull of the little kid he once was and in some unswept back corner of his soul would always be. He gave in to the old illusion that he'd been wrong to leave, that this was the life he should be living.
The Magicians, Lev Grossman
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That’s the secret of existence. We’re all a little mad.
Agatha Christie, They Do it With Mirrors (via wordsnquotes)
In weaker moments, the thought creeps into my head: what if you’re not the savior I need you to be?
But luckily, I’ve come to a place where the thought then formulates to a much stronger question: why can’t I be my own savior?
And then I proceed to do exactly that.
I want you, and I need you, but I am capable of saving myself. I thank you for your support in my journey.
She did not need much, wanted very little. A kind word, sincerity, fresh air, clean water, a garden, kisses, books to read, sheltering arms, a cosy bed, and to love and be loved in return.
Starra Neely Blade (via wordsnquotes)
I do believe in an everyday sort of magic – the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we’re alone.
Charles de Lint (via landscape-photo-graphy)
Stage Management Emails
Dear Ladies and Gentlemen,
Please find attached a thousand documents you are not going to read which are going to answer all the questions you ask me tomorrow.
Ensure you take the time to pretend you have read them because tomorrow is Monday and I’ve slaved all night on these because I can’t sleep unless they are completed. Also, they look amazing.
Kind regards,
Your Stage Manager.
P.S. If you’re actually reading this - I LOVE YOU
this. like, daily.
I believe I was a little in love with you.
Victor Hugo, Les Misérables (via wordsnquotes)
and you, and you, and yeah, you too...
WORD.
There’s nothing like deep breaths after laughing that hard. Nothing in the world like a sore stomach for the right reasons.
Stephen Chbosky, The Perks of Being a Wallflower (via wordsnquotes)
<3