Delphine Seyrig by Agnès Varda, 1962
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Delphine Seyrig by Agnès Varda, 1962
THE VAMPIRE DANCER (1912) "Vampyrdanserinden" Directed by August Blom
Cries and Whispers (1972) | dir. Ingmar Bergman
Elizabeth Barrett Browning, Aurora Leigh
Sylvia Kristel by Melvin Sokolsky, 1977
Girls don’t want to work, girls just want to exist for the sake of existing for a little while. Maybe in a field with a book.
Gena Rowlands in
Opening Night (1977)
Gena Rowlands in A WOMAN UNDER THE INFLUENCE (1974) dir. John Cassavetes
Michelle Phillips and Cass Elliot in September 1966
“What I think everybody needs is a way to say, ‘Where and how can I love- can I be in love so that I can live? So that I can live with some degree of peace?’” - John Cassavetes
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Holding someone's hand was always my idea of joy. Often before falling asleep - in that small struggle not to lose consciousness and enter the greater world - often, before having the courage to go toward the greatness of sleep, I pretend that someone is holding my hand and I go, go toward the enormous absence of form that is sleep. And when even then I can't find the courage, then I dream.
Clarice Lispector, The Passion According to G.H.
Romy Schneider, c.1969
Anna Karina photographed by André Grassart, 1965.
All alone she was. All alone with her soul. She lived on the top of a solitary hill. Her house was small, and bare, and alone too. She seemed like a creature of the forest herself, sometimes. She walked with a swift silent tread. She spoke to no one. No one spoke to her.
Katherine Mansfield, from Selected Prose; "The Lonely One"
Agnes Varda, por Martine Franck
Virginia Woolf wearing her mother’s Victorian dress, photographed by Beck and McGregor for British Vogue, 1926