my love (derogatory)
Cosimo Galluzzi
dirt enthusiast
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Love Begins
Stranger Things

Discoholic 🪩
$LAYYYTER
Mike Driver
Keni
KIROKAZE
AnasAbdin
todays bird
hello vonnie

Janaina Medeiros

oozey mess

shark vs the universe
styofa doing anything
Claire Keane
macklin celebrini has autism
YOU ARE THE REASON
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@mytrouvailles
my love (derogatory)
🍎🍽️
snakes are cold-blooded
"It will never happen."
I was reading Neil gaiman's "stardust", and I saw this bit, and thought it would fit well for them.
the school i’m looking at for grad school has a restaurant nearby called pastabilities just like night in the woods and if that’s not my sign to go there idk what is
I did the meme. The world is not ready for them
two interests one image
i found this in my files from like a year ago and realized that i still like it and haven't posted it anywhere meaningful yet
night in the woods is such an important game for me and i can’t ever explain as in depth as i want to but i just replayed it for the seventh year in a row so here we go
mae’s from a small town, a poor town. she’s got her close knit friends. and everyone else has got this perception of her that they’ve attached to her since she was young. lots of people bringing up her past and not even opening their minds to the fact that she may have changed, it’s just a bunch of no one’s forgotten who you are or what you did, you know. people that never even knew mae in the past, like lori m., know about what she did. it’s small town talk, and small town talk always moves around in ways you never want it to.
it takes forever in the game for mae to finally open up about why she left college, and it’s because of exactly what the small town folk have assumed of her: she hasn’t changed. she still has this illness and she represses it because that’s what she’s told to do, rather than process it, work through it like selmers says to. she represses it so deeply that we, the player, spend the entire game wondering what our character is going through. we see mae’s thoughts and feelings and what she says and doesn’t say to people, and yet she never mentions how difficult it is for her to feel alright, even internally. and it’s so devastating to have a repressed illness that you’ve shown so many clear signs of, one that you’ve been taught to ignore until your wires snap. one that takes so hard of a toll on your well-being, makes it impossible to do what seems so easy for others. and it’s so real.
i think that’s what i love most and identify most with this game, is that it’s real. from mae’s repressed mental illnesses to gregg’s insecurities with himself to bea’s losses and angus’ abusive home life, it’s real. there are people out there with lives exactly like these.
i’m from a small town, a poor town. i’ve known people like mae, gregg, and bea, and angus. i’ve known kids that were neglected, abused, ignored. i’ve known shoplifters and people that armed themselves on the street and who’ve lost their loved ones at the worst of times. i personally was not the kindest or well-behaved teenager, and i’ve watched the same people i was with then either grow into redeemable people or get themselves into something irreversible. and just like in the game, people act like they’ve forgotten about all of that. that’s small town polite right there. something happened and the signs were there, it was all the talk for a while. our moms told us not to talk to you. and suddenly you’re told to get over it without any sort of diagnosis, an answer. and everyone passes over it, even your closest friends, as if they have blocked it out of their brains for the convenience of not dealing with it. until you drown in it, and something else happens.
i’m in college now, and every time i visit home i get this feeling, one that nothing changed but yet everything did. i see someone i know with every step i take. some will serve me at the restaurant i go to eat at to catch up with my family. some will be greeting me at the only grocery store in town. some will have passed away and some will have been arrested. my high school friends have grown up, they’ve either worked or graduated college or are nearing there, they’ve set themselves up with full time careers and plans and relationships. and yet i feel as though i’ve regressed in life, i’ve decided to go to school for even longer to prevent growing up. i stayed here and got older, while you went off and stayed the same.
and it’s one thing to feel like you’ve made it no where compared to your lowest point, but it’s another to still have doubts of yourself after you’ve become a better person. you can move away, make new friends, find a loving relationship. you can start on a completely clear slate, but at the end of everything, it’s nothing but a facade if you don’t truly feel redeemable in your heart. you question how you deserve something so good, how you possibly could be seen and loved by people who know what you are, when you don’t even know yourself. i’m a good person, right? i have really up up days and really down down days, and i don’t know which it is until it’s over sometimes.
mae has no idea what she is, what her point is, there’s nothing but holding on to what she thinks is herself and her friends and her world, which is realistically so much different than how she sees it. gregg knows what he is, he knows what he was and what he wants to be. he knows that there are parts of himself that get in the way of truly believing he is good. i think that mae is in some sort of denial about learning who she is in her early adult life, constantly looking back at the past and pretending that things aren’t different when they are. where gregg is growing into himself, coming to terms with commitment and responsibility and making up for the reckless person he once was. still fearing to regress back into his more careless self, and destroy those expectations of maturity when mae is around.
throughout my seventh play-through, i found myself relating to mae and gregg more than any other characters. i have a feeling that as i have grown up, moved away, started taking care of myself as an adult, i see more and feel more for what mae and gregg each go through. mae is unhealthily attached to her hometown because attempting to start new had regressed her mental state. gregg seems to be doing all he can to get out of town, move away and start fresh. i believe that mae and gregg had grown up in their own fucked up ways, yet they have discovered opposite, personal reasons for moving past it all. they represent something that one person could always experience; they could ache for and return to familiarity, whether it’s real or not. but they could also beg and work for change. these are two feelings that i hold deep in my chest, and some days i feel one or the other, or both.
a small hometown is a bittersweet experience; it can leave you with a sense of safety, community, and flexible routine. but it can also be despicable, it can be suffocating, it can be nothing but another town, another mass of people to live far away from. mae and gregg represent this spectrum, from enjoying staying in one place to doing anything to get away from it. their reasons and their fears and their feelings are so real.
i am a woman in her 20s, who has always grown up with a complicated relationship with her hometown. i’ve never played a game that has ever hit me this hard, nor stuck with me for this long. i make it a point to replay it every year because it helps. i realize something new about these characters, i identify more with their experiences. it’s comforting, and it’s healing.
so when i tell people about this game, and i talk about getting a tattoo from it and they look at me like i’m crazy, i understand that they’ll never know why.
Dreamworks: yeah it's just an animated comedy about some guys searching for el dorado, no need to go crazy
Elton john:
the gojo getou storyline makes me unhinged for so many reasons. it's told totally out of order. you meet getou's corpse first, then watch gojo kill him in the film after getou's gone insane, and then you see their friendship. that friendship that's just two teenagers and all it's fun chaos and conflicting ideals. then. toji happens. and both of them during this period were SO CLOSE to being the only ones who understood each other. so close to being able to see through one another-- "you haven't released your technique yet, have you? you've not slept either, and I bet you're not gonna sleep tonight either-" and "suguru... have you lose weight?" and yet their friendship, the trust between them, "after all, we're the strongest", was splitting at the seams the more what they could individually tolerate changed. gojo had awakening by himself, accepted himself as THE strongest, felt a little untouchable and so able to change things, was choosing teaching and facing the elders-- and getou's conflicting ideals and sacrifices in all his comparative powerlessness as missions by himself piled up sent him spiraling. the dam breaks and getou takes his own route and so becomes a wound gojo would hold onto for the rest of his life. a pain that would be weaponised against him. it's feels like such a flip from adult gojo being seemingly too cool, uncaring and childish, when in fact it's getou who treats their past friendship as some trivial teenage stuff, while gojo holds onto everything with deep regret, and later with deep betrayal at seeing getou's corpse used this way.
you see, i actually know that you're already gone. you see, you'll probably just call me obstinate, and i want to forget, but
MORAL COMPASS
Satosugu in 2x02
↳ anime vs manga
bonus:
boyfriends being boyfriends (′ꈍωꈍ‵)
I need to buy a gun
#The way they probably erased Crowley's memory of heaven. Also the way Crowley offered a hot chocolate to Gabriel just after even though he still hated him because he knew how it feels to remember nothing (insp from this post by @perpetualcontrolleddrowning)
Crowley is genuinely so brave and beautiful at the end of s2. He says: I won’t lie about what we are anymore, I won’t give up who I am to be with you, I won’t turn back around because you said “I need you” (which up until this point has been the magic words from aziraphale that can make him do anything), I won’t run away and hide you’ll have to watch me while you throw away what we could have been. He’s so iconic to me