Was served gravy with my steak for dinner and it was literally just peppercorn pudding. Whole peppercorns. And whole peppercorns just layered on the steak.
The house (and you use the term generously) that slumps there has been vacant for some time now. Ever since you moved in a couple years ago, actually. It’s an eyesore for sure. Graffiti on the walls, boards on the windows, a basketball-sized hole in the roof. The porch is the worst of it. Sagging in the middle and crumbling on the ends, stripped and moss-encrusted wood.
But today there are men there, stomping up and down the groaning steps in big, steel-toed boots.
You watch for a bit from the safety of your kitchen window, sipping coffee and batting your cat off the counter. They don’t look like a normal construction crew - wearing all black and not so much as a hammer on their belts. Three of them that you can see, one about average height, one tall, and one very tall. The tall one tags after the shortest of them often, gets pushed and shoved and snapped at it seems like.
You lose interest when the coffee runs out and your phone chimes, shooing you off to the grocery store. All three have disappeared inside by the time you saunter out, keys jingling and reusable bags in hand.
Margot says they’re renovating - likely some rich man’s retirement project. The same thing happened just down the street six months before you moved in, and now Joe has solar panels.
She postulates over the situation across the street while taking delicate bites of the cheesecake she brought over. (A test recipe for her niece’s baby shower in a few weeks. You don’t tell her that it’s too sweet and just sip your tea between bites.) She hypothesizes that one of them is this hypothetical rich man’s son, bringing some handy friends around for extra hands to work.
It sounds about as plausible as Agatha’s mutterings that they’re drug lords, so you nod along and watch your calico sneak up on your tuxedo behind her.
The garden is your own little retirement project. (You’re not actually retired, no matter what your sister snipes. But some smart money moves and a successful writing career is virtually the same with no kids and no spouse.) It’s going about as well as the renovations across the street - which is say, better and quicker than expected.
You planted clover in the yard, and are working on wildflowers in the boxes. The clover is already blooming, little flower tufts springing up for bumblebees to perch on. The wildflowers are mixed success so far, but nothing is dead yet.
You mostly just tootle around to be outside - allotted sunshine lest you become the shut in Bertram accused you of your first couple months.
The cats watch you pick at weeds from the window. Or two of them do. The other one is glaring from the fridge, angry that you tossed her back inside when she tried to slip past your ankles. (With any luck, you’ll have another sibling for them soon, but the handsome orange thing that keeps coming by at dawn and dusk is too stupid to be caught.) All three of them shift to look at something over your shoulder.
“Excuse.”
You don’t startle, thankfully. The voice may be unfamiliar, but neighbors stop by consistently enough that you’re not surprised to have your solitude interrupted.
What you are surprised by is the tall (very, very tall) man standing at the edge of your front yard. One of the renovators.
“Hi,” you say, straightening.
He points a gloved finger at you - no, not at you. Past you. At your cats.
“May I see them?” He asks in a thick German accent.
You blink, surprised and confused.
He’s a big man. Not just unusually tall, but broad as well. Muscle tugs at the fabric of his shirt, cargo pants clinging to his thighs. He also hasn’t bothered to take off the heavy duty dust mask, black sunglasses, or jacket hood obscuring his features. Looks like he’s about to rob you, honestly.
But Agatha’s uncharitable muttering about delinquent men rings like a warning toll. You’re at risk of sinking into the judgmental sea of upper-middle class suburbia, and that’s not water you want to tread.
“Sure!” You reply, ignoring his lack of introduction. “One sec.”
The cats see you dart from view and hurry to meet you at the door, meowing and yowling. You crack it open only wide enough to snatch up your precious firstborn, his leggies sticking out in abject bafflement at being airborne. You make guilty eye contact with your other two fiends before swiftly wedging the door shut again.
Then adjust your son, his little paws resting on your shoulder as you turn. Your visitor is standing right where you left him, perks up when he sees the cat bundled in your arms.
“This is Guy.”
You step closer, ignoring that shred of nervousness that being close to any man (especially one so physically intimidating) brings. To his credit, he only shuffles just enough to offer his hand for inspection.
“Guy?” he asks.
“I wasn’t going to adopt him at first, so I just called him Little Guy for so long that he thought that was his name. And then I did adopt him and now he won’t answer to anything else.”
You come by the rambling honestly - an obligate introvert until you moved to this neighborhood. There are few things you ever want to talk about with strangers, but your cats are one of them.
“He is a little guy,” the man muses.
Guy has no reservations about rubbing his fat face on the stranger’s glove, a purr kicking up in his chest. You relax as the man keeps his touch gentle and slow, that little bit of paranoid tension trickling into the soil beneath your feet.
“The other two aren’t as well behaved, I don’t trust them without harnesses on,” you add, nodding at the window.
The man glances up at them. Doesn’t seem to realize that his demise (and yours) is imminent from their glares.
“What are their names?”
You flush. “Rasputin and Shithead. I tell everyone else her name is Susan though.”
A sharp bark of laughter splits the air like a falling ax, cracks right down the middle. It makes you jump a bit - Guy is expectedly unbothered - but still you find yourself gratified. Laughing is good, it means you’re doing things right.
“Sorry,” he says, “but my friend would like that name.”
You gesture at the house across the street. “One of them?”
“Yes, the short one.”
You only just manage not to snort in amusement, but it doesn’t stop him from noticing. The mask moves, you think he might be grinning underneath.
“Does he know you call him that?”
“Not if you don’t tell him.”
You doubt you’ll have the opportunity even if you wanted to.
Someone’s at the door.
You’re only half-dressed, waist deep in laundry you have no excuse for putting off so long. Aren’t expecting company either - it’s Sunday morning, everyone should be at their various churches or visiting relatives. Can’t remember the last time someone knocked before noon on a Sunday.
Still, it was a big solid knock. The kind that makes you think it’s not the usual neighbor come by to impose on your space.
You glance down at the hem of your sweatshirt, determine it’s far enough down your thighs to be acceptable, and pad to the door.
You open it to another of the renovators. The “short” one - though you readjust that measurement quickly. He’s still taller than you, it’s just that most anyone seems diminutive compared to his friend.
“Morning,” you chime.
“We need your driveway.” His voice is low and rough, blunt. A sledgehammer to concrete. Also German-accented, you note.
“Oh,” you reply, “what for?”
He grunts. “Work.”
And you, a longtime observer of politely shaking people down for information by this point, smile without teeth.
“Oh, a work truck? It won’t make a mess will it?”
“No.”
You hum, glance at your stupid little sedan parked in the middle of the driveway.
“Okay, I’ll move — Shithead!”
You scramble to grab at the black and white blur of evil, sweeping her up in your arms as she meows in complaint. One of her back feet catches in the hem of your sweatshirt and starts to pull it up as she kicks. You curl an arm under her butt for support, but mostly she just takes the opportunity to chomp down on the meat of your thumb.
You glance at the man. “Shithead is very interested in the renovations.”
He stares. “So that is actually its name. I thought you were being rude and Konig didn’t realize.”
Ah, so that’s his name. You never did get that introduction.
“No, yeah, this is Shithead, I’m sure you can see why.”
The corner of his mouth twitches as she unlatches from your thumb, only to bite down on your wrist.
“So! The truck - when will it be here?”
“Noon.”
“Great! See you around!” You shut the door in his face without getting a name.
You threaten, not for the first time, to turn her into a pair of mittens. She responds by attacking your foot until Rasputin tackles her. Guy cries at the door, probably missing a man he met for all of two minutes.
The work truck stays through the night. Your cats spend all afternoon watching the men cross the street and back. Every once in a while, Guy puts his little feet up on the glass - Konig must be passing by.
You glance out the kitchen window only once and make hard eye contact with the third of their trio. He’s somehow even more covered up than Konig, and yet you get the distinct impression that your gaze is not welcome.
You blink and abandon the dishes for later.
The next morning, they’re already at it when you shuffle outside for the mail. Konig raises a slow hand in greeting, but visibly brightens when you smile sleepily and wave back.
You pass the work truck - the back panel is already open for them to unload wood beams and heavy-looking buckets. Construction stuff, as expected - and not messy, as promised.
You spot a red and white flag decal on the rear window. Austria, isn’t it?
“Did you just wake up?” a flat voice asks.
You squint a little through the morning sun at the man from the day before. The rude one.
You yawn. “Mhmm.”
He frowns at you, disapproval plain. Agatha will like him, you muse, shoving a hand in your mailbox. They both seem to have strong opinions about your sleep schedule.
“It is late.”
“It’s only 8.” You tug out a sheaf of envelopes and begin idly flipping through them.
“The sun is up.”
“So what?”
He clicks his tongue disdainfully. You absently click back. Then jump as a big body lands right in front of you. The third man, two wooden beams balanced on his shoulder. He makes brief eye contact with you again, then strides across the street.
“Shoo,” the rude one says. “Men at work, yes?”
You grumble. “See if I bring you cookies.”
Konig glances up from the truck bed, eyes shining. “Cookies?”
Well shit.
Rasputin keeps you company while you cook. He’s the only one allowed on the counter for any length of time. Shithead steals anything and everything, or bats at your hands while you work. Guy has the equal parts endearing and infuriating habit of touching everything with his paws.
Rasputin is the only one who will sit quietly to observe, leaning in for the occasional kiss. Today, he’s watching you bake cookies and assemble sandwiches. A dual-purpose welcome and peace offering to the three men across the street.
Is it too much? Maybe. But you’ve got nothing better to do and kindness won’t break your bank, so. Cookies and sandwiches.
You change clothes while the cookies cool on the pan - a sundress for the warm, late-spring weather. They’ve seen you in your pajamas far too much already.
At the door, you hesitate. This house doesn’t feel inhabited yet, but it also doesn’t feel right to just open the door. It’s quiet inside, so no power tools to drown you out. Making a face, you settle for a firm knock. It takes a minute or two - you think you might hear distant shouting. Then the door swings in fast and hard, nearly startling you.
It’s the third of their trio, the one you’ve yet to speak to. He’s covered head to toe, fabric around his head and face, leaving only sharp blue eyes to glare out.
“Hi,” you begin, hands thankfully too full to fidget. “I brought food.”
His eyes flick to the foil-covered platter in your hands. Then he swings the door wide and pivots on his heel.
“The cat comes too.”
Cat?
You glance down. Sure enough, Rasputin is standing by your legs, his remaining half a tail swishing. You sputter at him - didn’t even realize he snuck out - but all you get is his characteristic raspy “mah” noise. Right then.
He politely trots by your side as you enter, not even shy about your curiosity. The place is gutted, stripped walls and scuffed floors. It smells like dust and plaster and shaved wood. All the lights have been ripped out of the ceiling, exposing wires like nerve-endings.
There are two empty rooms to either side upon entry, a den and a dining room probably. The den even seems to be split into two, with one half sunk lower, accessible by a couple steps.
You follow your unexpected host through the “dining room,” which seems to be more of a satellite staging zone at the moment. There are piles of tools, stacks of materials, a little island of canvas bags. As you pass through, you notice a staircase, and even from the ground floor, you can see that it crosses over to the den on the other side.
The kitchen is stationed towards the back of the house. You try not to wince at the state of the counters. Pockmarked, blistered, scratched, burned, cracked laminate.
The floor has already been pried up to reveal smooth concrete. You scan it quickly for anything that could hurt Rasputin’s feet before entering.
Your neighbor gestures for you to set the platter down on an empty patch of counter, so you do, peeling back the foil.
“Cookies and sandwiches,” you explain just to have something to say.
“Why?” he asks.
You shrug. “To be nice.”
He stares. You blink back.
“I mean, you don’t have to eat them,” you add. “It would just be a waste.”
Rasputin chooses that moment to leap onto the counter, taking a moment to steady himself once he’s landed. With only one eye and a crooked leg, he’s not the most acrobatic or graceful of your babies, but he makes do.
To your shock, though, once he’s gained his bearings, he makes like he’s going to eat one of the sandwiches.
“Ras,” you gasp, surprised. “Absolutely not!”
The little shit doesn’t even resist when you nudge him away, just settles on his haunches, staring at your neighbor. And, to your confusion, your neighbor grunts.
“Konig! Krueger!” he barks.
That must be the rude one’s name. Krueger. You file that tidbit away.
“What’s your name?” You ask. “No one’s told me.”
He eyes you - dare you say suspiciously - letting the silence stretch.
“Nikto,” he rasps finally.
You finish introducing yourself just as the other two enter. Konig’s down to just the dust mask today, while Krueger seems to have donned one for himself.
“You,” Krueger says.
You arch your eyebrows back. “Me.”
“What brings you here?” Konig interjects, much friendlier.
“Well, you really seemed to want cookies yesterday, so I thought I’d bring some with lunch as a welcome to the neighborhood.”
He practically shoves Krueger to get to the kitchen. You politely get out of the way so he can indulge in your offering without getting trampled.
“Danke schön,” he says, scooping up a sandwich.
“No problem,” you answer, smiling.
Krueger deigns to sidle closer, inspecting the platter with a keen eye. Still, you think you see a bit of appreciation in them before he snatches up one of the sandwiches. For some (concerning) reason, you’re gratified by that. (You’ll just blame it on your habit of feeding ferals and strays.)
“I also wanted to give you three a little warning…” Three pairs of eyes pin you in place. You try not to grimace. “Everyone on this block is nosy as hell. They will literally peak in your yard and check your mail.”
“The mail?” Konig asks, appalled.
“Yeah, I started using a PO Box,” you sigh. You’ve only got so much sanity before you start taking sniper shots with a water gun.
“We will handle it,” Krueger says.
“I’m sure,” you demure. “Anyway, that was all. You can drop the platter off later - or I can come get it. It’s not like you’re far.”
You start looking for Rasputin, only to find him perched on Nikto’s broad shoulder. The man doesn’t even seem bothered by the claws digging through his shirt, scratching a finger at the calico’s cheek.
“Huh,” you say, surprised.
Nikto glances at you, pauses. “What?”
You snort at the bluntness, but grin. “Usually I’m the only one allowed to pet him.”
That’s three for three. Well, two and a half. Shithead could have been trying or escape or go for the ankles for all you know. But Krueger seemed to like her, so that counts for something.
“C’mon my little tank, let’s go,” you coo, approaching.
Rasputin nuzzles his face against Nikto’s once, gives him a parting mraw, then leaps into your waiting arms.
“Bye, guys!” You call, waving over your shoulder as you head for the door.
Konig is the only one to respond with a polite, “see you!” But you don’t take it to heart.
She wasn't scared of the monster for she had child-like wonder without bias. That day in the woods together the monster never forgot, he never forgot her and secretly checked and watched her as years went by.
The pressures of life had made her forget that magical day in the woods and the friend she made. The pressures on a woman in society had taken over her life, well her parents had taken over her life trying to get her married.
The monster watched it all, how the Lil girl who played with him grew up and lost her sparks, lost her wonder, and became another hollow husk going about trying to fit into society.
He wanted to rescue her, take her away from that, let her experience wonder again, but the forest, his cave isn't a place for a lady so he's spent the years prepping for her. He found and fixed up an ancient abandoned castle and the surrounding grounds, this would be their home one day. He's stolen things for many lands to fix up and fill the home. Even came across a bush fiend, a very low class monster who can't do harm and just likes plants so he brought it to his castle and now it cares for the grounds.
Their hidden castle is finally ready and now all he needs is his girl. Meanwhile she has just been married to a horrible man her father owed a debt too.
The monster can sniff her out anywhere and finds her at a new house, he peaks through the windows and sees her in a room with a man who has a rough grip on her arm dragging her towards the bed. This fills him with rage and he acts. He sucks all the light from the room, bursts in and slaughters the man. He may have been a bit too aggressive and unhinged making quite a mess.
He looks at her, she doesn't seem bothered by the gore, she just looks at the monster tilting her head as her brain is going through its archive trying to figure out why this monster is so familiar. Eventually she does remember but she can barely belive it. She hugs the monster and thanks him, starting to cry, all the horrible feelings she'd repressed from the past 10 years flooding her.
The monster understands why she's crying and knows she needs to let it out, so while that happens he carries her and takes her back to their home, but first he stops by the nearby hot spring, another feature of their castle.
She still mumbles and cries but doesn't oppose the monster as he strips and bathes her in the warm water washing away the blood from both of them. He gets her home, dressed in one of the nightgowns he's prepared and lays her in and cradles his girl as she falls asleep in his arms.
Im a much nicer and kinder person then my inner voice and with the shits thats been happening I'm getting so so close to letting the inner fucking menace take charge, Idk how much longer I can hold out and bite my tongue.
Working on my new mentality of not being so hard myself with super high standards about my art.
Something I found yesterday is that I don't need to draw eveything lifelike and super accurate. Cause that stresses me and it never looks right and it's just not fun. But doodle style, gatcha style body's and faces I can draw those much easier and enjoy it.
Key point is just create, find what works and is fun and make it.
Today I realizes something. What i write doesn't need to be some masterpiece of literature, it just needs to be enjoyable.
Enjoyable to write
Enjoyable to read
Enjoyable to share and let others have the chance to enjoy.
Im always so hard on myself with ridiculous standards that kill the joy, I've been working on correcting my mentality with my artwork, and now I'm trying to apply that to my writing.
Started a drawing project, wanting to create my own kind of spirte/pixie, maybe make a lil comic with it. So I started doing inspo research stuff.
But I eneded up doing in depth research on ancient woodland specifically lowland mixed oak and ash woods of uk and Scotland.
So now i now all about the floral and fauna, ecosystem, and history of that. It wasn't the goal but I did learn some interesting stuff, but hopefully I can cycle back around to the original project.
Started a drawing project, wanting to create my own kind of spirte/pixie, maybe make a lil comic with it. So I started doing inspo research stuff.
But I eneded up doing in depth research on ancient woodland specifically lowland mixed oak and ash woods of uk and Scotland.
So now i now all about the floral and fauna, ecosystem, and history of that. It wasn't the goal but I did learn some interesting stuff, but hopefully I can cycle back around to the original project.
Started a drawing project, wanting to create my own kind of spirte/pixie, maybe make a lil comic with it. So I started doing inspo research stuff.
But I eneded up doing in depth research on ancient woodland specifically lowland mixed oak and ash woods of uk and Scotland.
So now i now all about the floral and fauna, ecosystem, and history of that. It wasn't the goal but I did learn some interesting stuff, but hopefully I can cycle back around to the original project.
dededos
areudirty
titsay
janainaart
dailybridgerton
izzy806
gummygunk
