Louis Wootton-Davies, Was A Youth Club, Now Just A Church, c. 2026 and Half Her Pension In A Christmas Card, c. 2025
both acrylic on MDF board
Mike Driver
art blog(derogatory)

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Cosmic Funnies
AnasAbdin
Alisa U Zemlji Chuda

if i look back, i am lost

@theartofmadeline
"I'm Dorothy Gale from Kansas"

izzy's playlists!
Jules of Nature
$LAYYYTER
KIROKAZE
2025 on Tumblr: Trends That Defined the Year
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JVL
Three Goblin Art
tumblr dot com

祝日 / Permanent Vacation
todays bird

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@nataliesplatalie
Louis Wootton-Davies, Was A Youth Club, Now Just A Church, c. 2026 and Half Her Pension In A Christmas Card, c. 2025
both acrylic on MDF board
Kim Keever
Large-scale abstractions created by pouring paint into a 200 gallon tank of water.
Jennifer McCandless, With the In Girls, c. 2017
Lily Rose Fine
Sinner, c. 2025, oil on wood and antique washboard Tempted, c. 2025, oil on wood in handmade hinged frame
Sonja Peterson, Juice, Good Boy, Main Squeeze, and Guilty as Charged, c. 2025
stoneware porcelain, glaze, gold luster
Blake Blanco
Sterile Eyes, c. 2024, acrylic and oil on panel
In this room, c. 2023, acrylic on canvas
Dirk Staschke, Still Life with Inverted Vase, c. 2023
Ceramic with wood frame
Hibiki Miyazaki, Shuffle, c. 2020
Casein, color pencil, and graphite on paper
"to be nobody but yourself in a world which is doing its best, night and day, to make you everybody else - means to fight the hardest battle which any human being can fight; and never stop fighting." - e.e. cummings
Michalina Janoszanka, Wiosna (Spring), c. 1920s see more here
a.p.gath, Slay and The Monitor c. 2025
Daisy Makeig-Jones for Wedgwood
'Ghostly Wood' plate from the 'Fairyland Lustre' series, 1916-1932 Porcelain, lustre glaze.
Maria A. Guzmán Capron
Recuerdos Que Arden, c. 2023
Me Veo En Ti, c. 2022
Duo, c. 2021
fabric, thread, batting, spray paint, acrylic paint
Ruth Speer, Asking my mother for my baby teeth, c. 2024
Oil on built wood panel with drawer, human hair
Jeanine Brito, After Spring Comes Summer, c. 2024 and Zärtlichkeit als Erbe (Tenderness as Inheritance), c. 2022
both acrylic on canvas
"We all know (for we are told it so often) that girls who linger in the woods meet terrible fates. They are devoured by beasts. They lose the path. They succumb to temptation.
They do not marry; they do not rule.
What truly goes hungry - when it is denied girls to devour - is the castle.
May we live to see it starve."
Melanie Gillman, Other Ever Afters
Melissa Meier, Masks
"In “Masked” I use masks as a form of expressed emotion rather than concealed disguise. I fabricate oversized masks out of clay and ceramics bringing them to life using glass eyes, paint, and human models; I then photograph them in both abstract and commonplace settings. Sculpted stylistically, the masks appear to breathe and live, whether a person is posing behind them or not. With each mask I work to capture the private emotions that are expressed when one is alone. ... In this series I am using masks as a form of revelation. Through the masks I am able to explore one’s true sense of self - not one that is formed by culture, gender, race, age or experience."