EXPECTATIONS
The Bright Sessions

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Sade Olutola
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@nedjemetsenen
Yugi: Can I say something?
Atem: Sure.
Yugi: Your smile is the most beautiful smile I have ever seen.
Atem: Can I say something as well?
Yugi: Of course.
Atem: This smile only exists when I'm with you.
Kaiba: I think I'm gonna throw up.
protagonist syndrome
"What's the sudden interest in ancient Egypt?"
"No reason" I say, failing to mention there is a very Atem shaped reason 𓂀
This is how it happened, right?
hydrogen bomb vs coughing baby
been stewing on an analytical approach to fiction which I call "is this book afraid of me?" and in order to answer this question you determine how hard the book is trying to make sure you don't come after the writer on twitter
Tags via @deadpanwalking, editor and ass-kicker extraordinaire
Please keep making art. Please make it for yourself. Please don’t let everything become even more of the same flat general appeal nonsense that doesn’t seem to have anything to say
happy birthday :)!
"Trans people were invented by doctors in the 1950s"
@thatlittleegyptologist Something about this "hot take" seems sus to me, but I don't know enough to say what
okay, so I'm gonna tread lightly here because, well, this site doesn't take well to discussions of nuance, especially on topics such as this. I'm of the very firm belief that trans people have existed for all of history, but the way we approach things like this has to be considerate of the entire context.
So, the individual we're dealing with here is a Roman period mummy that was CT scanned in 2014 as part of the Ancient Lives and the skeleton was determined to be a male, but was originally brough to the British Museum in a coffin that was named and styled as female. The mummy is accession number EA 6704 and the coffin is EA 6703. (Concurrent accession numbers mean they were brought in together and EA stands for 'Egyptian Antiquities' and please be aware that the link for EA 6704 contains images of the mummy for those of you wish to avoid more images of the deceased)
Now a lot of people, in both the comments, the OP, and the book this is taken from are...assuming a lot of things. First of all the tweet and the book it's taken from (no idea which one) say 1960s, and the tumblr comment says 1950s. If we check the museum catalogue entry in the 'Bibliographic References' section it says 'Dawson and Grey, 1968' and is their survey and research of mummies in the collection. It was then further CT scanned in 2014 which confirmed the 1968 analysis. The skeleton, at least, is male.
So why is the above a hot take, and, unfortunately, deeply incorrect?
This mummy, and the coffin it was in, were bought by Henry Salt in the 1820s from an Egyptian seller, which he later sold to the museum in 1835. Given the nature of its arrival, and the complete lack of x-ray ability or Egyptological knowledge (the field of study really only got going in the 1820s when we deciphered hieroglyphs) it was assumed that the coffin, belonging to a woman named Mutemmenu, and the mummy were the same burial.
That's not accurate.
The coffin, styled female and lists her occupation as 'Chantress of Amun' dates to the New Kingdom (c.1200 BCE) and the mummy found within it dates to the Roman Period (anywhere from 30 BCE to 646 CE). This makes the mummy *at least* 1200 years younger than the coffin they were brought in with and therefore doesn't not belong to the mummy. Occurrences like this are relatively common. This is mostly because when these coffins were excavated antiquities dealers just shoved random mummies into random decent looking coffins so they could be sold as one lot. The other option is for the Romans to have reused (again not uncommon) a coffin from an older period and since Hieroglyphs had fallen out of use...no one could read it to say 'hey that coffin belongs to a woman.'
So that's the coffin issue sorted.
Lets move onto the 'breasts', tattoos, and jewellery. I fully understand why people think they're breasts. They look like them, I won't lie to you. Unfortunately, that's not what they are. The 2014 CT scans showed that this individual had a lot of excess skin that before mummification would have meant that the individual was fat. They also had significant tooth decay on one side of their face. Where do you think the embamlers packed out the mummy with extra padding to make them seem more like they did while they were alive? The face, the stomach, and the chest. They're not 'breasts' they're fat rolls. In Ancient Egypt, being fat was a sign of wealth and good fortune. It meant that you had an abundance of food, so officials would often depict themselves with fat rolls and the men with what look like breasts to indicate to people that they were well off. It does not indicate an individual's gender. As the book says, this practice stems right from the Old Kingdom through to the Roman period. It's more common in the Roman period, but I would also state that this is likely a bias in the record as we have more Roman mummies survive than most other periods. It cannot be taken as absolute fact because we're missing data.
Tattoos and jewellery? Well, those, it appears, were taken by the 1830s museum staff, the 1960s scan, and apparently most people in the notes of this post as being exclusively female. Even the OP of the tweet this is taken from seems to take this as a given. Which is deeply strange, because in what world are you guys expecting gender progressiveness from academics in the 1960s? Seriously. You're not even praticing it yourselves because you've defaulted 'male sexed body with jewellery and flower tattoos cannot be male because those things are for girls.' Can you hear yourselves? You rag on archeologists and museums for 'omg they were roommates' and here you are defaulting to 'jewellery and flowers are for girls.' Please.
The 1830s academics did the same thing. They saw the jewellery, 'breasts', 'tattoos' and female coffin and presumed (not being able to read the coffin which said 'Chantress') that the person inside was a woman, and a dancer. In the 1960s, when they x-rayed the body and determined the skeleton was sexed male, they didn't really update any other information so the 'dancer' part was left in. Truth is, we simply don't know who this person was or their occupation. The strapping has been found on some dancers, but it's not exclusive to dancers since it's found on other mummies too. Dancer has simply been assigned to this person based on that and the 'tattoos'. This individual is also covered in gold leaf, marking them out as a high status individual. Dancers were not high status individuals and were certainly not buried with their skin covered in gold leaf. It is important to understand that while the strapping may appear to match dancers from earlier periods, we're talking about 1200 years between those depictions and this mummy. That's like saying someone today wearing something similar to someone from 825 CE have the same occupation despite the fact that there is a huge amount of cultural and societal change between the two. It's not enough to identify anything other than 'might be the fashion of this period', and certainly not enough to pinpoint someone's gender identity. They may have been a dancer, but we cannot prove this and dancing is not a female only occupation.
Tattoos and jewellery were not a female only items. Men wore jewellery in Ancient Egypt and this practice didn't end with Roman occupation. Tattoos were also for both genders (Egyptian definion of gender not modern) and the lotus flower is a symbol of rebirth, it's not consigned to one gender but an extremely important symbol connected with Egyptian mythology. A lot of early research, I won't lie, was extremely biased. It labelled tattoos as for dancers and sex workers only, which reflected the views of tattoos in wider society. A lot of people even today believe that tattoos mean you should be shunned. Thus it was assumed that only women had tattoos. In fact, I can find a paper from 2003 that boldly claims that no male mummies have tattoos (citing a 1988 paper)...then cites several examples of male mummies having tattoos. That's a level of head/desk someone should have caught, because the paper I link for 'tattoos for both genders' shows them from the Pre-Dynastic period (c.6210 BCE - 3100 BCE) on both genders. We also have very few mummies from the Old Kingdom through to the New Kingdom because mummification was still developing, so we don't exactly have a wide data set to say 'men don't have tattoos' thus, I'd take this claim with an extreme pinch of salt since we have examples. I would also state that the caveat is that most tattoos are found on Nubian dancers in one Meroitic cemetery. Something something, sample size.
Fun thing, after that little segue, the mummy doesn't have tattoos. The 'tattoos' are the painted lotus flowers on the linen above the knees that's covering the mummy. Which, at this point, if they're solely on the mummy coverings (we can't check the physical body without unwrapping and we're not doing that) they're more likely to be rebirth symbols and not literal tattoos. Thus taking us even further away from the 'only dancers have tattoos' assumption. The face is painted on too, including side burns and a beard which are what those dark marks are along the side of the cheeks.
That's a beard. It's not the best beard, but it's a very artistic interpretation of side burns.
Likely immitating something like this, which is backed up by the CT scan showing the mummy has short hair on the head and face. It also shows one of their teeth has fallen out and is resting at the front of their mouth, which is pretty cool.
The final thing I want to address is the 'pink' skirt or kilt that was found on the mummy at the time it was accessioned into the BM catalogue. It's not mentioned above, I know that, but it is mentioned in other articles about this mummy. This hasn't survived, so I can't look at it and say what type of garment it was. I don't even want to take 'pink' as the definite colour as we're talking about a c.2000 year old piece of clothing that absolutely will have faded with that amount of time having passed. I would also discourage 'oh they're wearing pink they must be...' because no we're not doing that c'mon people.
So, in summary: this mummy is likely male. I won't say for definite because, we genuinely can never say for certain how someone's gender was presented and new information could become apparrent in the future that changes this, but as of right now there is nothing to say this person had changed their gender presentation. As far as I'm aware with current research, we have no clear way of identifying individuals who transgressed Egyptian gender roles. Their gender roles are much different to ours, and we simply don't have the language or understanding to find them yet. We will, I'm sure of it, but as of right now we just don't have enough information on what the Egyptians classed as 'going against gender roles' to make these calls. In the case of this individual, they have facial hair painted on the mummy and seemingly still on the face of the mummy itself that is in the style men wore at the time. They have fat rolls that have been formed after death that are culturally like those depicted on high status male individuals, and since the mummy has gold leaf on the skin we know this individual is high status. Jewellery is gender neutral in the ancient world, so I'm absolutely not assigning a female gender just because this person has faux bangles. Tattoos? Well the mummy doesn't have them, they're merely painted on the knees and are a known symbol of rebirth not a female only thing. In all, there is nothing to suggest that this individual wanted to be presented as having a different gender. Assuming so based on your modern understanding of what constitutes markers of gender is damaging, and you could be assigning a lived experience to this person without ever understanding how gender was constructed in the time they lived. Based on my knowledge of Egyptian gender presentation, and the evidence I've presented above, this person didn't do anything out of the ordinary for 'male' presentation, thus the skeleton sex identification does not contradict this.
Couple of quibbles that do not change your analysis otherwise. Too many other bits of evidence, context, and important lessons aren't changed by this, but: Skeletal structure is notoriously inaccurate for sexing human beings. With a well preserved mummy, convention is that it can be up to 90% accurate, yes, but that's still a huge margin of error there. 10% chance of being wrong is a high chance. There is no trait in a skeleton that is exclusively found in "males" or in "females". (Putting those in quotes because, Ew!) Now, if there was enough soft tissue preserved, one would think that the CT scan or X-Ray might pick up the configuration of genitals. And that might be more reliable. It is a mummy, after all. Also, human cis men have breasts. Their mammary glands are latent and undeveloped, but the tissue is there ready to be activated by estrogen. And in fat cis men, that estrogen is often present, and the result is called gynecomastia ("woman-like breasts"). There is absolutely no good reason not to call them breasts. Especially when they are enlarged. "Fat rolls" is a weird and inaccurate term for what they are. People are too precious about this in a way that really just results in misogyny, transmisogyny, and dyadic-centric sexism.
You’re right!
Sexing skeletons is an incredibly tricky business and is liable to change given new techniques or technologies as they become available. The skeleton in this case was identified to belong to a woman when first discovered solely based on the jewellery, skirt (though it could be a kilt), and the fact that the coffin was made for a woman. When the body was reexamined in the 1960s they discovered that the body more than likely belonged to that of a man and was likely in the wrong coffin (something that happens very regularly in Ancient Egypt). Subsequent studies have not changed this, but there is always the possibility that this body does belong to a woman and we’re all wrong. There are no certainties with this sort of thing unless you have a good deal of contextual evidence. But we wouldn’t necessarily be able to tell the “genital configuration” through scanning.
Many things happen during mummification and one of those things is uhh…shrinkage. This makes it nigh on impossible to see on CT scans. Even mummies were sure of the identity on (those of pharaohs) the actual presence of an identifiable phallus is extremely hot and miss. For most of the kings we can’t actually see it at all!
I’m aware cis men can have breasts and I’m very aware of gynecomastia. But when I say “fat rolls” I am talking about a very specific detail that the Egyptians culturally used. I’ll show some images of what I mean:
Both of these images show the “fat rolls” because they’re not just breasts, they breasts with fat rolls underneath. This is what they’re referred to colloquially in my discipline and since I was doing scicomm and can’t verify independently that this is the condition this person has, I chose to use the more appropriate term for dealing with a lay audience. It was nothing to do with being precious, I was simply explaining an Egyptian art convention in simple terms.
Sorry dad…..
My friend sent me something that I am unashamedly stealing to show you all
I’ve been listening to Dr. Campbell Price talk about what we know and don’t know about Tutankhamun. I realize this must be old news for you, but as a layperson, I had no idea that Tutankhamun had been erased from records or pharaohs quickly after his death. Like, I knew his reign was short and therefore likely not impactful, but I didn’t know he’d been erased from the record. Just had to share because I was very surprised by this.
Ah Campbell! I'm very familiar with him! And yeah, it's what I'd call the basic information about Tutankhamun. That information has been known for quite a long time. But we all start somewhere! You're one of today's lucky 10,000!
He was a child king, who barely made it into adulthood, and happened to come at the end of a terrible period in Egypt's history. He was the relative** of a king his advisors despised, a king whose reign ripped up the foundation of how Egyptian political culture functioned (I think this is more relevant than the change in religion ever was, yet people always say 'well it's because Akhenaten changed the religion'), and then, despite being controlled by viziers from a young age, and following the religion of Egypt as it had been before, upon his untimely death, they took the chance to bury the legacy of Akhenaten once and for all.
The Egyptians did this a lot, especially when something was aberrant to the balance of Ma'at. Akhenaten uprooted so many things about Egyptian life. This would have pissed off a good many people who were suddenly removed from power, and they bade their time until he died, until the 2(?) kings between him and Tutankhamun failed (we don't know what happened to them), and then started regrouping as Tutankhamun reigned. They used Tutankhamun to reset a lot of things, the Restoration stele resetting the religion to being under Amun as one of them, but when he died, they used it as an excuse to reset everything in accordance with Ma'at. Ma'at was cosmic balance and the king was supposed to keep cosmic balance for Egypt to be prosperous. Balance had to be achieved in all things and this didn't mean 'things could only be good' there had to be both good and bad in balance. The issue was, reigns like Akhenaten's disrupted this 'balance'; they were aberant, and so, to keep Ma'at, those aberrations had to be erased. Culturally, the way to do this was to remove the name of that person, denying them an afterlife, and essentially destroy all images of them. Akhenaten was all but obliterated from the historical record by the Egyptians, even his coffin didn't bear his name, but Tutankhamun was different. While his name was removed publicly, it was still on his tomb goods, which tells you how they viewed him.
Had he lived much longer, it's possible Tutankhamun wouldn't have suffered the fate he did. After all, a 40 year reign would be much harder to hide than a 9 year reign. But because he was young, because he came from the family he did, and because of the legacy that it would leave on Egypt, they simply erased them and pretended it never happened.
** I say 'male relative' because the DNA Hawass announced as 'definitively' saying Akhenaten was Tutankhamun's father doesn't say that. It says they're close male relatives, but the DNA is too old and too corrupted to say for sure. We know they're family, and close family, but this could be a nephew or even a brother, so I tend to hold off saying 'father' when that's not fully supported by the record. If an ostracon, stele, tomb scene pops up saying 'Tutankhamun son of Akhenaten' or analysis of very old DNA gets way better, then I'll believe it.
I’ve been learning a lot! I had to go look up your reference to the two kings between Akhenaten and Tutankhamun (is that taking into account the possible regencies, or am I off the mark there?). I also learned from listening to Campbell the degree to which the version of Tutenkhamun’s medical history I learned early on (possible club foot, possible injury to the head, possible scoliosis) is all in doubt today. So yeah, it’s been a lot of learning 😂
There are two possible reigns between Akhenaten and Tutankhamun, Neferneferuaten and Smenkhkare. We have next to no information on these two. We don't know how long they reigned (not very long), nor who they even were. We're not sure whether there were any regencies, because that all depends on who these two are, and how close they were to Akhenaten. They certainly had no regency with Tutankhamun. Anything else I can say here is pure speculation.
Yeah, the documentary that made him out to be a man with a severe overbite, cleft palette, club foot, and severely disabled is one of the worst documentaries that has ever been produced. They never had any access to the body, they never ran any tests, they simply ran off old photographs and gave out pure conjecture, labelling it as fact. Overbite/buck teeth? He was mummified poorly, so his jaw has slipped backwards. When in a normal position, this issue isn't present. The claim relies on the jaw being in the post-mortem, unnatural position for its evidence. Club foot and Scoliosis? Archaeologists specialising in Osteology have examined this body time and time again and even again after this documentary. They have found no evidence of severity that would be visible/cause him pain. The clubfoot is so slight that the whole 'ankle fully rotated' image of him makes me angry. He does have a cleft palate but it's in the hard palate and would not have been an issue for him. Wide hips? The documentary makers simply took the cue from Amarna art and just slapped wide hips on him. His skeleton shows width in the average parameters.
I distinctly remember the anger amongst Egyptologists when that documentary came out, and I remember discussing it with Campbell and others at a pub one night after a seminar. People were pissed because it threw out a bunch of easily disproven fallacies about a dead man who can't speak for himself, turned him into a caricature of himself, and because it was so widely spread by the media it's become the thing people think about when he's mentioned. They turned him from 'man who died in a chariot accident' into 'hey guys look this! he's a cripple! Doesn't he look funny and gross now?!' and it's sickening. None of it is true! It's done so much damage we're still trying to undo over a decade later!
It's why when people say 'what's the harm in just making stuff up for fun about historical figures? I should be allowed to have fun!' I want to scream. If you're putting that out in the public sphere, you have a duty to make it clear it's not real or we'll end up with another 'hatshepsut is trans' scenario.
All transformative fandom (fanfiction, fanart, speculative meta) involves some extrapolation from canon; otherwise, we're talking about curatorial fandom (Star Trek folks out there counting how many doors we see on the USS Enterprise during each series run, Silmarillionheads charting the lineages of elves back to the dawn of time, etc.)
This means that if you're in transformative fandom, "canon vs fanon" isn't a binary, but a spectrum.
YGO is an interesting case because there's a zillion canons to pull from, all of which both reinforce and contradict each other constantly. Also, much of the fandom has been kicking around for 20+ years, mixing and matching at will; the horse is out of the gate, and trying to enforce strict delineation between anime/manga/spinoff films/filler/dub/sub/etc on the entire fandom is a lost cause. I think that's actually even more of a reason to add in some nuance and work off a spectrum, because in a canon this (I say lovingly) convoluted, there's some real value in being able to broaden your evaluation tools past "canon vs. non-canon" and figure out which bits of 'fanon' might actually trace back somewhere.
Here's the rubric I tend to work off:
"Honda Hiroto attends Domino High School" - this is stated canon. It is a declared fact in-story, and there are no conflicts across any Yu-Gi-Oh! medias.
"Honda is loyal and conscientious" - this is directly conveyed canon. Honda is demonstrably loyal to Jounouchi and later to Yuugi. Honda carries and looks after people when they're incapacitated. Honda makes sure people aren't left behind: he advocates for the Kaiba brothers in Duelist Kingdom despite his personal distaste, and he checks up on Bakura more than anyone else. This is a major character trait and you're clearly meant to get this out of the source.
"Honda is interested in machinery" - this can be reasonably inferred from canon. Honda rides a motorcycle, is frequently associated with mechanical imagery in the context of Duel Monsters, and is seen in DSOD repairing Jounouchi's duel disk. It's not the major focus of his character, but it's still a straight line you can draw from canon.
"Honda really fucking likes cantaloupes" - this is esoteric canon. It is mentioned Once in capsule monsters, and literally never again. This could easily be confused for fanon, but...it is indisputably canon. to something.
"Honda would become a mechanic post-canon" - this is grounded fanon. Despite his interests, Honda never actually mentions wanting to be a mechanic. While he does mention that he's expected to work at his father's factory post-graduation, he's clearly not thrilled about it. Because the series ends before we see what he actually chooses, there's nothing directly supporting or contradicting this fanon; but it also doesn't come out of absolutely nowhere.
"Honda has asthma" - this is ungrounded fanon. I give Honda asthma in my personal headcanons because I have asthma, and I love Honda and relate to him and want to project my shitty lungs onto him. There is absolutely nothing in canon to suggest this. If you wanted, you could argue with me and tell me that this is a ridiculous headcanon. It would be unnecessarily confrontational, but you'd be correct. And if I were to go around telling people they were stupid for not making Honda asthmatic, I'd be both unnecessarily confrontational and wrong.
There are definitely some medias where it's really easy to suss out when the fandom is just running with some randomly invented fanon that has inexplicably replaced canon. Unfortunately yugioh is not one of them. but...that also means you get to enjoy the delight of explaining to people that Yami Alexander the Great and Henry Tudor Yugi are not mass-hallucinated fanon AUs, but both actual (and completely unrelated) canon.
@c-l-y-d-e Yes 🥰🍈
jfc this is the best thing i’ve learned all year
MAGICIANS OF THE DARK ARTS
i was possessed for several hours to make this i was a little tired of staring at it but here it is (bonus stuff under cut)