Nella

Yeah. We live, we die. Ultimately, nothing means anything.

[newyorker]

In the early 1990s, Wolfgang Tillmans was known for chronicling Gen X and rave culture and taking portraits of musicians like Aphex Twin and the Blur front man Damon Albarn. He saw the acid-house-music nights at Opera House, in Hamburg, or the Love Parade, in Berlin, not just as hedonistic gatherings but as a political achievement. But outside the world of his photos, he has admitted, this freedom only existed in “little nuggets and pockets and areas.” 

[bluesonplanetmars]

[nellavig]

[espritmetropol]

Porto Ceiba (hier: La Ceiba, Honduras)

[seanhowe]

David Byrne and Brian Eno, 1981. Photographed by Marcia Resnick.

[topcat77]

Helen Frankenthaler

 Vineyard Storm, 1974

[la-beaute--de-pandore]

Adam Custins and Valery Gherman

Little Odessa

[la-beaute--de-pandore]

Marilia Fotopoulou

“Interior Decoration”

[nellavig]

[gacougnol]

Lee Chee Wai Light Up… Impression of Xiapu

[la-beaute--de-pandore]

Biscuit eyes by Leeber on Flickr.

[ingenjones]

© Ingen Jones 2017

(Please do not remove the link and this caption when reblogging. Thank you so much !!)

[bazaardotco]

Wim Wenders’ Polaroids

[sallesgilles]

2 feuilles, 1 oiseau…

Agen - Mars 2014

[the-eternal-moonshine]

Empathy

[afleshfesten]

Yes we can !

[afleshfesten]

Pierre Soulages, Peinture 181 x 405 cm, 12 avril 2012

[tournevole]

J’ai vidé mon sac à tes pieds et pour ta peine tu ramasses les morceaux désarticulés de ce qui fut de ce qui passe relève-toi que je t’embrasse entre mes bras désaccordés déjà tu fuis mais sur la trace jusqu’à la nuit je marcherai jusqu’à la nuit où on trépasse de ce long jour éternisé sur le visage où rien n’efface la marque rouge des baisers

Stèles de Paul Zumthor (via tournevole)