words create lies

“i see you in my dreams quite often. that’s why, this feels like the continuation of a dream”

[weltenwellen]

Mary Oliver, from “August”, Devotions

[pastel--sunflowers]

All Our Bruised Bodies And The Whole Heart Shrinks | La Dispute 

[crystallizations]

Photograph of the main floor of The Limelight NYC, a popular 1990s nightclub that was opened in a Gothic Revival style church that was built in 1844.

[gaycommunist]

oliver baez bendorf “bone dust” // “you up?” rachelle toarmino // “vocabulary” bao phi // svetlana alexievich “secondhand time”(trans. bela shayevich) // har alluri “ancestral memory” // céline sciamma on portrait of a lady on fire // “the glass essay” anne carson

[truei0ves-deactivated20210406]

LOVE, DESIRE, HURT, KNIVES, BLOOD.

Richard Siken / 红月 Red Moon (Detail) - Huang Guangjian / x / can’t we just leave the monster alive - TXT / ’Ariel’ by Aneleh, published in the tide rises, the tide falls journal / Yves Olade, from When Rome Falls; Bloodsport, 2017 / Jane Hirshfield, Assay Only Glimpsable for an Instant

[weltenwellen]

Bessel van der Kolk, The Body Keeps the Score

[neoindiviuation]

it felt like they walked and drove on me

[weltenwellen]

Audre Lorde, from “A Litany for Survival”, The Collected Poems of Audre Lorde

[thedevils1971]

love song (1984) dir. sion sono

[holyisthenameofmyruthlessaxe]

Postcolonial Love Poem, ‘Wolf OR-7′ by Natalie Diaz

[ID: I confuse instinct for desire - isn’t bite also touch?]

[movie-gifs]

Perfect Blue (1997)

[absencesrepetees]

red post on escher street (sion sono, 2020)

[weltenwellen]

Carol Rifka Brunt, Tell the Wolves I’m Home

[splinteredsoul]

0cm4 (2001)

dir. Sion Sono

[illegall-shit]

vivienne westwood fw12

[yesterdaysprint]

Spokane Chronicle, Washington, October 31, 1918

[jovialtorchlight-deactivated202]