I hope that whenever you browse my blog, Enigma's "Sadeness" starts playing in your head.
h
tumblr dot com

@theartofmadeline
AnasAbdin
Alisa U Zemlji Chuda

No title available
art blog(derogatory)

No title available

Andulka
2025 on Tumblr: Trends That Defined the Year
cherry valley forever
ojovivo
Not today Justin

blake kathryn
🪼

oozey mess

⁂
Keni
$LAYYYTER
Today's Document

seen from Singapore

seen from United Kingdom

seen from United States

seen from Canada
seen from Bangladesh
seen from Pakistan
seen from United States
seen from United Kingdom
seen from United States

seen from Mexico

seen from China

seen from United States
seen from Switzerland

seen from United States

seen from United States
seen from United States
seen from Italy

seen from Jamaica

seen from United States

seen from Malaysia
@iluvdannydevito
I hope that whenever you browse my blog, Enigma's "Sadeness" starts playing in your head.
Andrea Gibson, "DEPRESSION [VERB]", Lord of the Butterflies
Wong Kar-wai: In the Mood for Love (2000)
— James Baldwin, They Can’t Turn Back
Berenice Abbott Magnetic Field (1958-1961)
Odilon Redon St. Sebastian
Watercolor and gouache on off-white wove paper, 3.4 x 15.3 cm
greater dog and lesser dog (constellations Canis Major and Canis Minor)
astronomical miscellany, Germany or Switzerland 15th century.
Lyon, Bibliothèque municipale, ms. 172, fol. 49v
New century Gladys. The dahlia. 1916.
untitled part 1: everything and nothing (1999) souha bechara after her release from captivity in israeli prison el-khiam in south lebanon.
An intimate dialogue that weaves back and forth between representations of a figure (of resistance) and subject with, Soha Bechara ex-Lebanese National Resistance fighter in her Paris dorm room taped (during the last year of the Israeli occupation) one year after her release from captivity in El-Khiam torture and interrogation centre (S. Lebanon) where she had been detained for 10 years, 6 years in isolation. Revising notions of resistance, survival and will, recounting to death, separation and closeness; the overexposed image and body of a surviving martyr speaking quietly and directly into the camera juxtaposed against her self and image, not speaking of the torture but of the distance between the subject and loss, of what is left behind and what remains.
On Vimeo (40:46) https://vimeo.com/71401594
Unknown ( Royal Canadian Air Force ),Spectrum of Totally Eclipsed, 9 July 1945
1. Shindō-Fuji (身土不二) – Body and Earth Are One
This principle emphasizes harmony between the body and the environment. It promotes eating local, seasonal foods—not for indulgence, but for balance with nature. Flavor becomes secondary to aligning with what your body truly needs.
2. Ishoku Dōgen (医食同源) – Medicine and Food Share the Same Origin
Food is seen as medicine. Meals are prepared with health and longevity in mind, not just taste. Simpler flavors (like miso, seaweed, or pickled vegetables) are respected for their healing properties rather than overwhelming pleasure.
3. Hara Hachi Bu (腹八分目) – Eat Until 80% Full
Practiced notably in Okinawa, this encourages mindful, restrained eating to avoid overindulgence. Flavor isn’t ignored, but it’s not the main driver—satiation and awareness are.
4. Wabi-Sabi (侘寂) – Beauty in Simplicity and Imperfection
This aesthetic philosophy also applies to food. Meals that are plain, subtle, and seasonally appropriate are more respected than rich or overly spiced dishes. Subtlety is a virtue.
5. Ma (間) – The Space Between
“Ma” reflects the value of pauses and emptiness—even in taste. It implies that flavors should not overwhelm each other. This leads to restrained seasoning and appreciation of natural tastes, even blandness.
6. Zen Mindfulness (Zazen 食事) – Eating as Meditation
In Zen practice, meals (often called oryoki) are rituals in mindfulness. Eating is an act of presence—not pleasure-seeking. The flavor is acknowledged but not pursued.