The new NRIII album “Gnashed” is now available for pre-order on Bandcamp. Limited release of just 100 cassettes. Three songs available for streaming right now.

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The new NRIII album “Gnashed” is now available for pre-order on Bandcamp. Limited release of just 100 cassettes. Three songs available for streaming right now.
Three new releases available for you to browse at our Bandcamp page.
The first is a new split by Lilienfeld & Electric Teeth. The second is the album "Bi-Molar" from Electric Teeth The last is "A Passion for Pleasure" by Ghoul Tooth
All three can be streamed for free via bandcamp or purchased for $5.
Hey, everybody! We are currently in the process of uploading our music to Bandcamp so that everything is in one easy and trustworthy place for people to listen to/purchase/etc. This does mean that past links in this tumblr are going to become invalid (some of which already happened when we lost our original host a few years back). The Tumblr itself will continue on as a source for news as there is some to report, but we recommend not being afraid to bookmark the Bandcamp page as we won't make an announcement on here as former releases are put up (we will for NEW release, however). If you didn't find the link above: neondoom.bandcamp.com
AVAILABLE NOW FROM PRISON TATT RECORDS! NRIII - The Algea /// full LP, ltd. 100
From the Label:Â Some time in the making, Prison Tatt is proud to present the first, full-length vinyl by Florida-based, horror-sonic post-industrialists NRIII! Over the course of their debut tape on Primal Vomit Records (see our distro), and several dazzling CD EPs on their own Neon Doom Records label, we've watched eagerly as NRIII's sound has evolved into the very unique voice they have today. Though not at all a throwback, with many digital sounds, this LP is A MUST for fans of the middle 80s, post-TG industrial explosion that included H.N.A.S., Nurse With Wound, Einsturzende Neubauten, Staalplaat label, and others. Raspy vocals overlay a complex array of sounds, conveying a rich palette of dark and truly haunting sound inventions and "song" structures. This is the right album at the right time, catching NRIII at an outstanding plateau of their evolution; transmissions from a padded cell of subconscious mystery. Repeated themes churn and burn, emerging from the darkness, and The Algea sits comfortably in our collection alongside inspirational, landmark works like Merzbild Schwet, Kollaps, and Neo Zalanda's Mix Zelanea. In its way, The Algea is the album we always wish Coil had made, like the hardest, eerie moments of Scatology. This may seem like outrageously high praise, but in our view, the collision of Prison Tatt Records and NRIII could not be more well-timed and placed in the history of this very-unique, mind-shattering, 21st-century music, with maybe half a foot dangling in the most-outstanding moments of the late 20th. Comes with black-and-grey sleeve design by the band, on very heavy white stock (silkscreened at Seizure Palace), and one of the label's built-to-last vinyl sticker designs. Limited to 100 pieces pressed. (Canada and overseas customers, please inquire to [email protected] for a specially calculated price.)
ND-21 brrrapture & electric teeth - Clipping Remixes Creeping out of the speakers last year the California group Clipping started fusing rhythmless noise with smart lyricism to fuse the same startling contrast of dälek's most threatening moments. Earlier in 2013 they released their first full-length album, along with pellas and stems. Naturally the boys in brrrapture and electric teeth had their ears perked up. Bringing their eclectic mix of boom-bap (brrrapture) and soundscapes (electric teeth) to the pellas, both artists took to re-imagining three of clipping's LP cuts. Tracks: 01. - Bullshit (brrrapture remix) 02. - Mobb2It (electric teeth remix) 03. - Bout That (brrrapture remix) https://soundcloud.com/neondoom/sets/clipping-remixes
Stream the new Ghoul Tooth album for free by visiting our soundcloud! https://soundcloud.com/neondoom/sets/ghoul-tooth-mvx-opvl It'll only be available through Feb. 14th, so listen to it and learn to love it now.
(and then buy it, ya dummy)Â
ND-11 Ghoul Tooth -MVX OPVL Around a week ago we finally got around to giving the first Ghoul Tooth album (Ghouls Gone Wild) a proper introduction, even though it had been out in the world for consumption for more than a year. As you can see above… there was a reason… to help people get excited for this brand-new release from the boys.
While Ghouls Gone Wild was a breezy and warm celebration of classic techno sounds, MVX OPVL is a completely different beast. While the appreciation for the early and mid-90s techno sounds are still front and center; this time they are clouded by the deep reverb and repetition made famous by the Basic Channel/Chain Reaction labels.
Each track sounds like it is being drug along the bottom of the ocean, catching each bit of flotsam and jetsam along the way. Sounds bubble up and disappear while each bass kick sounds like you’d be wringing it out for hours and it’d still be dripping wet. This leaving a much more challenging listen for adventurous music lovers only.
That's not to say MVX OPVL isn’t an entertaining piece of work; quite the contrary. When listening to it, especially on headphones, you are sucked right into the world of these sounds. Allowing your brain to fill in the blanks in the intricate soundscapes presented by the skillful hands of Ghoul Tooth. So if you are ready for this deep sea adventure just grab your scuba gear and click on the link below to begin.
https://www.createspace.com/2079193Â -CD -$9.00
ND-20 Ghoul Tooth - Ghouls Gone Wild If you've been paying attention to our SoundCloud than this is far from a new release for you, but if you haven't gone browsing over there now you have a reason why... uploaded almost a year ago, Ghoul Tooth's Ghouls Gone Wild is a minimalistic gem of field recordings, electronic bleeps and bloops, and unique ideas that wash over you again and again and again lulling you into submission. While never coming at you too hard, this collection isn't satisfied sitting in the background either. Sounds are twisted inside one another and appear in brief flashes that, if you're blinking your ears at the wrong time, you just might miss. This might be the perfect antidote for people coming down from their New Year's highs. And the best part? You can stream and download the tracks for free. https://soundcloud.com/neondoom/sets/ghoul-tooth-ghouls-gone-wildÂ
Maybe not considered an official release... more a curiosity. Recently, one half of NRIII appeared on the radio show Lost in the Stacks on the Jacksonville, FL, NPR station WJCT. The interview (including original mixes of songs by the artist) was then recorded from the radio on a handheld radio and stretched, reverbed, and echoed out into a nearly three hour ambient soundscape. If you're going to bootleg your own interview, there is a much better or more creative way to do it. So if you have three hours to kill and need good mood music... here you are.
ND-10 – Hot Mess – It’s Cool Man, Don’t Worry
In a way it is sort of funny that is has taken us to our 10th physical release before we got around to (re)introducing the world to HOT MESS. You see… if there were no Hot Mess, there wouldn't be a Neon Doom. This little put-putting of a Website/Record Label/Digital Stew originally had a different home and was created as a way to introduce people to the music, art, shows, and sounds of robad pills, Louie Applesauce, and their collaboration.
Some how, when bringing together the intricate breakcore and drum and bass of robad pills with the noise and sound experimentation of Louie Applesauce, Hot Mess found the common ground of house music in all of its forms. From strictly hardware and live instrument tracks to sequencers and studio production, the boys of Hot Mess weaved wildly into whatever idea scattered across their brain.
 As their ideas gained more and more focus, new names and projects started to bubble up and pick apart the splatter output of the original Hot Mess name. With High School Clicks, Muscle Boys, Ghoul Tooth, cauldrone, wizards, Electric Teeth, brrrapture, moth mouth, MOBB CREEP, etc.etc.etc. Hot Mess was reborn again and again and again.
But this collection comes from when the boys were just starting to work together again after a number of years (and a musical lifetime) apart. From 2008-2010 Hot Mess were paving their own path four steps ahead of everyone else. By the time the world caught up… Hot Mess proper was over. These 13 tracks lead you down 77 minutes of hijinks and fun that are sure to keep the party going.
https://www.createspace.com/2077829 - CD- $10 http://soundcloud.com/neondoom/sets/hot-mess-its-cool-man-dont/ - Listen to 3 Tracks Off This Album Right Now!
http://soundcloud.com/neondoom/sets/danny-brown-remixes-1
ND-19- brrrapture xxx Electric Teeth - Danny Brown Remixes Sometimes when you break apart a duo you can truly hear what both parts bring to the collective whole. As a fun side experiment, brrrapture and Electric Teeth, the two guys behind High School Clicks/Hot Mess/Ghoul Tooth and other Neon Doom mainstays took on a variety of Danny Brown instrumentals from his "XXX" album and the contributions they bring to their duo projects are pushed directly to the forefront of the proceedings, even if unintentionally. With brrrapture you hear dynamic professionalism, tracks that take the idea of the source material and create their own sound that would still perfectly inhabit the world of underground, heavy hitting hip-hop. More than just an imitation; you can see how with just a turn of a sound brrrapture is able to fully inhabit the genre like any of the producers featured on the Danny Brown original. With Electric Teeth you here the sloppy abstractionism of the sound. Like a child happily breaking apart songs into giant puzzle pieces and gleefully throwing them into the air and trying to put them back together however they fall. Like a self sabotage, you can tell Electric Teeth fully understands the genre and what should be done to make it successfully, but that he does not have the patience of interest in accommodating any listener but himself and the people who share his head space. Smashing these production styles together and the perfect balance creating in their duo projects makes perfect sense. It helps that the final product of this EP is also pretty fun to listen to over and over again as well. Â
Hear the first track off of the new NRIII EP "Spat Upon" and then buy the damn thing at https://www.createspace.com/2042684
ND-09 - NRIII - Spat Upon When a band releases three EPs in just as many months it can be kind of hard to find new ways to introduce them to the audience. Luckily, the three EPs from NRIII have been such unique sounds and visions that they sort of define themselves. It is the sound of an artist(s) molting. Growing in real time to advance and explore the different sounds and ideas rattling around in their head to find themselves in a new place at the other side of the tunnel. The last of these growth EPs comes in the form of "Spat Upon", four tracks that seem to bring together the sounds of the first two EPs and bring them into a stunning context. The use of space, broken down and put back together sounds, and even haunting violin show amazing progress from r.reno and r.pitts. If this helps define the direction they are going into for the next full length. Consider me hooked.
Spat Upon - $7.50 4 Tracks. - 21 Minutes https://www.createspace.com/2042684Â
ND-08 - Whimsical Fetus - Instant Instructions for Those Who Follow No Master  The final release in the current batch of Whimsical Fetus reissues and it is one of my favorites. The original Instant Instructions was record in 2002 and consisted of 6-tracks at just over 20-minutes. A lot of them were experiments in sound and space using abused synthesizers and tape loops. Two of the tracks, however, were lost to time and were not able to be included in this release. So what did we here at Neon Doom do? We dug into the archives and found two similarly minded tracks to replace them. One from 2001, which is an 18-minute exercise that would fit right in on an early Conrad Schnitzler album and the other is a 40-minute drone experiment from 2010, which also happens to be the very last recording the band ever performed. (You can listen to this song by going a bit further back on this blog or visiting our soundcloud.) It all equals out to a 72-minute, jam packed synthesizer adventure for the senses. https://www.createspace.com/2060720 Â
"Solus Patior" was reviewed by Crucial Blast. Check out what they had to say about it and then go ahead and order it from their site! "Got hooked on this band through their debut cassette on Primal Vomit, but that was just a glimmer of the weirdness found on this full length disc. While most of the stuff that you'll hear on Primal Vomit tends towards raw blackened punk and blazing low-fi black metal filth, NRIII stood out like a sore thumb with it's pulsating midnight electronics and bizarre industrial creep-factor. I loved that tape, but on Solus Patior, this Florida-based band sounds even more unique as they blend together elements of power electronics, black noise, IDM and Scorn-esque rhythms. On the twelve minute opener " Delirious", the disc begins with the sound of rainfall, the hiss of droplets crashing to earth, but then a huge blown-out synth comes in, joined by these disgusting snarling goblinoid vocals, wheezing and cackling over the rumbling synth-riff that keeps repeating itself over and over, sounding for a moment like a strange black-noise version of Theologian. Chaotic computer noises, random beeps and bloops come cascading down over this hypnotic blackened synthesizer melody, and those weird, demonic screeches continue to be vomited underneath the crackling electronics, until it all disappears down a burbling, bleeping black hole of electronic slop. As the album goes on, we're treated to strange electronic soundscapes filled with minimal tones and abstract rhythmic clicks, bizarre vocal sounds and those omnipresent goblin shrieks joining with creepy percussive sounds drenched in bucket loads of psychedelic delay, and blasts of crude 8-bit granular distortion. A lot of low-fi junk-noise and cosmic synth fuckery shows up throughout the tracks, sometimes appearing as a fucked-up industrial dirge that leads into a brutal, heavily distorted Godflesh-esque breakbeat, or becoming dark ambient soundscapes rattled with the sounds of abused sheet-metal. There's also passages of weird ambient electronica where looped drumbeats gallop around in circles beneath eerie Theremin-like tones, but then build into a furious torrent of tribal drums and incendiary noise. And then comes the blasting violence of "Capitalism", only two minutes long but it's total compressed savagery, a mesmerizing synthetic tremolo riff cycling over the wall of hiss and blown out blastbeats pushed into supersonic velocities, like a Nekrasov song run through a wall of shoegazer guitar. "Occupation" is another stand-out mindfuck as it launches into a cacophony of broken drum n' bass skittering around at top speed, bleating free-jazz saxophone splattered across the electronic chaos, while a variety of bestial voices and sputtering noises erupt in the background. This tips over into the extreme distorted doom of "Suffering", a massively blown-out industrial dirge plowing through clouds of toxic gas and flocks of bat-winged devils. NRIII totally defies categorization, which is fine with me. It definitely has a huge malevolent streak, and fans of the weirder fringes of blackened industrial will especially want to check this out. At times, it's sort of like hearing a black metal vocalist fronting a Consumer Electronics set being recorded over a choppy landline. Highly recommended. "  http://www.crucialblastshop.net/
Here is a fantastic review, interview, and podcast with one half of NRIII from the fine folks at Grindthieves. http://grindthieves.com/blog/?p=1857Â Â
ND-07 - Whimsical Fetus - Xibalba https://www.createspace.com/2059797Â
Originally recorded in 2005, this improvised recording shows a different side of Whimsical Fetus than the previous physical release "The Leg's Urethra." An assault on the senses, this recording doesn't lose any of the atmosphere WF was known for creating even when the amplifiers were turned all of the way up. This 34-minute recording was influenced and named after the Mayan underworld and carries over the theme throughout its 3 tracks as well as the front cover, which features Vucub-Came (Seven Death), one of the two main lords of Xibalba. This is the perfect introduction for people looking for a more aggressive form of experimental music.