HELAENA TARGARYEN in ‘House of the Dragon’ season 3
CASSANDRA by Evelyn De Morgan
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@nettlesdefensesquad
HELAENA TARGARYEN in ‘House of the Dragon’ season 3
CASSANDRA by Evelyn De Morgan
ANNATAR 2/?
THE LORD OF THE RINGS: THE RINGS OF POWER ⋆˙⟡ 1.07 "The Eye"
Brayden Elliot - "We grew into this rivalry, which is kinda hot, but..."
no warnings, cutesy stuff after you have an accident on ice while the rink is snowed in because of a winter storm, Brayden is the only around to help you and you have to spend the night in the rink (temu version of the one bed trope)
My favorite Haladriel/Saurondriel quotes from TRoP creators and cast
"[It was] one of the initial sparks and ideas...Galadriel talks about Sauron in the books in a way that indicates that she knew him maybe really well. [...] And the idea...that this has been a thing where he's been reaching after her for a long time and there's been this sense of back and forth between them. We found that...endlessly fascinating, and we said, 'Like, there's an entire history between them.' [T]here's a relationship. And so we said, 'How could you have a relationship between the Dark Lord and Galadriel, you know, in a way that was good, really let them get to an interesting place?' [H]e has this desire to heal the world, and she has this sort of heroic desire to fix the world also, and so if you could put them in parallel to each other without exactly her knowing who he was, there was an opportunity there." "The chance meetings are preordained in Middle-earth and that idea of...what if Sauron is in a place where he's sort of repentant and lost and Galadriel is in a place where she's desperate and obsessed with a meeting?" --J.D. Payne, Patrick McKay (Radio Times)
"at the end of the day, if these two aren't connecting, none of it matters. That's not the cherry on top, that's the whole ice cream cone." --Patrick McKay
"It would be easy to mistake the lyrically swirling strings of the Galadriel ostinato with the urgently metered tremolo strings of the Sauron ostinato. The truth is that while these two character ostinatos are technically unique, I wrote them both to be easily confused for one another. I did this because we never actually see Sauron for the majority of the season, as we mostly experience the idea of him through Galadriel. For the first season, Galadriel’s defining character motivation is her relentless quest to find and crush Sauron. I wanted the score to suggest that her thoughts of Sauron are always on her mind, always influencing her decisions."
"The remainder of the episode’s Prologue features warring fragments of the Galadriel Theme and the Sauron Theme, clashing back and forth as the audience is introduced to the adult Galadriel" --Bear McCreary (Scoring Episode 101 'A Shadow of the Past')
"Our prologue concludes with Halbrand awaiting his fate on a makeshift raft. The Sauron ostinato engages in full force after he hears Galadriel call for help. The choir singers foreshadow the words Halbrand will shortly say to her when she reaches the raft, singing in Quenya, 'Sólar ambarto,' meaning 'The tides of fate.' --Bear McCreary (Scoring Episode 201 'Elven Kings Under The Sky')
"In that moment, he feels this cosmic connection to this person, and he's spent so many years alone, and meeting people that are not like him, that when he meets someone with extreme, incredible power, you get a thrill, you get a rush, and you say 'I want to be with this person.' So, she's survival" --Charlie Vickers (Inside The Ring, Episode 8)
"He saved her, and she saved him. So they are bound...and I feel that what would make an unbreakable bond is saving each other’s lives." --Morfydd Clark (Inverse)
"With Galadriel, he very much has this, as equals…they're kind of, like, bickery and poking at each other a little bit, in a way that you do with someone that you feel is really on your level." --Gennifer Hutchison (X-Ray Vision podcast)
"as they really sort of begin to pierce each other's emotional armor, they're almost staring directly into the lens, almost kind of staring directly into each other's souls." --Wayne Che Yip (Inside The Ring, Episode 5)
"what Galadriel represents for him is like a second chance, almost--a new start. […] He has this whole new life set up for him, but there's this person that he has connected with, and I think he knows full well that she is…using him[.] But there is something within him that is drawing him back to that, and something in his, I guess, destiny, he feels like is written in the stars for him to go with her." --Charlie Vickers (Inside The Ring, Episode 5)
"She so wanted to fulfill her vengeance that she made Halbrand whoever she wanted him to be. She was in a state where she would believe things easily if they aligned with what she wanted. [...] There was barely anything saying that he was the king of the Southlands. He always said he wasn't. But it suited her because she needed to go to Middle-earth and she needed the Numenorians." --Morfydd Clark (Inverse)
"Pleading for empathy...Halbrand tells her he feels liberated from Morgoth’s vile influence, and asks her to join him as queen. I supported his genuine offer with a unique version of the Sauron Theme. [...] In between each regal phrase of the Sauron Theme, a solo cello offers an emotional phrase of The Halbrand Theme. This passage is the first time the Halbrand Theme and the Sauron Theme are presented simultaneously"
"The sea turns to glass, literally reflecting for Galadriel a tempting vision of a possible future. [...] Tolkien fans will recognize much of this dialog from Galadriel’s unforgettable scene with Frodo at her Mirror...making clear that this scene with Sauron on the raft will haunt her for thousands of years. The choir supports this brooding passage with...'Temptation, give into desire, the choice of peace'" --Bear McCreary (Scoring Episode 108 'Alloyed')
"He basically proposed to her, come be with me, be my queen, and let’s rule Middle-earth together. You’re a light to my ambition, peanut butter to my jelly, let’s go." --J.D. Payne (Deadline)
"She still has that feeling of, I have to be the one to fix this. It really mirrors what Sauron’s saying…‘I’m the one who can fix the world–with you’. There's a reason why that's tempting for her" --Gennifer Hutchison (X-Ray Vision podcast)
"she’s tempted enough [by Sauon's proposition to be his queen]. She realizes that she is a type of atomic bomb, I think, there. And so there’s a care that she has to take throughout the rest of her existence, because she saw herself as good and as a hero. And now she’s seeing herself as more in the realm of Tolkien’s gray areas." --Morfydd Clark (TV Insider)
"I think that also kind of binds her to him, because...he'll forever be the person who deceived her and tricked her." --Morfydd Clark (GamesRadar)
"Sauron--I think he even really loves Galadriel. And you see that at the very end [of s1]. He would wish he could get her back." --Charlotte Brändström (X-Ray Vision podcast)
"he is never really connected to someone else on his level. Galadriel is the closest thing to that. ...there is a part of him that feels like she has the power to...fully influence his course in Middle-earth. Whereas I think he sees Adar more as someone that he can swat aside." --Charlie Vickers (IGN)
"whatever connection they had was enormous. Whether it was power, friendship, whether it was romance, it was just completely beyond what they felt before." --Morfydd Clark (Inverse)
"it's really hard to shake those that wound you. So he is there, and will always be there. [...S]he's feeling this connection to this possibility that was there when Halbrand existed as his form. [S]he felt powerful in a particular way when she was with him, and does she miss that? Possibly." --Morfydd Clark (Nerds of Color)
“It would be like if you had the most intense type of synesthesia, and then you met someone else that had the same type of it, but then you find out they’re the worst person in the world. But you can’t undo that feeling of what it was to be understood and connected in that way.” --Morfydd Clark (TV Insider)
"she was very much in love with Halbrand. I mean, there was almost like a love story. He really seduced her." --Charlotte Brändström (Entertainment Weekly)
"there's a sense of loss there. She sort of has a hole where Halbrand once was" --Sam Hazeldine (GamesRadar)
“[Galadriel] has this ring that he put all this effort into, and he wants that back...particularly hers, because he knows what they represented when he was making them.” --Charlie Vickers (TV Insider)
"we had this moment where they're…almost pinning each other, where they're choosing to not inflict pain or to inflict pain. Because I feel like Sauron could've inflicted more pain." --Morfydd Clark
"he becomes Halbrand for a while because he knew the feelings Galadriel had for him. I also think that Sauron was almost disappointed in the end because I think he would have liked to have Galadriel as his queen. [...] Galadriel obviously was in love with Halbrand. She was very attracted to him. [...] Sauron knows this because he gets into her head, so he knows what she’s thinking, what she’s feeling. So when he immediately takes Halbrand’s shape, he completely destabilizes her because that was her weakness. She had very strong feelings for the King, for Halbrand, obviously" --Charlotte Brändström (Nerdist)
"They're intrinsically connected, and they will forever be, because they are the representations of good and evil in the world...established by the show. I think he came to depend on her in season one. I liked the idea of what she brought to him, and how she made him. I think what is undebatable is that he always had the intention to rule by himself, but if she were by his side slash beneath him, he would have an element of light. [...] Since they operate on such a high level, I think the connection comes from meeting someone who understands life on the same level and understands the world. They probably do have a connection that runs deeper than just surface. There is more to it than that. That connection will endure as long as the show endures[.]" --Charlie VIckers (Schön! Magazine)
"They have a connection that’s above everyone else in the world. It’s a connection that is really strong in...an initially positive, and then becomes quite a negative way for both of them. I think each one will drive the other to the limit. [...] I think that as long as the show goes on, right up until the end, it will be Sauron and Galadriel. I think they’ll always be connected, even if they’re not next to each other, even if they’re not in the same scene together." --Charlie Vickers (Den of Geek)
"they’re connected, if not by proximity, then by their psyche. They’re higher beings so I’m sure it runs deeper than being in the same place together." --Charlie Vickers (GamesRadar)
"they are always connected throughout the ether." --Charlie Vickers (Yahoo UK)
"They're both magical, powerful beings, and I think there is something lonely to existing in that kind of sphere that they both are in. But yeah, there is some sort of cosmic connection, which I've heard Charlie mention a few times. I was like 'Nice, I like that'. Yeah, and it will go on for 1000s and 1000s of years." --Morfydd Clark (GamesRadar)
I haven’t posted much about it on this blog because I have so few followers here compared to main and other side blogs, but genuinely, if you are a fan of Avatar, you need to be doing everything you can to support and liberate palestine and end this genocide. ATLA is about a fucking genocide and the devastating impacts of colonialism and a brutal military occupation. Well, we’re witnessing a genocide and the devastating impacts of colonialism and a brutal military occupation right now. If you are a fan of ATLA or LOK you fucking need to be talking about palestine and Palestinian liberation. You need to be calling your elected officials, going to protests, talking to people in real life, resharing and uplifting Palestinian voices, boycotting Israeli products, reading and educating yourself on what’s going on and the history behind it, and doing everything you can to stop this genocide.
We all need to be talking about palestine. Silence and “neutrality” and inaction is complicity.
Free Palestine 🇵🇸
NETTLES AU WEEK.
A week of Nettles' and my favourite Headcanons, Au's and Theories. Anyone is welcome to join anytime, but this is more so a way to focus her narrative back on her for a bit
Rules:
1. Post any art (songs, moodboards, quotes, lyrics, fan fics, etc....) for her on the given day that reflects the idea.
2. Canon and Non Canon (au) parings and theories are allowed.
3. Say, what idea you're posting about.
4. There is no need to be chronological with such short notice.
5. HAVE FUN!!!!
This is about the only adult dragonrider after the dance, veteran of the dance, and fire witch of the the Vale for those inclined. Let's have fun.
Nettles from Game of Thrones Blu-ray
Nettles is about so much more than Daemon Targaryen. If she has been cut entirely from this show, it won’t be worth watching. If she has been merged with Addam (who it seems has dark hair now — unless it’s dye), it won’t be worth watching. There’s a reason George wanted to write a novella about her and I personally doubt it’s because she’s just another Targaryen bastard.
She came out of nowhere and claimed a wild dragon. She challenges the much-vaunted idea of Targaryen exceptionalism. Not in-world as House Targaryen would never countenance the idea of someone without a drop of Valyrian blood being able to do what they have (and even succeeding over others who assuredly have that ancestry — see: Silver Denys, who tried and failed to claim Sheepstealer himself) but certainly to a good number of readers.
Now Nettles does play a role in Daemon and Rhaenyra’s estrangement but her character is about so much more than that for all that discourse about her mostly revolves around them, and especially Daemon. (I’m coming at this as someone who is anti-Daemon in general and doesn’t ship him with anyone, not Rhaenyra, not Laena, not Mysaria and not Nettles — none of the women in his life deserved to be saddled with him he and Viserys might just deserve each other though; two peas in a pod).
Addam has his own distinct arc to do with bastardy and challenging societal preconceptions. Merging him with Nettles in any way (like having them share being dark-haired dragonriders) dilutes both their stories and would only be a detriment to the show if they care about quality storytelling at all. (Which as s1 shows, they don’t really.) Cutting Daeron would suck too. (He’s my favourite book!green, the best of them all, except Helaena. The writers are already quite pro-Rhaenyra though so I wouldn’t be surprised if they did.)
Source for George saying he’d write about Nettles. (Just covering my bases as I know it’s old news but not everyone keeps up with these things. It’s me, I’m everyone, usually)
And a transcript courtesy of this post:
Q: Is there a character that you would've liked to explore and write more about, but not able to in a song of Ice and Fire or Fire and Blood?
A: well, yes, there are, in fact a lot of characters. one of the things about Fire and Blood in particular, is its nature as a history meant I was summarizing things. And as I summarized those things, characters appeared, be they major or minor, there was always part of me, the novelist part in the back of my mind said, Oh, I could write a whole novel about that character. oh boy, I wish I had time to, I could at least write a story about them. and I've been tempted to do that many times. there are some characters, it's hard to explain in some ways why some characters trigger something in me or fascinate me and others maybe don't. But a character like the Dragon Knight, this very gallant, one of the greatest knights in, in the history of Westeros or Nettles, who is a dragonrider in the Dance. Where does she come from? Where does she go to? What is her life like? What is her life like after she fades from the public sphere? those are interesting.
I have my doubts on whether the show will actually cut Nettles since the writers don't seem to be pro-Targ incest/exceptionalism and have foreshadowed Nettles to a degree with Viserys’ line about the control Targaryens have over their dragons being an illusion, but I just wanted to get this out. Edit to add: I’ve always had these thoughts in the back of my mind since just after s1 aired (when the rumours were that hotd would merge Nettles and Rhaena) and I was on Reddit fancasting lesser-known darker-skinned black or biracial actresses who could play Nettles only to be told they were “too old,” either not young enough to plausibly play either Matt Smith’s daughter or a teen Daemon groomed. None were above the age of thirty, could easily play about 25 (half Daemon’s age, if the show was even going there) and they were all actresses I simply wanted to see in more stuff. Which, with how colourist the industry still is, can feel like a pipe dream, but yeah, that’s the background of this post, more or less. Also this, which I saw on Reddit this morning in a post about the recent rumours:
Female gaze is getting molested by your uncle
And she is super proud of the Criston/Rhaenyra dubious consent scene as well. 😭😭
HOOOOLD UP NOW. She had that experience when she was 23? AN ADULT! and she's projecting that experience onto a 16 year old?? WTF
Yeah, 23 is still young, but there is a HUGE difference between a 16 year old and a 23 year old
Yet they want us to believe they ain't self-inserting and that they ain't biased. 😭😭 Also, ew. Yes. What the hell? Rhaenyra was so young and being taken advantage of, yet the female directors and producers (Hess), think that is hot. 😭😭
It's honestly becoming ridiculous at this point how much the media likes to project and sexualize minors
What makes the brothel scene worse is that after the events when Alicent (who honestly seemed like she was trying to help) confronts Rhaenyra, Rhaenyra lies in order to protect her abuser,and it's seen as a badass and romantic gesture
They aged her up and she was conveniently 18 at that moment. That however does not take away from the fact that Daemon was exploiting her for his own political gain, yet we are supposed to find that romantic 🤢
I have no idea what white feminist BS these female directors are getting at(Geeta Pathel way saying some BS in interviews as well)but it’s so creepy the way she talks about this in BTS book:
I’m going to cut Milly some slack since she’s young but Clare Kilner sounds so 🤢talking about this
Meanwhile what others are saying in the same fake book contradicts this!
While objectively I understand why people are upset about the potential inclusion of Sara Snow - Especially when placed in the dynamic of how abysmally The Dragon Twins have been treated by showrunners and the clear racism behind it. Seeing Baela be “discarded and disrespected ” further more by showrunners would be infuriating.
However un-objectively - I think it’s so hypocritical that the people most upset about the inclusion of Sara Snow are Rhaelya fans. Suddenly cheating in an arranged marriage is actually “bad now”. Suddenly Baela’s feelings should be centered and matter. Suddenly Jace does owe his arranged marriage wife “respect and dignity”. Suddenly Baela deserves better than being placed in that situation.
The hypocrisy is painfully laughable and really showcases why you can’t take any Targ stan seriously. These people suddenly up in arms over Baela potentially being “cheated” on - Are the first ones to call Elia of Dorne ugly and irrelevant. The first ones to say Rhaegar Targaryen was forced into marriage and owed Elia nothing. That you can’t cheat in an arranged marriage.
✨ Elia of Dorne needs to have silver hair & blue or purple eyes for these Stans to feel sympathy for her I guess. ✨
This all gets even more amusing when it’s so clear the speculated romance between Sara Snow & Jace is meant as a callback to the purported Rhaelya “romance”. - Therefore you’d think these rabid Rhaelya would love the forbidden romance between Sara & Jace 🫶.
The outrage is very performative and predictable. I do have a conspiracy that these people want Jace to be with Nettles(because they don’t want her to get “in the way” of Dumbnyra), but with Sara there that won’t happen. So they use how it’s wrong that Jace cheated on Baela as an excuse.
Baela herself is a prop to them. I’ve seen these same people argue how she and Rhaena aren’t important and constantly exclude them from fan art or only fawn over the book-canon versions of them. They don’t care about the optics of a Blackish woman being dumped/getting cheated on because they cheered on Laena lighting herself on fire, called her the n-word, constantly thirst over a deleted scene to prove how unwanted she was, and say she was completely irrelevant.
The show did her dirty, but Daemon did care about her in the books and as terrible as it is to say, he treated her the best of his wives in the show too because he never physically abused her like his “soulmate.0
Anywho, the optics issue for the Baela/Jace/Sara debacle is an easy fix. They could just make Sara Snow biracial as well and it wouldn’t be a problem. Plus Baela has Alyn so it’s not as if she will be left manless. Just focus on the relationship with her actual feature husband instead of the boy who will be dead by episode two of season three(if not sooner).
Yup! If I was them I would be more worried about the way they portray B and R(or more accurately the lack of)than Jace “disrespecting”B.
And btw,for all the ways they love to use Rhaena against N(at least pre show it might change next season)as her being the last dragon rider GRRM really either didn’t care about making her a more major character in the Dance or had no idea what to do with her which would be stupid. He could have really made Rhaena be an echo of Sansa’s story by having her be captured and be prisoner of the Hightowers while learning politics there but instead he had her with someone from team Black and being the least affected by the war.So yeah big👎when it comes to executing Rhaena’s character better during the Dance and that’s what the show should focus on remedying and giving the girls actual POV and characterisation.
I kinda dislike how they made Rhaenyra's choice to go to war all about her son's death when it was originally about her daughter's death in the book.
The death of her stillborn child, Visenya, was traumatizing enough that she accused the Greens of being her killers and she swore vengeance for her.
Visenya's death in the show had no lasting emotional impact and was just there for shock value.
I despise the writers for how they like to use violence against women for shock value, from Aemma's forced and unwanted C-section to Alicent's S/A to changing Laena's death to Rhaenyra's miscarriage the writers are messed up
They are sick. And also very much out of touch. Do any of them have kids or know kids? Are any of them fathers or mothers even???
When you read articles about their opinions on womanhood and birth in hotd, it gets really weird.
I know for a fact that it will piss me off seeing their opinions on the topic I remember listening to the podcast with adult Laena and it made my head hurt how they decided to portray her story in the show
Omg,I was so pissed off with how they put the actress posting Laena through this long auditioning process (especially when she mentioned she didn’t know English very well since she isn’t British,etc)only for them to treat her character the way they do. The fact that she also though L was crazy for doing what she did when her child might be alive speaks of how bastardised and shallow these writers’ idea of “feminism”is🤦♀️
Exactly! They did all that just for her character to be majorly disrespected on the show and also the way she talks about how Laena and Daemon's relationship is currently standing! Something about her having to deal with her "bad-boy turned alcoholic husband that moved to the suburbs with her and hates domestic life" 😒
Only for the show to portray him enjoying his "domestic life" with Rhaenyra I freaking HATE IT
Oh god yes the whole D being depressed angle could have worked if he was shown to genuinely love his wife and daughters but instead we got trash!🤬I feel so sorry for the actress since she was clearly blindsided by the state of the production(she was told it would look like a shirt movie and it was anything but🤦♀️)and had no idea what she was getting herself into. It honestly makes me scared of what Hess could do to N and for her actress as well. It’s clear there’s very obvious anti blackness agenda going on and it’s🖕
(I’m just glad we didn’t get to see D*emyra’s “domestic”life together despite how the director for ep.8 was hyping them up🤬)
I kinda dislike how they made Rhaenyra's choice to go to war all about her son's death when it was originally about her daughter's death in the book.
The death of her stillborn child, Visenya, was traumatizing enough that she accused the Greens of being her killers and she swore vengeance for her.
Visenya's death in the show had no lasting emotional impact and was just there for shock value.
I despise the writers for how they like to use violence against women for shock value, from Aemma's forced and unwanted C-section to Alicent's S/A to changing Laena's death to Rhaenyra's miscarriage the writers are messed up
They are sick. And also very much out of touch. Do any of them have kids or know kids? Are any of them fathers or mothers even???
When you read articles about their opinions on womanhood and birth in hotd, it gets really weird.
I know for a fact that it will piss me off seeing their opinions on the topic I remember listening to the podcast with adult Laena and it made my head hurt how they decided to portray her story in the show
Omg,I was so pissed off with how they put the actress posting Laena through this long auditioning process (especially when she mentioned she didn’t know English very well since she isn’t British,etc)only for them to treat her character the way they do. The fact that she also though L was crazy for doing what she did when her child might be alive speaks of how bastardised and shallow these writers’ idea of “feminism”is🤦♀️
Hey! HBO should pay us for trying to find the impossible(N’s casting🤣)I mentioned this to @bohemian-nights but I’ve noticed Steve Touissant and the actress rumoured to be playing Marilda to be following an actress called Ronke Adekulejo. She recently starred in the movie Chavalier so that’s one possibility.Another actress that caught my attention is Marilyn Nnadebe whom Emma’s following on IG.I could be wrong just throwing possibilities out there 😄that don’t consist of putting non black actress in an Afro wig to do black face.🤦♀️
Here are their profiles if you’re curious:
https://www.spotlight.com/5094-1207-2884
https://www.spotlight.com/0217-3423-7174
For real! We are doing fbi levels of investigation out here 🤣 it's funny because I had 2 margaritas and a bloody Mary when I was looking at Bethany's ig story and I started lurking on Anna's page I'll be honest idk how I put 2 and 2 together to try and compare her side profiles (the bloody Mary was deadly and I was out of it)
I can see Ronke playing Bettles judging by her playable age (especially if they want to age Netty up a bit) but also she's around the same height as Anna and as the last anon pointed out:
Excellent sleuthing but also Anna’s 5’3 according to her imdb and the lady in the pic looks hella tall standing next to Kieran Bew who’s 6’1
that alleged photo of Nettles shows that she's pretty tall in comparison to the guy who she's standing next to who's about 6'1 I believe (look at us throwing measurements and doing math to figure this out 😭)
For Marilyn, I think she looks more mature, and unless they WANT to age Nettles up more into adulthood, then this could be a possibility as well, and she's 5'7 too so it could be a possibility but I feel like this might be less likely tbh. I wouldn't be surprised if the actress they choose for Nettles is like Ewan, Phoebe, and Matt in the fact that she doesn't have any social media and only IMDB and spotlight pages 🤷🏾♀️.
Btw,another actress we speculated could be playing N is Gabrielle Brooks.She’s followed by Bethany and Martina Laird(rumoured to be Marilda). She was in Shadow and Bone s1 and I’d represented by the same agency as the actor playing Addam:
https://www.conwayvangeldergrant.com/actors/gabrielle-brooks/
I will NEVER understand how people let racism get in the way of awesome storylines like
Daemon is not even close to be as cool and amazing as Jaime to me in a million years but like the fact he truly, TRULY, believes that targs are exceptional, he TRULY believes in the supremacy of their origin, that they are closer to gods than men, only to have that completely obliterated by one woman, and to have this guy who is one of the most selfish self serving guys to ever live in the realm be ready to LAY DOWN HIS LIFE for this woman
Like the lords in the castle couldn’t even fathom killing her because they knew he would BURN THE CASTLE DOWN
A guy who only ever cared about himself, who even when he loved, he was incredibly selfish
Like how can a fandom ship ships such ly@nna and rh@egar for example and think it beautiful and then turn a blind eye to THAT
The dude has one of the strongest dragon/rider bond with his dragon in the story of dragonriders and his dragon SHATTERED EVERY FUCKING WINDOW IN A TOWER because he was SCREAMING while nettles left… like HOW can u not ship this? All because the woman is… black? Like, it infuriates me when I stop to think about it, because it’s like, it blows my mind how people are racist and don’t even REALIZE IT
Misogynoir rearing it’s ugly head again!
Then again from my observations of the HOTD fandom shipping D*emyra has everything to do with being racists (I wish I was exaggerating but I don’t think there’s been a case where I saw a post by a D*emyra stan that wasn’t using eugenics to praise the Valyrians as the “master”race or hating N under the guise of “loving”and wanting her to be “protected”)because you honestly can’t tell me that you think the grooming and incest aside that a ship consisting of two blood purists believing in racial supremacy is a good and moral ship. They can say all they want these aren’t the reasons they ship D*emyra but it’s pretty clear they desperately want their white girl to be the one to “tame”the Beast and threw a tantrum when they saw that’s not happening. Add in the way they fetishise and sexualise young R and D and it paints a very gross picture of how prominent the culture of pedophilia and abuse still is.
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