~Sirdragondomain

oozey mess
NASA

PR's Tumblrdome
Jules of Nature

JVL
RMH
No title available
let's talk about Bridgerton tea, my ask is open
Sweet Seals For You, Always
Show & Tell

Kiana Khansmith

❣ Chile in a Photography ❣
trying on a metaphor
occasionally subtle
sheepfilms
Today's Document

Love Begins
todays bird

ellievsbear
official daine visual archive
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@newnametree
~Sirdragondomain
𓏲 carnation collection ᪥ི༘࿔̥̊
I've been thinking and thinking, trying to pinpoint exactly what it was that got me into monster fucking/loving. Was it something I saw or heard, or did it just spring up all on its own? I've been racking my brain trying to figure it out. And then I realized it was this! This right here:
The garden scene from Dracula (1992)! This came out before I was even born! At the time, I didn't even know the terms 'monster fucker' or 'teratophillia' were even a thing, but I swear, the first time I saw this, I was like, "I gotta have me some of that!"
Herbert James Draper (British, 1863-1920)
Clyties of the Mist, 1912
Ikuhara and Miyazaki are two anime directors I love whose most famous works tend to involve strong feminist themes and amazing aesthetics, but I have a powerful gut feeling the two would never be able to collaborate on a project.
See Miyazaki can work with Takahata because they both have very similar philosophies and sensibilities, even if devotees of both can spot the differences. Miyazaki and Ikuhara have wildly opposing approaches with filmmaking in naturalism vs stylization, with Miyazaki being mostly pretty straight-laced while Ikuhara’s default mode is High Camp. And while Miyazaki’s works can be tough, Ikuhara’s at-times perverse satisfaction in fucking with his characters would probably offend Miyazaki on a basic level to the point where they’d probably wind up getting into a drunken fist fight like those two old men at the end of Up.
こないだ作ったカレーが美味しかった〜
冷蔵庫で保存してた塩豚(塊肉)をつかって
dancyuのポークカレーのレシピで作ったカレー。
市販のルーも入れるんやけど
深みがあってめちゃ美味しい。
食レポできへんタイプやから上手く説明できんけど。笑
最近、塩砂糖振って保存する塩豚にはまり中で
この塩豚がいい仕事してくれるんよな〜。
マンネリ気味な食卓に
色々とチャレンジを入れていきたい
2024年の料理。
Bazen öylece rüzgarın ahengine dalar insan. silkeleyip dururken yemyeşil çimenleri..
A momentary breeze..
Winter reflection of Kyu-Chikurin-In.
Shiga, Japan.
One of the prettiest moments in winter is when the sun starts to come out again in like february/march but it’s still cold but that doesn’t matter because everything feels light and fresh and you walk outside without freezing because the sunshine is warming your face and everything is starting to wake up
epsilon
forever thinking about the OG designs for the seven greatest robots... and also the worst robot (who is secretly the best)
Epsilon.
it's unfortunate we got these 2 lines cut from the anime imo
in the manga, they hint more at the scale of Epsilon's destructive power early on before they become the focus of the story
i also really wanted to see this cute pose animated (':
Osamu Tezuka's "The Greatest Robot on Earth" & Noaki Urasawa's "Pluto" parallels (edit)