the story of us // all too well (10 minute version)

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@newromantlcs
the story of us // all too well (10 minute version)
listen i know all too well is THAT song but before the 10 min version, taylor had never skewered anyone as effectively and beautifully as she did in dear john
justice for dear john let us never forget what a heartwrenching banger it is
happy "hey december, guess I'm feeling unmoored" season to those who celebrate
i love how truly unhinged speak now as an album is cause it's like OF COURSE if you give a dramatic 18-19 year old complete artistic freedom on an album she's gonna put a 7 minute diss track name-dropping (in the title!!) a famous rock star and a evanescence/twilight-esque orchestra number and a slut shaming pop punk anthem. just 0 filter whatsoever and yup!!!! it works!!!! i love you little blonde girl with a guitar, you can do whatever you want and we want to hear every weird idea that your crazy little mind comes up with
listen i simply do not care about the grammys since they snubbed red like…genuinely who cares what the old white guys of the music industry think
Taylor Swift performing “All Too Well (10 Minute Version)”
SATURDAY NIGHT LIVE (1975–)
Jess and Rory + All Too Well: The Short Film
“just between us, did the love affair maim you too?” is possibly the saddest lyric in 10 min all too well because of “just between us,” not because of “did the love affair maim you too” in this essay i will—
This relates to the last post I reblogged but so much of Red has a yearning for physical intimacy countered by deep sexual shame for wanting it this much because it’s Wrong
wind in my hair, i was there, i was there…
i think……we should maybe be careful how we use the word trauma when we talk about red tv and taylor (who we love and adore but should not speculate about her trauma regardless!)
“just between us, did the love affair maim you too?” is possibly the saddest lyric in 10 min all too well because of “just between us,” not because of “did the love affair maim you too” in this essay i will—
TAYLOR SWIFT in I BET YOU THINK ABOUT ME MV (2021), dir. BLAKE LIVELY BLAKE LIVELY in A SIMPLE FAVOR (2018), dir. PAUL FEIG
OWNED BY TAYLOR SWIFT It has always been ours.
raise your hand if you’ve been such a hardcore loyal fan of taylor swift through every cycle of public disdain (particularly 2012 and 2016) that you have a very strong fight or flight response every time she is brought up in conversation because you’re either ready to get in an argument defending her against unfair hate or get uncharacteristically quiet because you’re so used to being ridiculed for liking her and defending her, even now that she is back in the public’s good graces 🙋♀️
will you still love me when im nothing new?