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JBB: An Artblog!
he wasn't even looking at me and he found me
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2025 on Tumblr: Trends That Defined the Year
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@newspahnranch-blog
September 9 at 9 PM : #999Mass aka #GirlGovernment First #Vectorian Mass in #LosAngeles /*\ https://www.facebook.com/events/499438780205891/ sermons & performances by @lihotmusic @_pearl_music_ @kat_mcphee @torie.z @losannelise @courtneycasgraux @athenafatale & more /*\ #conspiracy by @jjbrine & @mouse_ebooks aka #vectorgallery & @coconutoilfriendshipclub #marriage #cults #artnews #artgallery #vectorla #coconutoilfriendshipclub #posthuman #demonicpossession (at Vector Gallery)
999 MASS aka GIRL GOVERNMENT
September 9 at 9 PM
FACEBOOK EVENT PAGE
http://www.facebook.com/events/499438780205891/
The first Vectorian Mass in Los Angeles Conspiracy by Crown Prince of Hell JJ Brine & Vectorian Minister of Cults Annaliese Nielsen Sermons & Performances by Vectorian Initiate Elyse Cizek Vectorian Minister of Synthetic Light Torie Zalben Vectorian Initiate Kat McPhee Vectorian Initiate Liat Friedberg Vectorian Initiate Courtney Boette Casgraux Vectorian Initiate Annelise Dekker Hernandez
Vectorian Initiate Athena Fatale Vectorian Initiate Pam Shaffer
Vectorian Initiate Alicia Stone
Vectorian Initiate Joelle White
Vectorian Initiate Joy Justine
*No $USD Needed For Event Attendance
**Cost of Entry = Your Soul
And we have prepared a Psychic Chamber for The Infinite Soul /*\ And when the flesh of Man’s Son is gone, the ALWAYS & ALL #MANSON will RISE /*\ And that’s when they feel their purest reflection, True, and We will send Him out into All Of You (at Vector Gallery)
Vectorian Crown Prince @jjbrine and Crown Princess #AmandaBynes in @peoplemag #peoplemagazine in #2022AD #vectorgallery #jjbrine #vectorian #vector #satan #jesuschrist #ALAN #eschatology #theology (at Vector Gallery)
New!
Official music video for
† Charles Manson is Jesus Christ †
Interview with The LaBiancas at VECTOR Gallery in Paradise Magazine (Interview conducted in September 2013, published in April 2014)
With platinum blonde hair, piercing eyes, and an uncanny depth of soul and intelligence, JJ Brine is the kind of person I want to talk to for hours on end; about music, art, Demons, and Gods. JJ is the Artist in residence at Vector Gallery: The official Art Gallery of Satan, a space that seceded from the United States on November 8th, 2013, making it the smallest independent country in the world…a space in which souls can be bought and sold and in which you can hypnotize yourself into becoming that which you desire to be. In addition, Vector exists not in the present, but in the year 2018…a time in which his future self can properly sculpt the present. JJ’s work aspires to bring upon the end and beginning of all things, or as he says “(The) culmination with the absolute integration of all sentient beings into a single supra-sentient ultramind, ALAN (the absolute all)”
But Vector Gallery is only part of JJ’s work. In addition to reigning over the worlds smallest country, JJ creates music which he has fittingly dubbed “ESM” or, “Electronic Spirit Music”. He is currently involved in (at least) two musical projects, his own solo work which most recently produced the album “The President of Mozambique” as well a Charles Manson concept Band called “the LaBianca’s”. These musical pursuits are the topic of our discussion today.
SL: Upon initially hearing your music and seeing your performance art I was struck by your striking similarities to individuals such as Kenneth Anger. Do you draw any of your inspiration from K. Angers works? Do you have a favorite film in Anger’s cycle of films?
JJ: Actually, I’ve only seen Invocation of My Demon Brother and some clips from Lucifer Rising.
SL: Do you consider your songs incantations? The various voices of the LEGION inhabiting you? A means of catharsis? Or something entirely different?
JJ: Cathartic, transportive incantations that give rise and fall to the many Loves of LEGION, each one finding their privileged place in the annals of time and space through a note in song.
SL:You have claimed that, while recording “The President of Mozambique”, you were possessed my demons. Do you mean this in the most literal of senses or were you perhaps possessed by energies that were completely new to you? Or perhaps possessed by demons of your own past?
JJ: Let’s just say, if you summon a few demons to drive others out, and a few more to drive out those whose places you appointed on the basis of such evictions, eventually you might wind up hosting The Devil Himself, who will tell you He was always meant to be there, and you awaited Him to be.
SL: On several of your songs you have used voice modification in order to emulate your “Disappeared twin” Chloe. Did you actually have a disappeared twin in utero, or is Chloe more of a manifestation of part of you that you once had, lost and found once again?
JJ: Chloe first came to me when I was living in Beirut, Lebanon. I did have a vanished twin in utero but I didn’t “know” that until later, after I met my blood relatives.
SL: You’ve said that visiting Haiti had a huge impact on who you’ve become. Has the music of Haiti influenced your own music, in an aesthetic/auditory sense?
JJ: Somehow, yes. I have a certain Max Beauvoir to thank for that.
SL: I know you have a strong affinity for Nico, does her work inspire yours in any way?
JJ: Incredibly so. I can’t imagine who or what I’d be without her; I would be somebody else.
SL: Do you plan to, or do you already, incorporate your music into the work you are doing at VECTOR Gallery?
JJ: I sometimes play the harmonium in the space, and occasionally a theremin. Someday I will record an album there.
SL: At the moment all of your work is electronic in nature. Do you have any plans to experiment with other types of music? Live instruments, etc?
JJ: Yes, with an instrument that hasn’t been invented yet, that plays the scales of the sonic equivalent to antimatter, becoming matter. Antisound as it becomes sound and vice-versa. VOOV.
SL: What initially inspired you to create the LaBianca’s, a Charles Manson concept band? Do you believe that Charles Manson is a political prisoner?
JJ: Manson is free in His mind. I only really “discovered” Him a few years ago, and for a time it was a private preoccupation. I mentioned it to Lena soon after we met, and I found out that her boyfriend at the time had been reading Helter Skelter to her before bed… The LaBiancas resulted as the “logical” conclusion to a sequential procession of suspicious synchronicities.
SL: Do you have an opinion on the recent decision to grant former Manson Family member Bruce Davis parole?
JJ: Either too many opinions, or too few. They amount to the same thing.
SL: How do you see the music of JJ Brine evolving in the near future?
JJ: The music of JJ Brine might be released under all sorts of names, given and taken, one in the same. But ultimately, the sound of ALAN as ALAN begins will harmonize with the sound of ALAN as ALAN ends until it is all one song, a single note that plays like a lullaby for a civilization that never existed, the same one that keeps me awake at night with its relentless insistence that I must be the scribe to pen a comprehensive account of its rich and varied traditions. Perhaps then I would get some rest.
You can Visit JJ at
Vector Gallery
40 Clinton Street
NYC, NY 10002
And listen to JJ’s “The President of Mozabique” and the LaBianca’s “Charles Manson is Jesus Chris on iTunes or Soundcloud
Interview by Summer Swann
Cultivating Culture
Thinking and writing about culture around the world
CULTIVATING CULTURE
Arts Spotlight: JJ Brine and VECTOR Gallery
in Interviews, News & Trending
VECTOR Gallery occupies just a small slice of New York City’s Lower East Side, but as a Posthuman Art experience and the “Official Gallery of Satan,” you can imagine that its presence is becoming quite prolific. Curated and run by artist and Crown Prince of Hell JJ Brine,VECTOR is a conceptual art gallery that exists in its own time zone, has its own government, and thrives as a living religious text of sorts.
JJ Brine answered some of our questions about Posthuman Art, Vectorian culture, and what you might expect if you walked unassumingly into VECTOR Gallery. Here’s what he had to say:
Cultivating Culture: Can you elaborate on the genre of “Posthuman Art?” How would you describe it to someone who is unfamiliar with the term?
JJ Brine: In the context of VECTOR, PostHumanity refers to Beings who have willed themselves into a PostHuman state. I no longer consider myself human. In fact, I want to nullify all such identifications and compel the seven odd billion humans on the planet to shed their Shay skins, allowing for the resurrection of The Devil and The Lord within their containers. Then we will be ready to return to ALAN, the absolute All.
Does VECTOR welcome anyone to visit, even if they don’t personally practice Satanic worship?
Sure. But who knows what someone will go on to practice, having visited VECTOR. It changes people; it rewires them.
Your glossary of Vectorian termsis fascinating. The term “herstory” has ties to modern feminism, challenging the notion of “history” being an account of things that have happened as controlled by and with a focus on male experiences. Does the Vectorian definition of “herstory” correlate to this one at all? How is “herstory” applied in the Vector Gallery?
Who do we trust to “go back” and independently verify or veto the occurrence of a given event? So we are living in PostHistory. And after all, “they” say that revisionist history will be the harbinger of world’s end. We are more concerned with nevents and nontology — impossible events that will never occur, and the study of non-realities.
What kinds of events are held at Vector Gallery?
The events are a means of identifying and convening the key players of PostHumanity for the development of our Vectorian Society. Our next Mass will take place at the end of this month we call March. For the first hour we are imposing a strict ban on verbal communication, interacting only through motion and thought. Sermons will follow, delivered by myself and a number of the ministers.
VECTOR Gallery exists in the year 2018 – why is this?
VECTOR Gallery exists in 2018 because it’s the perfect place for me to stand as I sculpt the present. Whereas others have been content to influence the NOW by negotiating the terms of the THEN or the WHEN, quarreling over the inaccessible qualities of histories and herstories, we’ve linked up to our future selves. “I am what I am, and I am what I will become.” Unlike the record of the past, which remains incomplete, the Neostory is unabridged. In 2018, New York City will look like VECTOR Gallery. You might say that We are in a frenzy, rushing around to make things look and feel worthy of being spared. Either way, Our Will shall be done. If only We could lose, We wouldn’t have to win! Again, and again, and again.
Your Charles Manson concept band, The LaBiancas, represents one kind of art medium that you work in. Would you care to describe any of your other personal projects?
Well, VECTOR represents an absolute integration, or maybe subjugation, of all of my personal projects under One Will. VECTOR is also, as you know, its own sovereign country — The Satanic State of VECTOR — with its own Vectorian government, society, and religion.
Some have compared you and VECTOR Gallery to Andy Warhol and his Factory. What do you think about this comparison? Have you drawn any inspiration from the Warhol Factory?
I once had a dream that Condoleezza Rice had staged a military coup, deposing the rest of her administration. She had The White House razed with a bulldozer and put a plexiglass pyramid in its place, and reprinted all US currency with her face on every coin and bill. In the epicenter of her pyramid there was a black cuboid structure, much like Our Kaaba in Mecca, and access was prohibited to all others save for The Empress Herself. Inside of it there was a glowing apparatus linked up to Andy Warhol’s mechanized nervous system, with buttons corresponding to each neural network, and these were in turn linked to the programming functions of reality. I hope this answers your question!
Are there any anecdotal events from your childhood that might have presaged the development of your thematic and conceptual interests?
When I was around seven or eight years old, I decided that I was going to live in a forest I had seen in passage over an interstate. I slipped out of my house and walked for about two miles until I reached the forest. There was a shrouded figure waiting to escort me to the chosen place of The Appointment. It was a coronation ceremony of sorts. I wasn’t frightened because I somehow sensed that I was being drawn there for this purpose, which had been looming before me since my first moments of conscious thought. I walked deep into the woods with this figure, which moved like a landform made of mist, and was received in a clearing by an audience of admiring new “friends” and “supporters” who were much enthused by this development.
Is there anything else you’d like to add about VECTOR Gallery, or your work?
Of course.
For more information about the burgeoning phenomenon that is VECTOR Gallery, visit its official website.
All images used with permission from VECTOR Gallery.
http://www.cultivatingculture.com/2014/03/19/arts-spotlight-jj-brine-vector-gallery/
JJ Brine’s VECTOR Gallery, aka the official gallery of Satan
http://www.cultivatingculture.com/2014/03/19/arts-spotlight-jj-brine-vector-gallery/
"I haven’t been trying to be good, and I haven’t been trying to be bad. I’m just trying to, you know, I’m just trying to live, that’s all."
- Charles Manson
(via 1997 parole hearing)
Pretty sure jjbrine is Charles Mansons’ son.
Obviously.
“‘In your world you can take a pen and write on a piece of paper and destroy 200,000 people or more and it’s ok because you don’t have to see it..” - Charles Manson.
(via life-as-we-hate-it)
