Tony Goldwyn on Sway In The Morning Shares Hilarious Story of Forgetting Lines on Stage + New âNetworkâ Play
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Tony Goldwyn on Sway In The Morning Shares Hilarious Story of Forgetting Lines on Stage + New âNetworkâ Play
Cocky Hopkins: a few thoughts about #cockygate
If you havenât been following #cockygate, itâs worth checking out some blogs: the writing community, especially that of Romance authors, quite rightly feels strongly about it, not only because it constitutes breathtaking arrogance, ignorance and, er - cockiness from the author involved, but because if it were really possible to legally forbid authors from using a certain common word in their book titles, then the whole publishing industry would be down the drain in a matter of days.
In case you missed it, this is what happened. An indie romance author, Faleena Hopkins, who seems not to know that the one real strength of the indie community is the fact that it IS a community, has written a series of novels with âCockyâ in the title. Iâm not going to comment on them, as I havenât read them, and donât see the need to start now. But yeah. Itâs a hook. Like âConfessions ofâŚâ, or âCarry onâŚâÂ
Having attempted to trademark the word âcockyâ as well as the font she uses, Faleena has been sending e-mails to fellow-romance authors who happen to have also used the word in the titles of their books, threatening them with legal action if they donât change their titles straightaway.Â
There are two things wrong with this, apart from the obvious, which is that such behaviour is considered a dick move, and that Faleena Hopkins (no relation to Katie, although from what I see of her Twitter account, she might as well be).
One; the font sheâs attempting to trademark actually belongs to someone else.
Two: outside of the community which no longer wants anything to do with her, no-one has ever heard of Faleena Hopkins, except in the context of her recent attempt to intimidate fellow-writers.
âCommon words and phrases can be trademarked if the person or company seeking the trademark can demonstrate that the phrase has acquired a distinctive secondary meaning apart from its original meaning. That secondary meaning must be one that identifies the phrase with a particular good or service.âÂ
In short, it means you or your product need to be a household name to be associated with a brand. It means that your use of the word in your product has changed its original meaning.Â
Is Faleena Hopkinsâ âCockyâ series a household name? Is she? Because it seems to me that, outside of the indie Romance community, no-one has any fucking idea who she is. Nor, after this recent personality failure, are they ever likely to.
The day has come! Pas De Deux by the incredibly talented Lynn Turner is available now! My very first book cover. đ Purchase here: https://linktr.ee/lynn_writes Happy Book Birthday to @lynn_writes đđđđđ BLURB đ¸ âItâs said the artist is born of a damaged soul⌠Wilhelmina Allende is a prima ballerina. When tragedy turns her beloved Paris into a gilded cage, she jumps at the chance to work with one of the most prolific choreographers sheâs ever seen. But Zackâs style is way out of her comfort zone. So is his teaching method. And his humor. And his everything. Heâs a charming little connard. Itâs hard not to like him. Merde. What has she gotten herself into? Zachary Coenâs first musical is opening on Broadway. Much like his life, itâs anything but conventional, so hiring Mina is simply out of the question. Sheâs tooâŚclassical. Too perfect. Sheâs all wrong for the role. Then he meets her in person and sees her cracks. Her broken pieces. How unique and beautiful each one is. And he canât help but notice how her edges seem to fit hisâŚperfectly. Just when teaming up seems to be working, the monsters theyâve kept hidden threaten to rip it all apart.â đ
Pas De Deux releases TOMORROW!!! Purchase here: https://linktr.ee/lynn_writes đ Lynn Turner pens an incredibly alluring love story between two captivating dancers. The beautiful prose would be reason enough to read this beguiling novel. đđđđđđ Iâve been designing most of my life but this is my first book cover. Lynn sent me her concept and I took it from thereâŚfollowing up with various teasers for Pas De Deuxâs promo. We took a chance on each other and I couldnât be happier that we did. Iâve gained an amazing friend and consummate cheerleader. đ #womensupportingwomen Much love, @lynn_writes ! Congrats on your second release! đ #PasDeDeux #ADanceForTwo #danceromance #balletromance #blackballerina #brownballerina #BroadwayRomance #ownvoices #WOCinRomance #IRRomance #MulticulturalRomance #authorsofinstagram #authorsofig #lovestory #words #books #romance #ContemporaryRomance #ballerinaMC #ComingSoon #May11th #MustRead
The love of his life and no one will ever convince me otherwiseâŚâŚ
This man! đŠđâ¤ď¸
âThe First Post-Presidential Honorâ Fitz is awarded something for his post presidential foundation work, and he gets to be supported by his whole family at an event and thereâs all proud feels everywhere!
Aww, I like this! Thatâd be super cute, to have all the kids there (maybe while Ruby is still young enough to cause some serious mischief lol).
What do former presidents get honored for? I have no idea.
Make something up! I love this idea, lol.
His work on criminal justice reform comes to mind. Or perhaps he leverages his former presidential clout in some way abroad and resolves some conflict. He could be awarded the Ghandi Peace Award for either. Itâs less controversial than the Nobel Peace Prize that some claim are politically motivated.
Vulnerability is a part of life, but beating up on yourself need not be. And remember that comparison is an act of violence against the self. Have some grace for yourself because no one else is guaranteed to give that to you. #motivationalquotes #perfectionism #selfworth #selfdoubt #gogetit #brenebrown
I swear sometimes itâs like youâre speaking directly to me.
New lock screen đđŚđ
Dear lord...thank you for this beautiful specimen.
He is everythingâŚâŚ.Fitz Friday 7x05
Dork that I love đđđ
And now this, K? Really? đ how am I supposed to concentrate whe you my mind filled with this stuff?
I love thisâŚâŚ
How she shares in her success, thanking those around her....makes me love her more.
âThe truth is, art can only do so much. And, as you all know, real transformation and lasting change will only come with a commitment from every single one of us to consciousness and empathy.â - Tony Goldwyn speaking at the GLSEN Respect Awards â Los Angeles before presenting Kerry Washington with the Inspiration Award last month.
He is everythingâŚâŚ.Fitz Friday 7x05
I just loved the way he strutted down that hall with that huge grin.
Scandal Season 4 Theory thatâs Probably Wrong, but Still Entertaining to Me:
Iâve discussed some of these ideas with a few people and thought Iâd just write them down. Yes, Iâm well aware that this is written with Olitz lenses. Itâs just me thinking, and most of it is probably wrong (which Iâm used to), but here goesâŚ
I mentioned the other day that I have been enjoying season four, up until Whereâs the Black Lady (411), and had, thereafter been increasingly unsure of where the narrative is going. I actually love 411, but it was the first episode that required me to suspend belief about how the kidnapping of Olivia Pope was orchestrated. It does not sit comfortably with me that Andrew Nichols was the architect of this cabal. No, maâam. And though I could (and did) create an argument for Oliviaâs vehement rejection of Fitz upon her return, in No More Blood (413). But, frankly, it never curled all the way over for me. Not genuinely so. Lastly, I have struggled with post-kidnapping pivot back to the trite B6-13 story line, and re-centering Rowan in Oliviaâs life.
BUT
If Rowan is connected to the kidnapping, then all three categories of my dissatisfaction begin to make sense.
The Logistics:
How could Andrew, the VP, have the entire Secret Service replaced? How does he know ex-Special OPs guys like Ian? Sure, Andrew had motive to have Fitz trussed up by the proverbial balls for the tenure of his presidency, but why was he so adamant that Olivia remain unharmed (411)? Andrew has absolutely no investment in her physical well-being, nor do I think he was just being kind-hearted all of a sudden. How could Rowan, a man that has claimed to have done everything in his life for Olivia (407), refuse to lift a finger when Jake came to him for help(413)? He said he had no daughter. Six episodes later, heâs a papa whoâs proud of his âgirlâ because she stopped âshiningâ Fitzâs shoes and is âstanding on [her] ownâ (419)?
But then I remember that Rowan knows Special Ops and Black Ops guys. After all, he ordered Fitz to shoot down a commercial airplane in a Black Ops mission (307). Rowan had already infiltrated Secret Service with B6-13 agents (Tom) in order to keep abreast of White House goings-ons (312). So, replacing the entire team: easy. Â And the only person who has ever proffered Oliviaâs physical safety to the detriment of her psychological, and emotional well-being, is Rowan. But why? How could he do that to his daughter?
Actually, this is exactly the kind of thing heâs perpetrated against Olivia for years. All done to toughen her up into some kind of steely, strong black woman archetype, that is only ever subservient one thing: his black patriarchal authority. This is the man who let his 12 year old believe her mother was dead, while he locked that mother away in isolation for her crime, and never let her see any evidence of her daughterâs development. Not even a fucking news clipping (not until she chewed through her own wrists (308)). Â He never let that daughter come back home; he sent her away (301). Sure, she received the finest education and learned a bunch of languages that have come in handy, but she is not OK. Rowan is the guy who, when Olivia was set to see Fitz again after a painful 10 month breakup (post-defiance), had his double agent, Jake Ballard, conveniently intervene in his daughterâs life. Why? To occupy her mind before she was set to see Fitz as Ellaâs christening. I guess he didnât plan on them fucking in a server closet. Woops. He sent his guy in to sleep with Olivia (405 admission), then had that evidence presented to Fitz. The purpose? A misogynistic belief that Fitz sees Olivia as his property, and since the property has been âdefiledâ (310) by another man, Fitz would no longer care for that property. Russell is yet another toy for Olivia to play with, and another means for extracting information in order to stay ahead of her. Rowan is also the guy who allowed his daughterâs name to be leaked by his own B6-13 agent, Tom, (301), when he obviously had the power to quash it. Why? Because it would conveniently allow him to get Olivia away from that âdisappointingâ (310) Fitzgerald Grant. He insisted that she would get on that plane âcome hell or high waterâ (301). Seventeen episodes later, Olivia was checkmated into doing so (318). Bonus points for allowing her to think it was of her own volition. Lastly, Rowan is the guy who killed Fitzâs son for a dual purpose. Doing so gave his daughter another achievement under her belt because Fitz won; and it droveâwhat he hoped would beâa permanent wedge between them. âWhat love could survive thatâ (405), he said, as he built a rationale for the framing of Jake Ballard for his (Rowanâs) own crime.
In light of all of that, kidnapping and war actually fit perfectly with Rowanâs MO.
The NOlitz MO:
If Rowan is involved in this kidnapping, it means he forced Fitz into a catch-22, lose-lose situation.Â
Option 1) Not go to war, and Olivia would die. Fitz would forever be blamed & feel guilty for Oliviaâs death (though Rowan would never have actually let Olivia die, just let Fitz think so). Fitz may have even taken his own life over it, and we know he is capable of such an attempt (401). If he attempted to do it after the simultaneous loss of his son and disappearance of Olivia, why would he not complete the job if he had to live in a world where he was made responsible for her death? If so, problem solved anyway, as Rowan sees Fitzâs unconditional love for Olivia, and her loyalty and dedication to him, as a threat to his paternal authority. If Fitz takes himself out, Rowan has his daughter back. Why do I feel like Rowan let that assassination attempt by Verna and Becky ride? Â
Option 2: Fitz goes to war for Olivia, thereby sending thousands of innocent people to their deaths. For three years, Fitz continues to be exploited into actions that make him a wildly unpopular President. Andrew would get to distance himself from Fitzâs administration in some way, without suffering blowback. It would also put him in good standing to usurp Fitzâs position for the next re-election. Olivia stays away from Fitz. But Rowan underestimated his daughter, and her ability to get herself out of tough situations. And, of course, he underestimated the strength of the Olitzâ relationship, and their ability to work as a teamâeven when they have no way of communicating directly with one another (411). They understand how the other person works. All major progress made in 411 was because of Olivia and Fitz.
Knowing Olivia, she would hate that Fitz went to war, sending thousands in harmâs way just for her (413). And she did. Fitz would (and did) claim that he did it for Olivia (413), just as Rowan claims he does everything for her (407,408). Olivia thinks Rowan is a terrible person and has done all the wrong things in her name (407). Rowan, then, makes Fitz into nothing but a man who is just like him: Â "All men are, in fact, just like your father" (419). The kidnapping and war story line paints Fitz as a terrible President, in her eyes. Â He falls in her estimation, and is no better than her father, who kills innocent people in the name of one: her.
Simultaneously, Olivia would also think of Fitz as a man who thinks she needs him to rescue her (something she vehemently rejects (308, 413)), and a disappointment, someone undeserving of the many ways in which sheâs laboured for him (her warped interpretation (413)). She sees him as weak, as the one who needs protecting (308). To protect him (and her, in many ways) after the kidnapping, she puts up a cold front to create distance. She is dangerous for him (a belief she evidences in her 410 dream), but also brings pain upon herself as well, due to her emotional attachment to him.
What I described above was meant to be the byproduct of kidnapping/war. The theories I painted above were meant to lead to an idealistic wedge between our two faves. In some ways the fight, and the subsequent ring toss, in 413 become somewhat of a performance.
I believed Oliviaâs anger, and her right to be angry over what happened to her, but, frankly, Fitz wasnât deserving of it. But who else was she going to take it out on? Itâs because he loves her that she was exploited and traumatized in this way. I maintain that it is the exploiterâs (Rowan, hypothetically) fault, not the fault of the persons (Olivia and Fitz) who love. I donât care how this narrative goes, I will never change my mind about that. Hard line.  A part of me watches that 413 scene, and I can almost see Olivia preparing herself to do something she did not want to do, but it was the only way to get Fitz to stay away from her. It was the only way to ensure there would be no more blood (the title of the episode). No more causing Olivia psychological and emotional distress in order to force her away from Fitz. Already reeling from ASD, Olivia inflicts trauma on herself via the argument she had with Fitz, including the tossing of the ring. And we later see that  in addition to the kidnapping suffering, she revisits that ring toss moment as a traumatic moment in her life (417). Think about it. Having tossed the ring at Fitz (which sent a powerful message of âoverâ to him), she doesnât leave it on the floor, or throw it out. She puts it somewhere safe. And in a panic, she runs to find it, as if her recovery is incomplete without it. They are never over (220).
Oliviaâs Distance and Coldness:Â
Olivia has been keeping her distance and acting cold because itâs the only way she can keep herself (and Fitz) safe, so long as her father is still alive and free. Until she can get justice. Remember that bringing Rowan to justice is what Olivia was trying to do before Rowan decided to leave (409). Shortly thereafter, the woman gets kidnapped (wouldnât be surprised if the plan was in place the moment she returned to DC. Rowan told her he didnât tell her she could leave (401)). This return to B6-13 and Rowan would make sense to me if Rowan is tied into the kidnapping. Otherwise, episodes 410-413 feel like a bizarre sweeps attempt.
Olivia has pushed everyone away. She wasnât returning Abbyâs calls (415), and the rebuilding of their friendship has been a pre-kidnapping, season 4 highlight. Instead of bringing Abby back into her personal confidences, sheâs kept her work-adjacent (415, 416, 418). I mean, Abby is the woman who was instrumental in bringing Olivia home (413).Â
Oliviaâs pre-kidnapping dick-in-a-box , Jake, has been sidelined to strictly B6-13 related business (418). Even that relationshipâthe one filled with convenienceâhas become too complicated for her. She has rebuffed his attempts to comfort her (414, 419). Â âJuliaâ was an identity of the past, so she invented an even more âuncomplicatedâ one, âAlexâ (419). Â Everyone is being kept at emotional armâs length. That makes her recovery that much more difficult, but maybe in Oliviaâs world she justifies it as necessary. She can only deal with work-related drama right now.Â
The Return to B6-13 Shenanigans:
I have been feeling like Olivia is steely, lacking any kind of warmth, and even more emotionally guarded that usual. Sheâs more aggressive and angry than sheâs ever been. Of course all of that makes sense. Look whatâs sheâs been throughâall alone. She killed a guy (410). She shot another, and then beat the shit out of him for the ways in which he tormented and hurt her (413). Olivia is still not quite herself, and why should she be. The ASD flashbacks attest to that. But itâs more than that.  The lack of painted, manicured nails is a small, but important, detail in this regard. As of 420, they remain unpainted. The missing warmth of which Olivia complained in 403âdespite admitting to having Jake (lol, heâs her pet)âis very real post-kidnapping. (Olitz angst music plays as she and Rowan talk about this absent pieceâthe emotional lacuna.) Post-kidnapping Olivia still has Jake, yet chooses not to bring him in close. Â
This is not a woman who reaches for personal help. For her career, sure. In some ways, Olivia canât make a full emotional recovery while instituting a Cold War with Fitz. That coldness and anger are taxing on the body and mind because they take work to maintain. But itâs a sacrifice to freedom and justice. Olivia cannot be the woman she wants to be, or command control of her life while Rowan remains free to inflict all manner of violence and abuse in her name. Â She cannot fully recover, or have anything with Fitz (the person who knows her best on an emotional level), while Rowan remains unpunished. He will destroy it. Â If the kidnapping is any indication, he will truly stop at nothing to make Olivia into the woman he thinks she should be. Whoever that woman is supposed to be, she isnât to be with someone Rowan finds threatening.
Because Olivia and Fitz have been a part for much of this season (and entirely so post-kidnapping), my instinct is to say that this Foxtail business will bring them together in the final hour to fight a mutual enemy: Rowan.  I just canât see Olivia burning Fitz, when, in my eyes, sheâs been protecting him all this time from her father. (It saddens me that Oliviaâs own father is actually her worst enemy, but he insists on running her life at all cost). B6-13, Rowan, and Foxtail need to come to a close. Olivia and this show cannot move forward so long as this narrative centers around those things. They loom too large and have too much authority. I donât want to watch that. I want to watch Olivia navigate new things in her life, not the same trite shit against which sheâs repeatedly been told sheâll lose.
So, thatâs what I thinkâs been happening this season. And if so, it ties most things together (there are always outstanding questions). It certainly makes the âjusticeâ theme of this season workable. Of course, Iâm fully prepared to be disappointed. Lol.
Re-upping this from 2015, after 704. Rowanâs attempt at enlisting Fitz as another B6-13 prostitute (Jake, Rowan) to lure Olivia into a cage, reminded me of my theory above. Rowan has been trying to ruin the very idea of Fitz for Olivia (read above for why). I donât doubt that Rowan is concerned for his daughter, but his methods have clearly not changed. He still insists on it being his way or nothing at all. He weaponizes love, and uses it against people. Heâs attempting right now with Fitz. Heâs switched tactics now that Fitz is free of the presidency. He doesnât hate Fitz âwith the fire of a thousand sunsâ because heâs Oliviaâs weakness. He hates Fitz because he makes Olivia better, stronger, and more impervious to Rowanâs manipulations. Love replaces that fear as the guiding principle.
Ok, Iâll shut up now.
So eerie how spot on this is to whatâs happening. What I saw in 704 reminds me as well of 5A specifically when Rowan started to enter the picture again. Plus seeing how the kidnapping is connected to 509 breakup fight and even 5b. This has been spinning around for so long like that nonstop record player of hers.
Yessss to all the 5A stuff. The kidnapping theme has been sprinkled into each episode since S7 started. Plus, Livâs kidnapping has since served as a driving influence in her life. In seeking to never be caged and taken again, sheâs placed herself in a circumscribed position with these two roles. The girl has trapped herself. But she can get out.
I remember reading this Tumblr post back then and totally agreed. Youâve dissected that season impeccably, as always, with insightful observations. đđ˝ Looking forward to reading more of your essays.
Anyway, back to how right you are...How could Andrew have done that on his own? Itâs absurd. It always made me wonder why Rowan was unwilling to help find Olivia, unless he knew sheâd be safe.
It also makes me think that maybe he didnât underestimate her ability to get herself out. Maybe this was a version of the hole for his daughter to cause emotional trauma to simultaneously break her and toughen her up. He had used the hole with his sons and it made them compliant and easier to control. He has always used emotional abuse to control people. Sheâs killed two people because of it. Another piece of B6-13 training. âYou donât have a father; you were raised by Command. Youâve been taking orders from Command since you were born.â
Rowan and B6-13, for me, represents our inner demons. The inner voice that fills you with self-doubt, bad decisions, self destructive behavior and fear. Heâs grown too powerful as Olivia pushed away those that represented the light.
The kidnapping fundamentally changed Olivia. Her wall used to be chain link but now itâs a concrete & steel wall. This moment has to be significant to the writers. Even in season 7, there are references to it. A whole episode on âLost Girlsâ. Fitz went to war for one, and now heâs put his foundation and his clout to search for thousands. Will Fitz be able to show Olivia that love isnât a weakness? That this is where strength lies? After all, love is what helped OPA do the impossible and find Huck.
Alright, this is going to be my last message. Liv's love for Fitz isn't a weakness. I didn't say that. But Fitz is her weakness - if a villain wanted to control her, they would hurt Fitz. And Liv is Fitz's weakness. It's not a bad thing, it just is. My only problem is that the writers chose to maker her weakness a character like him, because it's a theme we see repeated over and over again. I really admire your eloquence. Thank you for replying to my messages! xxx
Ok, since we are writing our good-byes, lol, this will be mine. Itâs a long oneâŚ
I like words. I like them so much, sometimes I think itâs important for the discussion that we define key terminology we are using. I do not do it to be patronizing or facetious. It seems we have a miscommunication over the word âweaknessâ.
Hereâs your direct quote from your last message to me:
ââŚIt just seems sort of disempowering to me to make her weakness a white republican politician, as if âeven Olivia pope falls on her knees for this perfect white man.â Iâm sorry. But I guess thatâs just because again, I just donât see enough positive or mature traits in Fitz (to me, heâs just a whiny child a lot of the time, but I accept that you feel differently).ââ flymetothelostmoon
According to my interpretation, you are saying that having a black woman be âweakâ for a âperfectâ (donât know how you arrived at that deduction) white man is disempowering. The very thing for which she appears to be âweakâ in your eyes IS her love for Fitz. You then go on in your current argument to state that others try to exploit Olivia via Fitz. The only way that is possible is through love. Therefore, you are indeed accusing that Oliviaâs love for Fitz is a âweaknessâ. Speaking of whichâŚ
Weakness (n):
the state or condition of lacking strength.
âthe countryâs weakness in international dealingsâ
synonyms:
frailty, feebleness, enfeeblement, fragility, delicacy; More
a quality or feature regarded as a disadvantage or fault.
âyou must recognize your productâs strengths and weaknessesâ
synonyms:
fault, flaw, defect, deficiency, weak point, failing, shortcoming, weak link,imperfection, Achilles heel, foible
a person or thing that one is unable to resist or likes excessively.
âyouâre his one weaknessâhe should never have met youâ
 So in every which way, âweaknessâ is not a word people use favourably. It is not a word by which people want to identify themselves. Iâm going to quote what I said last night in a follow-up q&a:
âI have a problem in general with how some people view âweaknessâ. The root of the issue is that we see and value âstrengthâ in really narrow, masculinist terms. Therefore anything that falls outside those narrow confines is seen as âweaknessâ. It becomes a kind of feminized trait to be eradicated, especially if you wanna get your grown woman on. Itâs ridiculous. We are all made vulnerable by someone, or somethingâŚâ
You could just as easily say that Mellie is made âweakâ by the supposed love she has for Fitz. That Fitz is made âweakâ by his love for Olivia. That Olivia is made âweakâ by her familial love for her father. I think the better word to use when we are talking about Olivia and her love for Fitzgerald is âvulnerabilityâ, which means open to attack, harm, or manipulation. All of that is true. But is the vulnerable party at fault, or is it the motherfuckers who try to take advantage of the vulnerability?
From where I am sitting, itâs the latter. Vaginas are open to attack, harm or manipulation by their very existence on a human woman. You wouldnât call having a vagina a weakness, would you? Yet the possession of one was the basis on which Oliviaâs father, Jake, Cyrus and god-knows-who-else manipulated Olivia in S2Â B with that misogynistic ass seduction story line. You see, her father thought Olivia was just Fitzâs favourite concubine, and that if evidence could be shown to Fitz that Olivia slept with another man, then surely he would reject her. Literally, that was the premise and it did not work because Fitz is not that kind of asshole. So, again, loving someone isnât a âweaknessâ so much as it is can make you vulnerable, ceding a sense of control.
So here we have the perfect storm of Ms. Pope being at the intersection of blackness and femaleness, wrapped in the inherent imperfection of humanity. Actually, I guess this discussion is about the impression that Olivia is made âweakâ by the writer because she doesnât love the right person. Â Fitzâs good and bad qualities are not the point at all, so we can agree to disagree on him as a love interest. Â This discussion is about Oliviaâs choice in love interest. But you do say that a black woman loving a character âlike [Fitz]â is a theme we see over and over again. What is that exactly? Black women who genuinely desire a white male love interest (as opposed to being in love with whiteness as means of salvation from black self-hatredâitself promulgated by racism)? A pulled-together black woman being in love with someone others regard as a fuck boy? Black women whose projection of perfection belies a more complicated being underneath? What is it that we see ârepeated over and over againâ? By the way, are you totes OK with the problematic relationship of Olivia and Jake?
The core issue of our discussion from tonight and today is an insistence that there is a type of man to whom our black anti heroine  would be most suited. A suitable boy, if you will. Or perhaps, you wish for our heroine not to be made vulnerable in any way by romantic love at all. Perhaps, then Olivia could exist as some feminist fantasy trope instead of a woman who wants and is going after everything. And Iâm saying that as a feminist who rejects the paternalism of grown women telling other grown women how to behave in order to further the cause of equality. Similarly with my own folkâblack folkâI reject the notion of embodying some Christian respectability (cultivated as a direct response to the de-humanization of racism) as the antidote to racism. Because then I donât get to be fucked up and human in my own way.  Reading Olivia as âdisempoweredâ by the love she chooses tells me that you donât see Oliviaâs full being as a character, but rather her archetype. You seem to judge Fitz in the same way: a representation of white perfection, which is a way of seeing that is absolutely dismissive to the point of caricature.
I want you to be aware that the lens through which you are regarding Olivia convinces you that she is âdisempoweredâ (your word) through her choice in lover because that lover is white (you have emphasized his whiteness in every single response, so clearly thatâs a problem for you), yet perplexedly simultaneously âperfectâ and âselfish, immature and self-entitledâ (again, your words). You are reading the narrative as Olivia being in-love with the idea of perfection of whiteness (âeven Olivia Pope falls to her knees for this perfect white manâ). I think you have to dismiss a great deal of the narrative in order to arrive at that conclusion, so I reject it. Itâs too simplistic and doesnât work.
You know what would be actually disempowering? If, in order to be considered âstrongâ or âgreatâ, Olivia had to choose between the imperfect love that fulfills a great desire within her, and being a kick-ass business owner who restores order. If Olivia had to be judged in narrow masculinist terms of âstrengthâ and âpowerâ to be seen as powerful. If everything Oliviaâs brilliance and slayage loses their shine for the audience because she wears the battles scares of familial and romantic love. Now that is disempowering.
Before you cry âthe writers!â when you disagree with the parts of the narrative, question yourself on why you donât do that for aspects of the narrative you accept. Why is what you accept more valid for the writers to portray? Our readings are only as good as our eyesightâand those are limited.Â
Olivia:
Was she naked? She could not tell. She could only feel the heat that enveloped every part of her. Was it coming from inside, or did the heat of his sweet, warm breath strike the match? No man had ever threatened to have her erupt in this way. She did miss him. On this she could not pretend. Not like the last three months. Barely touching her, she could swear he was already inside. She wanted to let him in, but not this way. Not before she confessed. What tragedy it would be for him to see the lie in her eyes as he sought shelter inside her. She loved him too much for that betrayal.Â
Fitz:
She was the sun. She was life itself. Or so it seemed. All he knew is he hadnât felt life coursing through his body like this since the day she left. What little he had after burying his son, had left with her. And now she was here again, drawing his moth to her blue flame. All he wanted was to please her. Did she still want him the way he wants her? He has to find out if she missed him at all. Miss his touch. His closeness. The warmth of his breath. God, she feels like home.Â
painful, difficult, devastating, life-changing, extraordinary love đŠâ¤ď¸
Kimara (@tularosebud) raised an excellent point of why itâs problematic for Liv to consolidate both roles of CoS and Command
The CoS is the public face of the Mellie Grant administration. In this role, Olivia represents Mellie in domestic and international policy. Olivia cannot then approach people with B6-13 information and tactics because she wonât be seen as Command. SHE WILL BE SEEN AS CHIEF OF STAFF! This can be used against Mellieâs administration by other countries as leverage of what the administration is doing/threatening openly. This is not some covert operation by the CIA, or even their off the books unit, B613 which operates in the shadows. Olivia has taken that shit right inside the White House. LOL, Olivia turned a place of freedom (FDRâs old pool, and also a reminder of the role swimming had (has?) in Oliviaâs life) into a place of confinementâfor herself and the administration. She doesnât see it yet.Â
Say what you will about Rowan, but he operated in the shadows. Recall Maya telling Olivia that ânobody even knows he exists, baby!â (422). Exactly. Everybody knows Olivia exists!!! Jake, too. The fuq is the director of the NSA also gonna approach someone in the role of Best Boy (of B6-13)?Â
Disaster is on its way because these two roles are incompatible (I actually talked about this in my pre-season 7 thoughts when I talked about the symbolism of the white hat and the black bag of B6-13 tricks).Â
A part of me wants Mellie to find out about all of this B6-13 shenanigans, especially when she has to take responsibility for the mess in her administration, just as Fitz repeatedly did. Mellie ainât in love with Olivia, so her tolerance for all this might be different. We shall see. Will it be youâre fired and Olivia has to find out that the two (external) roles she inhabited do not define her power or life? Or will Shonda facilitate this realization by giving Olivia balance in her external and internal life?Â
TRUTH!! Thank you.
Yes, I agree. Though could Mellie fire Olivia when she finds out Oliviaâs a command? Or will Olivia just tell her itâs not possible because she doesnât have that power?
đđ I can actually see that happening if Mellie tried to fire her. I kinda want her to get fired but only because Iâm deluded enough to think it would compel some re-evaluation of her life and who she is. Iâm sure Iâm wrong.
Insightful. Such a great point. No way is Mellieâs firing going to compel Olivia to see the error of her ways. It will incite her anger and desire to hold onto that power. Fitz, on the other hand, could actually have an effect. Olitz has always been a moral compass for each other and a source of strength despite the stupid mistakes and choices theyâve made out of love and desire to protect. đđ˝ hoping he helps her see the light sooner than later. Iâd hate to have that saved for episode 18. âšď¸
âWeakness is our strength; itâs what makes us human. Itâs where our compassion lies.â--FitzBAErald Grant
I recall tearing up when Fitz was bold enough to say the above quote during his town hall-style presidential debate with Reston (211). It solidified for me exactly who the character of Fitzgerald Grant was. I said, now that? Thatâs a man right there. I made myself a Stan card that day and never looked back. A Criminal, A Whore, An Idiot and A Liar gave us our first character focus on Fitz, and his fight for the presidency. Day 101 gives us our second in depth study of his character, and it is the beginning of his fight for a life not defined by the power and perils of the presidency. I have some thoughts I want to express about what Fitz said nine years ago and itâs relevance to current character journeys right now.Â
Hereâs what I want to focus on real quick:
Rowan framing Fitz as Oliviaâs weakness
Rowanâs lack of compassion and determination to breed the same out of Olivia
Olivia barely resembling a human right now
Back in S3 or S4, I had a series of back and forths with a poster #onhere about Fitz being weak, and about how Olivia was being dragged down by this supposed weakness. Much of what I said is still relevant, and some prescient (Part I, II, III, IV.).  I just did a deep dive on how the very idea of qualities like love/vulnerability/compassion/grace are perceived as âweakâ because they are associated with the feminine. And because we live in a culture that sees strength and power in the kind of masculinist terms that depend on dominating or obscuring that which is feminine. Patriarchal binaries see man as the ânot womanâ. Therefore, in these terms, the worse thing a man can be is like a woman. And for a woman to be seen as truly strong, she must adopt the kind of strength defined narrowly by masculinity. Blah, blah, blah. This is all relevant to what I say below, but, anywayâŚ
Rowan framing Fitz as Oliviaâs weakness
I am completely fine if I end up being wrong about the motivation behind Rowanâs appeal to Fitz to save Olivia from herself. I do not trust him, nor has he done anything to warrant my trust. Mere months ago Rowan wanted Fitz to run B6-13 as a check on Oliviaâs power. Besides the fact that we knew he intended to use Fitz as a way of running the organization himself, now Iâm supposed to believe that heâs distraught over the emotional effects this will have on Liv? The organization that Liv said nearly destroyed her life and that of her fatherâs, Rowan didnât give one fucking iota if it was gonna ruin Fitzâs life AND continue to be an obstacle to Olivia and Fitzâs relationship, ensuring Olivia as his âchampionâ. This requires Oliviaâs dedication Rowan as the primary male influence in her life. Didnât give a shit about that. But NOW he needs Fitzâs âweakâ ass to keep Olivia from destroying herself through B6-13.Â
Rowan has tried everything he possibly could to eliminate the love between Olitz: B6-13 prostitutes, shaming Olivia for not using Fitz in transactional ways to become what she now is: Chief of Staff (301); framing Oliviaâs mother as the murderer of Fitzâs child (318); playing a hell and high water chess game to get Olivia to seclude herself on an island, away from Fitz (S3); telling her that she must never choose any man over him (408); encouraging her to burn Fitz in the name of justice (419); insinuating himself into their relationship after it barely got started and compelling Olivia to âchooseâ him (506-507); directing her toward this White House path with the fucking ex-wife of the man she loves (5B); and letâs not forget the general chaos he has sewn in the girlâs life to keep her âfireâ burning. And I wonât bother getting into my S4 theory about Rowanâs involvement in Livâs kidnapping also being about destroying the idea of Fitz for Olivia. Spare me this kind of supposed love.Â
My point is this: after ALL of the above, Olivia and Fitz still love each other. Rowan knows this. He has the goddamn temerity to name Fitz as Oliviaâs weakness. It seems to me that the love Rowan has worked nearly a decade to destroy has stubbornly endured. How is that weak? Sounds like true strength to me. Sounds like something thatâs powerful to me. ButâŚ
Rowanâs lack of compassion and determination to breed the same out of Olivia
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