I know itâs easier to condescend and encourage âothernessâ than it is to be accepting of differing ideas, but I invite you to actually listen to me:
 Dipper and Mabel were created recently for one show (one type of media), with one plot, written by one party of writers, headed by one person, with one officially distributed release. Raggedy Ann has had many adaptations and exists in many mediums. This isnât a good comparison because of that fact, and because you acknowledge later on that there is an adaptation and some parts of the books show Ann and Andy as non-siblings, but there is no comparable published and distributed content in existence for Gravity Falls. Theyâre not the similar enough entities to use for this argument, except for obvious the âsiblingâ comparison.
 Youâre picking and choosing where you get your Raggedy Ann canon from, but so am I, so this wouldnât matter to me if you werenât being openly antagonistic towards people doing it the way Iâm doing it AND hypocritical at the same time, but you are, so here we go.
You seem to be saying a a creation (40â˛s film) that supports my headcanon is not valid because it didnât involve Johnny himself, but you are deciding to take a little bit of your idea of canon from the 1977 film, which ALSO did not involve Johnny himself and instead was written by people not even related to him and whom never got to consult him directly.
Richard Williams and whatever other hands the script passed fabricated what they wanted for RAA:AMA to suite their vision, including a few new characters, and in a few cases completely changed existing characters ( the twin penny dolls were once small and looked much different, remember?), but somehow you say that film has more canon just for being more recent. How is that more recent film any better than something that was at LEAST co-written by an ACTUAL RELATIVE of Johnny? Either argument could be valid depending on who you are and what you think is more important: being more recent or being closer to the man himself.
Trying to police a true canon for Raggedy Ann and Andy is about as futile as trying to police a true canon for Little Red Riding Hood or the story of Dracula because though these stories do indeed have original versions, they have been retold and adapted by different creators so any times that a fan of either must now decide what book/movie/comic they like best and roll with that book/movie/comicâs canon. Â Everyone either picks a version already out there or comes up with their very own headcanons, and to shame someone for either option seems nonsensical.Â
So letâs look at what weâre both doing here:Â
Your idea of âcanonâ is created from these selective pieces of evidence (from what youâve just told me):
  1. some of the older book material: sometimes Gruelle did explicitly say they were siblings.Â
2. The musical: they mention being siblings
3 The 90â˛s cartoon: never watched, but I assume they mention being siblings
4. the 1977 film: they introduce themselves as, and refer to each other as, siblings around others .
You use the 1977 film to support the âyes, they are siblingsâ concept, but also somehow think that that Ann and Babette have chemistry, when in the film Babette seems to not care much for Ann when meeting her, and canonically (in the film) ends up in a mutual heterosexual relationship with the Captain. I donât like the fact she ended up with him ( because he literally kidnapped her and they have nothing cute or loving between them in my eyes), but if you want to use part of the film (Ann and Andy saying theyâre siblings) to support yourself on one headcanon, but ignore a key part of it (Babette willingly reciprocating a dudeâs love) to support another, your argument no longer makes sense.Â
Babette, if RAA:AMA is where you want to grab your canon from, cannot just be gay (though she could be bi still) unless you do exactly what Iâm doing to support my that theory Ann and Andy arenât really siblings: use selective evidence and create headcanons with it.
You could say something like âWell maybe Babetteâs just humoring the Captain but she really likes Ann on the side, or ends up with her laterâ, but itâs exactly the same kind of stretch Iâm doing where I say âMaybe Ann and Andy are just pretending to be siblings around others to maintain their privacy/ keep an innocent aesthetic going for childrenâÂ
You keep insisting I ship incest even though I only ship Ann and Andy with a headcanon where they arenât siblings (me ignoring your idea of âcanonâ), but by your own logic youâre ignoring your own idea of canon by thinking Babette and Ann like each other romantically even though Babette reciprocates the Captainâs affection at the end. Do Ann and Babette love each other before or after Babette tries to run away to Paris, or before or after changing her mind about going to Paris , but still CHOOSING to love the Captain? You can work around this however you like and it doesnât really matter in a normal situation, but youâre calling out other people for stretching facts to make a different ship work.
You say Iâm finding âan excuse to ship Boy and Girl togetherâ, which- ignoring the fact that itâs implicitly belittling towards at least two entire sexualities as though boy and girl couples are bad or something- is exactly the logic stretch youâre doing with Ann and Babette here, except youâre finding âan excuse to ship Girl and Girl togetherâ . Once again, I wouldnât normally care that you ship them, but youâre belittling others AND being really hypocritical in the process.Â
You literally ship two characters from this fandom in the context of attacking people for shipping something else, despite the fact that BOTH ships are refutable by evidence in the movieâs plot.Â
My idea of âcanonâ is created from these selective pieces of evidence, no more or less valid than what you chose for yours:Â
1. Like you, I went by some of the older book material: in Raggedy Andy Stories from the Gutenberg archives, a letter cited at the beginning of the book from Johnnyâs MOTHER to Johnny (recall that supposedly Ann was made not by Johnny, but originally for his mom by her own mom) claims the original Andy was made by her neighborâs mother and belonged to here neighbor originally, so if your definition of siblings for dolls is being made by the same person or cut from the same cloth, they wouldnât be siblings in that case.
(Side note: this letter is really cool and it shows how the children did whatever the hell they wanted with the toys including just being like âhey Andy is a girl right now because I said soâ. Itâs so cute)
I also noticed from reading some of the the other books that Johnny constantly changes his own canon rules from book to book, such as âsometimes they canât eat because OF COURSE theyâre dolls, but now they can eat, but now they canâtâ So even though I can find parts from the books that support either side of the sibling/not sibling argument, whether he says they are or not in one book is arguably no more valid to hold onto than any of the other rules that he continuously introduced and discredited later on. At that point itâs just whatever makes you happy to roll with. Since a letter at the very beginning of the first book With Andy says he was made by a neighbor, itâs as easy as liking that idea more than liking the idea they were somehow both made by Johnnyâs grandma. Johnny obfuscated his own lore (he was certainly a lover of absurdity), even around the origin of the dolls, according to Patricia Hall, someone whoâs seemingly gone out of their way to document Raggedy Annâs history as thoroughly as possible.Â
2. The 1941 film, which was in fact co-written by Worth Gruelle, one of Johnnyâs sons, and to me thatâs a validating fact, but to others it doesnât matter. I donât care either way, because the film is there, I like it, and I choose to give the involvement of an actual relative of Johnny Gruelleâs involvement significance for myself.
3. The way the two characters interact in the 1977 film is far too intimate for me to be comfortable with the idea of them being siblings or somehow not a couple. Iâve personally only experienced that degree of physical and emotional intensity with my significant other, and romance in many other movies is shown as being exactly how Ann and Andy act in the âCandy Hearts and Paper Flowersâ scene.  If theyâre really siblings somehow, and that scene is also âcanonâ, then seeing them touch each other that way for that long makes me grossed out personally; Once again, I do not shame people for believing differently than me, but my experiences hold me back from being able to be ok with them being siblings.Â
4. Itâs very difficult to objectively define what would make dolls ârelatedâ if they were sentient. If you take a scientific route, they would need genetic material to be able to be related. Any other direction requires you, by its very nature, to fabricate a completely arbitrary definition of what it means to be âsiblingsâ, and it can only get more convoluted and slippery of a slope from that point on.Â
 Neither of us can successfully claim that the âcanonâwe want to believe is more âcorrectâ because weâre both doing the same damn thing, just on different ends of the spectrum. I KNOW what Iâm doing is selective, but Iâm not trying to attack anyone for being selective in a different way than myself, whereas you are.
That is the ONLY reason any of this bothers me: Itâs difficult-to impossible-for a person to figure out one âtrueâ canon for Raggedy Ann with one set of rules- or even one set of characters- without having to pick and choose âHmm, which one of these will be my Raggedy Fandom God today: this book Johnny wrote, this letter Johnny cited IN his book,  this part of this movie, this older animated short, this one other book he wrote later, or this book someone else wrote? Hmm, some of them really contradict each other and even themselves, but ya know, I guess Iâll just pick what makes me happy â, and so knowing that, it seems unnecessary to be so rude to anyone who picks different bits to build headcanons on than you.
 I donât think Iâm any more âweirdâ or âgrossâ for thinking Ann and Andy are a couple pretending to siblings than you are for deciding itâs okay to alienate other people and their art asâweirdâ and âgrossâ despite seemingly marketing yourself as an open-minded and accepting person, for calling me out (a person who genuinely never did anything to you) just for reblogging something I thought was funny from you, or for ignoring a canon outcome in a film youâre citing as evidence in your attempt to validate the unnecessary negativity youâve decided to send towards me, and any others like me, in this tiny fandom.
Everyone can (and will, of course) ship and headcanon what they want in general, but in a broken-up, 100-year-old+ fandom packed with inherent inconsistencies, I believe this even more so.Â
 Johnny took an old doll and made her into something no one ever could have imagined. Raggedy Ann and Andy have comforted and given joy to children and adults alike over many generations, including ours. The cool thing about toys is that toys are vessels of the imagination, especially Ann and Andy because of their age and sheer extent.Theyâve been whatever anyone has wanted them to be for a long time, and whether you like it or not, both you and I are going to continue to interpret these characters differently in our two very different imaginations, however we see fit. I donât think itâs a bad thing; I think itâs a wonderful thing.Â
A person liking something doesnât hurt anyone, but ostracizing them for liking something does.Â
 Itâs really easy to just. Not do that.Â