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One Nice Bug Per Day
cherry valley forever
I'd rather be in outer space 🛸

titsay

Kiana Khansmith

❣ Chile in a Photography ❣
The Bright Sessions

shark vs the universe
d e v o n
2025 on Tumblr: Trends That Defined the Year

Love Begins
art blog(derogatory)
official daine visual archive
h
RMH
🪼
Interview Vampire Daily
Lint Roller? I Barely Know Her
todays bird
seen from Türkiye
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seen from China
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@norusandvich-blog
You can really tell when a cartoon is created by comedy people who don’t really care about cartoons.
I was actually talking about the art styles, and not the overall quality of the shows.
It’s not that these shows’ art styles are ugly, it’s that they’re bland. It feels like during the initial design phase the artists just did a cookie-cutter job because the creators were too busy with the writing to give them much direction. It could still be saved by good writing, storyboarding and animation (and this might be the case with Big Mouth, from what I heard) but it still looks underwhelming on a fundamental level, when it could have been better.
Also, there’s this sentiment going around recently that adult cartoons in general have bad art styles. While it’s true that having a niche audience makes it harder for more ambitious adult cartoons to flourish these days, I feel like some of these sentiments are misdirected towards shows that don’t deserve it. Sure, adult cartoons, especially sitcoms, usually have a more grounded approach, but that doesn’t mean they’re less inspired.
Like, when Mike Judge created King of the Hill, he had a very specific vision on what he wanted his cartoon to look like, right down to the characters’ body language. He wanted it to feel like a live-action show that just happens to be animated.
Or like when Raphael Bob-Waksberg made Bojack Horseman, he insisted that Lisa Hanawalt be the production designer because he wanted the show to look like her art. She even had her own consistent rules about how they would anthropomorphize the animal characters.
Or how Bob’s Burgers made their characters look endearing without making them conventionally cute or attractive, keeping in line with the show’s themes of loving yourself, imperfections and all.
Or how the Smith family in Rick and Morty intentionally looks normal so that the aliens around them look even weirder, while also allowing them to subvert standard sitcom family archetypes.
(also RnM has tons of fucking gorgeous art, let’s be honest)
Even if they don’t look like Disney, you can still tell when the creators care a lot about how their shows look. They chose the style that fits the tone they were going for. Don’t mistake grounded for bland.
unknow source
A wave crashes into a lighthouse in Porto, Portugal. The photographer was dragged by the wave and had to receive care for hypothermia, but is fine now. x
by Bronwen Vaughan-Evans
from Asterios Polyp, by David Mazzucchelli.
Title page. Loneliness? 1915.
“Nostalgia” Un comic sobre otra clase de fantasmas para este domingo, espero les guste :) Y el recordatorio: Vamos en el 291% en la campaña de Kickstarter!! El libro ya es un hecho, pero si lo adquieren en la campaña tendrán aparte un parche, pin metálico y libreta de regalo!! (y recuerden que el envío en México es gratis). Quedan 20 días!!: https://www.kickstarter.com/projects/623630590/the-mountain-with-teeth-historias-de-piedra
me rn
by Tina Van Dijkart
stop looking at me
Seguir leyendo
am i real
Yoshimune Arai (Japan,1863-1941)
Fishing at Night
“Wolves stole off to hide in the wilderness.” Red people of the wooded country. 1932.