don't eat ants

Film Inspiration - Marcella, 19, South Africa.@Marcella_Dee

[journalofanobody]

Tanka Diary

There were sunny days

when I was led on by hope

and the songs of birds.

But today the sun is gone,

and I feel I’ve lived too long.

– Michael Boiano

[mstrkrftz]

[thrilled-d]

🍃

[nevver]

Light falls of board walk, Eizin Suzuki

[56blogsstillcrazy]

GIVE THIS MAN A RAISE

[bruhyoukillinthevibe-deactivate]

FACTS 😂😂😂

[minimalmikee]

Prophet.

[abrx]

this is why they pay us to go to sales classes

[thunderstruck9]

Andreas Rickenbacher (Swiss, b. 1959), Eiszeit am Silsersee [Ice Age on Lake Sils], 2017. OIl on canvas, 140 x 100 cm.

[bookmania]

The secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You  know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again. That is their mystery and their magic.

Arundhati Roy, The God of Small Things (via bookmania)

[eatsleepdraw]

Lifelongfiction 

@waltzinthedark

[thunderstruck9]

Sandra Cinto (Brazilian, b. 1968), Tempest in Red, 2009. Acrylic and permanent pen on canvas, 160 x 249 cm. Albright-Knox Art Gallery, Buffalo, NY.

[altcomics]

[opticallyaddicted]

The Collage Art and Animation of  Isabel Chiara

[ourwakingsoules-deactivated2019]

Compulsory heterosexuality works most powerfully in the most casual modes of conversation. One asks: ‘Do you have a boyfriend?’ to a girl, or one asks ‘Do you have a girlfriend?’ (to a boy). Queer subjects feel the tiredness of making corrections and departures; the pressure of this insistence, this presumption, this demand that asks either for a ‘passing over’ (a moment of passing, which is not always available) or for direct or indirect forms of self-revelation (‘but actually, he’s a she’ or ‘she’s a he’, or just saying ‘she’ instead of ‘he’ or ‘he’ instead of ‘she’ at the obvious moment). No matter how ‘out’ you may be, how (un)comfortably queer you may feel, those moments of interpellation get repeated over time, and can be experienced as a bodily injury; moments which position queer subjects as failed in their failure to live up to the ‘hey you too’ of compulsory heterosexuality.

Sara Ahmed, The Cultural Politics of Emotion   (via empirescollapse)

[dorkstrider-blog]

why do women’s clothing designers believe that girls do not need pockets

[everydayisachorechorechore]

It’s so they can sell us bags

[ichanic]

[agentdalecooper]

me

[theglasschild]

enough about sex positions has anyone discovered a reading position which doesn’t get uncomfortable after 5 minutes

[aquacitys]

academic success is not the most important thing in my life, i tell myself as i’m having a breakdown because of academic success, the most important thing in my life

[kh2rac-deactivated20181224]

I shot and interviewed my two best friends for Cakeboy Magazine out now!

[brittonius]

this makes me wanna actually show off my big body because I DO NOT see enough of this. Beautiful all around.

[weloveshortvideos]

Nigga was prolly eating pussy in his dream